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Posts tagged ‘writing tips’

Jun 10

Story inspiration from Neil Gaiman: write a story for a friend or loved one

Stories come into being in all kinds of ways. They may start from a dream we’ve had, an overheard conversation, an image we see driving down the road, a newspaper story, or from hearing an author read their work aloud. Many of my poems or stories have come from these inspirations.

Author Neil Gaiman said his most recent book, “The Ocean at the End of the Lane,” started out as a story for his wife, musician Amanda Palmer. In an interview with Tim Martin for The Telegraph, Gaiman says that while she was away recording an album, he thought he’d write her a story because he missed her.

“She doesn’t like fantasy very much, but she really likes honesty, and she really likes me. Writing it was like going, look, this was me. You’re always interested in me. The family isn’t really mine, the things that happened aren’t really mine, but the landscape, the place it happens, is me, and the eyes out of which this kid looks are those of seven-year-old me.” Read more

Jun 5

Write with a body double for courage

Recently, I was at the local hospital while a family member was having surgery. Though I was keeping other family and friends updated via email, text, and phone on our loved-one’s progress, I owe a debt of gratitude to my cousin who came to the hospital and sat with me.

Having somebody physically by my side made me feel less alone and made this event feel “doable.” It reminded me of the earlier posts Carly and I wrote about having a “body double” while writing. Having another person physically present next to you while you write gives you a wonderful feeling of community and kinship. We all have doubts at some point during our writing and having a body double can give you the confidence and courage you need to continue on.

If you haven’t tried writing with a body double yet, I highly recommend it.

To read more about writing with a body double, read Carly’s post: Find writing success with a buddy.

May 28

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Two reasons to delete adverbs from your writing

Readers are smart and smart people don’t need to be told how to feel when they read your story.

The best way to get your readers to feel is, of course, to evoke those emotions within them. As a writer, you do that by using strong nouns and verbs and creating meaningful images and scenes. You don’t do that by using adverbs.

According to author and poet Jack Remick, relying on adverbs to tell our readers how to feel is a lazy way to get to emotion.

In his insightful interview with Joel Chafetz, Remick gives an example of a poorly used adverb—“Get out of here, she said sternly,”—and says it can easily be replaced with something stronger such as, “Get your butt out of here,” she growled.

Another reason Remick says he hates adverbs is because they hide images. Read more

May 22

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Banish writer’s block with this tip from poet William Stafford

“There is no such thing as writer’s block for writers whose standards are low enough.” –American poet William Stafford

Poet William Stafford wrote every day, rising early in the mornings before the rest of his family. This discipline resulted in about 20,000 completed or attempted poems over his lifetime—of which only 6,000 or so have been published. Occasionally accused of being “too prolific,” Stafford would say, “if you get stuck, lower your standards and keep going.”

I needed this advice this week. Stuck on the same chapter for two weeks now, I realized that something needed to give. It’s not that I don’t know where this chapter is going—I do and I’ve even scratched out an outline of the scene. My problem is that I’ve been too hard on myself. I’ve been tired and stressed lately and beating myself up for not getting further in my story AND I’ve been expecting my prose to be at top-notch level during all this. Rubbish.

Taking Stafford’s advice, I realized that I just need to lighten up and get on with it. Write the crappy chapter. Let my prose suck. I can go back and fix it later when I’m not so stressed and fatigued. After all, this is a first draft. And, as my poetry mentor says, “First drafts are meant to be sucky.” Read more

May 20

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British writers weigh in with tips to defeat writer’s block

Despite our best efforts to stay in the flow of our writing and showcase our brilliance in every word and idea that flashes through our mind and onto our white space, we still have times when the words get stuck.

Currently experiencing one of these frustrating moments myself, I thought I’d explore the idea of writer’s block this week and see what other writers have to say about it.

In this seven-minute video, “Getting Through Writer’s Block,” BBC writers share their tips on getting yourself unstuck, including:

  • Try to write something—improving nothing is impossible, improving rubbish is entirely possible. Read more

May 7

Add poetry to your writing repertoire

April may have been National Poetry Month but poetry is a mainstay in our writing life here at OneWildWord. Writing and publishing poetry or short stories is a great way to build up your artist resume while working on longer manuscripts.

Below are three of our most popular posts on different aspects of writing poetry. We hope you enjoy them!

How do you know when your poem or story is done? In this post, Carly shares her thoughts and those of poet Mary Jo Bangs on when a poem feels “done.”

Queen of the list: How I transformed compulsive list making into art is about creating lists to use in your prose or poetry. If you have a compulsion for list making, why not turn it into something useful?

This post answers the question, What makes a good metaphor? And how do you know when a metaphor is working?

May 2

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Rituals of famous writers revealed

Whether you’re driven to writing with ideas exploding inside of you like Ray Bradbury or you take an hour later in the day to go over your morning pages like Joan Didion or you write in the middle of the living room with all kinds of white noise around you like E.B. White, you most likely have a writing routine or writing rituals you practice to make sure you get your words on paper.

Or, maybe, like Benjamin Franklin, you start each morning by asking yourself a question, “What good shall I do this day?” And you end each evening with another question, “What good have I done today?” Read more

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