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Posts tagged ‘writing tips’

Jun 25

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The power of clustering to generate writing ideas

Recently, I’ve been toying with an idea for a creative nonfiction piece that I want to enter in an upcoming writing contest, but I’m having a difficult time getting all the threads down. After reading about different plot tools in author Holly Lisle’s “Create a Plot Clinic,” I decided to try her idea of clustering to expand on my idea. 

Lisle says, “To cluster, you write a word, a phrase, or a question, draw a circle around it, draw an arrow, write the first word, phrase or question that comes to your mind in relation to the first circle, and keep writing and drawing until you’ve formed a web.” This technique is also called mind mapping, and I’ve used it before but then sort of forgot about it.

So I pulled out my yellow pad and pen (colored pencils and drawing paper are fun, too) and wrote my original idea in the center of my paper and circled it. From there, I drew lines and other circles and wrote down the first words that came to me. Within a half hour, I had my entire piece outlined in the mind map.

Here’s a picture of what it looked like when I was done (don’t be frightened off from my handwriting–it comes from my paralegal days):  Read more

Jun 19

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Write scenes a beat at a time

In Sandra Scofield’s The Scene Book: A Primer for the Fiction Writer,the author defines the term “beats” as small units of character action and reaction.

Beats are, “the way we break down events into small steps of action, making it possible to evaluate whether those steps move the action effectively toward the culmination of the scene.”

Scofield recommends jotting down the beats of each scene before we write or before we revise in order to have a clear vision of where the scene is going. If we have a sticky or muddy scene, this exercise can help clarify the scene and make it stronger. Having the beats of a scene clearly thought out also makes it easier to control pacing and review the logic of the scene. Read more

Jun 17

Find writing success in small, daily actions

It is a universal law that you must express your power

or the power will turn against you. What do you choose? 

—Michele Jamal, Shape Shifters:

Shaman Women in Contemporary Society

The above is one of my favorite quotes because it reminds me to express my power or be my “gift” each and every day. We all have gifts—a light that we uniquely bring to the world—but we don’t always display or use our gifts.

Recently, I was reading “The Compound Effect” by Darren Hardy, the publisher of Success magazine, and realized how easy it is to ride along in life and not make the daily little choices we need to make in order to allow our gifts to shine. I spent much of my early adult life just going with the flow and letting others make choices for me. Because I wasn’t proactively living my life, life was living me.

You know what I mean and, if you don’t, here are some examples:

  • Did I really inhale that bag of potato chips without even thinking about it? Read more

Jun 11

Using storytelling in writing: Two examples

Are you a storyteller? I come from a long line of storytellers. They’re not necessarily writers (in fact, I believe I’m the first “writer” in the family tree), but they are serious tellers of stories.

I wrote about my family’s storytelling in my memoir. In one scene, I’ve just come home from 4-H camp with a sprained ankle and my father has met me in the parking lot of our grocery store with bad news about my cousin and best friend, Susan. Read more

Jun 10

Story inspiration from Neil Gaiman: write a story for a friend or loved one

Stories come into being in all kinds of ways. They may start from a dream we’ve had, an overheard conversation, an image we see driving down the road, a newspaper story, or from hearing an author read their work aloud. Many of my poems or stories have come from these inspirations.

Author Neil Gaiman said his most recent book, “The Ocean at the End of the Lane,” started out as a story for his wife, musician Amanda Palmer. In an interview with Tim Martin for The Telegraph, Gaiman says that while she was away recording an album, he thought he’d write her a story because he missed her.

“She doesn’t like fantasy very much, but she really likes honesty, and she really likes me. Writing it was like going, look, this was me. You’re always interested in me. The family isn’t really mine, the things that happened aren’t really mine, but the landscape, the place it happens, is me, and the eyes out of which this kid looks are those of seven-year-old me.” Read more

Jun 5

Write with a body double for courage

Recently, I was at the local hospital while a family member was having surgery. Though I was keeping other family and friends updated via email, text, and phone on our loved-one’s progress, I owe a debt of gratitude to my cousin who came to the hospital and sat with me.

Having somebody physically by my side made me feel less alone and made this event feel “doable.” It reminded me of the earlier posts Carly and I wrote about having a “body double” while writing. Having another person physically present next to you while you write gives you a wonderful feeling of community and kinship. We all have doubts at some point during our writing and having a body double can give you the confidence and courage you need to continue on.

If you haven’t tried writing with a body double yet, I highly recommend it.

To read more about writing with a body double, read Carly’s post: Find writing success with a buddy.

May 28

2 Comments

Two reasons to delete adverbs from your writing

Readers are smart and smart people don’t need to be told how to feel when they read your story.

The best way to get your readers to feel is, of course, to evoke those emotions within them. As a writer, you do that by using strong nouns and verbs and creating meaningful images and scenes. You don’t do that by using adverbs.

According to author and poet Jack Remick, relying on adverbs to tell our readers how to feel is a lazy way to get to emotion.

In his insightful interview with Joel Chafetz, Remick gives an example of a poorly used adverb—“Get out of here, she said sternly,”—and says it can easily be replaced with something stronger such as, “Get your butt out of here,” she growled.

Another reason Remick says he hates adverbs is because they hide images. Read more

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