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Jul 15

Four reasons why writers resist writing

Have you ever put off a project because it seemed overwhelming? You want the end result — a clean, tidy garage with space to park your car. Or an organized closet with all your clothes color coded and shoes lined up side by side.

Or a finished manuscript.

But you’re overwhelmed by the size of the project. Maybe you even started it, but you’re stuck. Sometimes a change of perspective is in order.

My friend Tami and I met for coffee recently at a Borders Cafe.  She mentioned that, “Yes, I need to get back into my book.”

This is how the conversation went next: Read more

Jul 14

Five steps to creating single-point focus

My husband and I were strolling along our city’s boardwalk this weekend when a bald eagle swooped overhead and landed on the mudflats to fish. We stopped to admire him—so silent and still as he hunted bullheads in a nearby stream. Soon, a small black bird, maybe a young crow or raven, began dive-bombing the eagle—a constant back and forth motion that reminded me of a giant pendulum.

Neither bird gave up. The black bird continued its assault. The eagle ignored the little bird and stared fixedly into the stream. We were amazed at their determination.

As a writer, this is what I’m always looking for—that single-point focus. My world has too many distractions—e-mail, phones, social media, business, housework. I find it too easy to get off track, and far too difficult to find my way back. Read more

Jul 13

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What I learned from Truman Capote about character description

No one wants to be known for writing flat, boring, cardboard characters.  Luckily, I learned from Truman Capote that it’s not the information you tell about a character but how you show it that makes all the difference.

In one of my favorite short stories, A Christmas Memory, Capote builds finely detailed characters by offering interesting and sometimes odd descriptions of them. His character description goes beyond simple physical details. The description propels the story by setting a tone and introducing contrast and tension. Read more

Jul 12

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Ground your readers and they will follow you anywhere

We know the importance of a good beginning. First line, first paragraph, first page is your opportunity as a storyteller to hook your reader, to get them interested enough to want to read more.

Nelson Bentley, wonderful poet and professor at the University of Washington for 40 years, used to say this about poem beginnings, “Give the readers a place to stand, and then you can take them anywhere.” This same advice holds true for all writing.

In journalism, the fives W’s (who, what, where, when, why) and one H (how) is a formula drilled into young journalists for getting the full story. They are instructed to get as many W’s into the lead as possible. But how do we do this in art without turning it into dry, boring facts?  Read more

Jul 11

What’s in your writer’s notebook? Here’s what’s in mine

I get jittery if I don’t have a notebook with me at all times. I have a tiny one that fits perfectly in my purse. And I have others of all sizes. Boxes of notebooks in all shapes. Stacks of them in all colors. But I digress.

“Carry a notebook” is one of the most common pieces of advice in the writing universe. I use mine to note story or poem flashes — anything that strikes me as odd, sad, funny, out of place, or thrums in my chest — even if I don’t know why I feel compelled to write them down.  I might use these observations as part of a description, an idea for a character, or as a plot for a story.

The act of carrying a notebook primes my subconscious to be in a state of “full observation mode.”

I’m sharing some recent entries from my writer’s notebook in case they inspire you to see more deeply as you live the writer’s life:

Customer at a Denny’s restaurant placing her order:
“I’d like my eggs over hard and burned” Read more

Jul 8

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Queen of the list: how I transformed compulsive list making into art

I am queen of the list. Hear me roar. I make lists for everything. Maybe it’s my feeble attempt to make some kind of order out of my chaotic mind.

Lists are important—without my work lists, I’d never get anything done: shipping, phone calls, emails, appointments, ordering.

I also make lists for writing projects. Since I’m one of those neurotic artists who needs a variety of stimulation, I list action items under certain categories: Fantasy Novel, Memoir, Poetry, Blog Posts, and Continuing Education. I’ve even made a weekly writing log to check off action items as completed.

There’s something magical about checking off a completed task. I feel satisfied, successful, slightly euphoric. My friends threaten an intervention, but I tell them there are worse addictions. One success begets another and before long, I’m on an upward spiral.

But lists don’t have to be just for organization and keeping your goals on track.

List making can be an art form. Read more

Jul 7

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Write inspired: Seven ways to use your powers of observation

As writers, we all have routines or rituals. One thing we cannot do though is write only when we are “inspired.” We cannot just write when we feel like it.

However, we can write from inspired ideas we collected earlier. Writing doesn’t happen just when you sit down at your computer or with paper and pen. It’s a constant process of gathering ideas and letting them percolate in your subconscious. These ideas can be the fodder for whole novels, snippets of dialogue, or description.

So how do we find those inspired ideas? Live in full observation mode. Take a closer look at everything around you, and take note.

1. Go to the mall — You’ll find all sorts of people at a shopping mall: men and women, young and old, rich and poor. Observe people to collect ideas for how to describe characters. Watch behaviors,  listen to the tone of conversations, observe how people dress.

2. Read the newspaper — Besides reading news and feature stories, scan the ads, including classifieds. Read more

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