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Posts tagged ‘writing tips’

Jun 18

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Work like a visual artist to develop new writing muscles

On a recent trip to Canada, I noticed a woman painting along the shore of the lake. She had her easel set up and was capturing the snow-capped mountains rising up out of the water. I noticed how she would look at the scene in front of her as if memorizing a detail, then bow her head to canvas and work on a section for several minutes before raising her head to memorize another detail of the setting.

This reminded me of advice I once read from author and poet Priscilla Long in The Writer’s Portable Mentor: A Guide to Art, Craft, and the Writing Life. To learn how to write body language in your scenes, she suggests the following exercise: Go to a public place like a coffee shop and observe two people as they talk to each other. Notice their body language. Write in your notebook all the body language you see. Read more

May 15

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How to use rejection to improve your craft

Rejection is how we writers grow thick skins, but we can also use it to better our craft. When I first started sending out my memoir, my husband suggested I send it to fifty or so agents right away. Since acceptance can be a numbers game, I understood his logic, but I felt it was better for me to start out slowly. And I’m glad I did. I received excellent, positive feedback early on that made me rethink my story and take my memoir in a new, more exciting direction. Now, I have a book I feel proud of as I begin to send it out again.

But what if you don’t receive helpful rejection letters? What if you get rejection after rejection and aren’t sure where you’ve gone wrong? Jessica Page Morrell, editor, author and writing teacher, has some good tips in her post, “25 Reasons Why Manuscripts are Rejected.”

You can also read my earlier post, “Six Guidelines for Turning Rejection into Success,” for tips on turning those rejections around.

And, if you want to really put rejection in perspective, try the rejection generator.

Do you have any rejection stories you’d like to share?

May 9

Creating high-concept story ideas, part 2

In my last post, I described what makes a high-concept story idea: one that grabs our attention or is a twist on the usual story.

In this post, I’ll share some places to find those high-concept ideas:

1. Your local newspaper. Whenever I find an unusual article, I file it away for possible use later. Example: Years ago, I read a story in the Seattle paper about an elderly couple who’d gone on an outing to the library and then simply disappeared for three days. Both had dementia and they drove around for days, trying to find their way back home. Wow! That, in itself, is pretty unusual. I could write a poem or short story about this or base a character in a book on this story. Read more

May 7

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Creating high-concept story ideas, part I

Recently, at our local Field’s End Writing Conference, author Shelia Roberts spoke about high-concept novels. Whenever I hear the term “high-concept,” it always brings images of espionage thrillers like John le Carre’s Tinker Tailor Soldier Spy or a complex, multi-charactered story like Stephen King’s The Stand.

But what I learned from Roberts was that “high-concept” doesn’t necessarily mean exceedingly complex. A high-concept idea is one that is unique, unusual, or stands out in some way. Roberts describes it as, “stepping outside the box.” Read more

May 3

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Write to your white hot center

In my writing group last night, somebody talked about how as writers we often write around what we really want to say.

Think of your idea, story, or poem as a bright yellow sunflower or maybe a snow-white lily. Around this flower flits a multi-colored butterfly. He dances, darts, and flutters around the flower until he finally hones in and lands.

Writing can be like that. Sometimes, it takes me a while to warm up to what I want to say and that’s okay. Writing is a process of discovery. The key is in the editing after the initial dance of pen and paper. In a poem, I may cut the first stanza or even first half of the poem. In my memoir, the current chapter one is not the chapter one I first wrote. Read more

Apr 19

Guerrilla grouting and writing

End of week 5, emergency remodel.

In February, our upstairs bathroom sprung a leak that dripped down the wall and through the ceiling downstairs. We wanted to replace the bathroom and kitchen floors anyway, so we hired our contractor friend.

We live in a 100-year-old house and, as these projects tend to go, one thing led to another and our two-week job is now almost into week six.

I appreciate our contractor because I’m about as handy with a hammer as an elephant is with a paint brush (excepting those amazing elephant artists). I do have an awesome pink hammer but the most action it’s seen is when I accidentally dropped it on my foot when I brought it home from the hardware store.

Since my contractor will be gone for the next week, I volunteered to do whatever needed to be done in order to keep the momentum going. I want my house back. I want my life back. And I have a deadline because of an event in May. So–my job this weekend is to grout the shower tiles and finish grouting the floors. Read more

Apr 9

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Writerly habits of perseverance

Writer’s write. We know this. But sometimes life happens. Lately, my life has been one big interruption. In February, my mom passed away, two days before her funeral our bathroom flooded, and since then we’ve been living in the midst of a remodel.

We live in a hundred-year-old house, so one thing uncovers another and it never seems to end. A person could get bleak. A person could give up writing for the interim—especially considering that I have two (small) useable spaces in the house fairly clear of sheetrock dust, contractor tools, and supplies. When you work from home and have nowhere else to escape to, it can be a problem. Read more

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