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Jul 6

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Six guidelines for turning rejection into success

Rejection hurts. No matter who it’s coming from, or what part of your life it’s directed at, it hurts. As writers, we have to risk rejection if we want to see our work in print. 

What’s the best way to handle rejection? Can we turn it into something positive?

When I began submitting my poetry to literary magazines, my mentor told me I’d need to develop a thick skin and to look at those rejection slips as stepping stones: with each rejection I received, I was one step closer to getting published. Though I accumulated a bonfire-size pile of rejections, I kept writing and kept submitting. When I received my first acceptance letter, I jumped up and down in a little victory dance. All that work paid off. My second acceptance letter came the following week. Read more

Jul 5

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Test your story’s beginning with these five questions

Writing page one can be daunting considering how important it is to hook readers and reel them into our stories. Beginnings are where we establish a relationship with our readers. We want them to eagerly anticipate the journey we’ve created for them. So what does the beginning of your poem, memoir, novel, or short story telegraph to your reader?

Consider these elements as you begin writing or revising:

1. How can I surprise readers? One way of grabbing readers’ attention is by using contrast, unusual language, or upsetting their established view of something.

2.  What question will I answer? Every story — at its heart — has a mystery or question that we the writer must answer. Does your beginning hint at this mystery or question? Read more

Jul 1

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Defeat distraction with a mini writing deadline

Some days I’m easily distracted and can’t settle down and just write. It could be a a pile of paperwork on my desk, dirty dishes that need washing, or the the phone ringing every two minutes.

So I go to my local library to see how many words I can write in 60 minutes.

Like most libraries, the ones in my community have free Internet access. To make sure people don’t monopolize the computers, each one has a time limit. Sixty minutes is the maximum time you’re allowed to use a computer each day. So I know I have to get into my writing quickly once I log on. Most of the time, the other library goers are quiet and inclined to follow good library etiquette. The low-level thrum of library energy makes for good white noise. I’m in my happy place.

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Jun 30

A revision lesson from actress Natalie Portman

I was inspired to think about revising my writing when I watched Golden Globe winner Natalie Portman accept her award for best actress in a motion picture.

As she thanked Black Swan director Darren Aronofsky at the 2011 show, she spoke about what it was like to work with him. “Every time we’d finish our takes, he’d say, ‘Now do this one for yourself.’”

That was Aronofsky’s way of recognizing Portman’s ability and opportunity to take her craft to the next level.

Some writers dread the revision part of writing. Others love it. I maintain that the rewrite is where the writing actually happens. We are the ultimate owners of the final product. So once you’ve written your first draft, then revised and revised…. and revised. Do one more revision — this time for yourself. Try these scene editing and rewriting techniques for your next “take.”

Jun 29

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Masters of emotion: five books that show how to convey character emotions

Recently, I wrote a post about character emotions and how to write about the body. Below are five books from my reading library that show different ways of conveying character emotions:

1. Bastard out of Carolina by Dorothy Allison. Note her use of specific detail, imagery, and metaphor to show bodily feelings and her characters’ emotions.

2. The Road by Cormac McCarthy. Notice how his spare language conveys the post-apocalyptic world of his setting and characters.

3. Elegy for Iris by John Bayley. The author writes about his wife Iris Murdoch, a well-known author, and her decent into Alzheimer’s disease. Notice the way he describes both her emotional state and his own through specific details.

4. Road Dogs by Elmore Leonard. Notice how the characters’ dialogue so effectively conveys their emotions and shows us who they are.

5. The House of the Spirits by Isabel Allende. Allende is a passionate Chilean writer. Notice how her passion underlies every sentence of her work and how it pulls you into the story.

I hope you enjoy these! Please share some of your favorite books that are good examples of how to describe character emotions.

Jun 28

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Character emotions: two ways to write about the body

When we experience different emotions, our bodies have physiological reactions. When we’re afraid our heart rate increases, when we’re angry our blood pressure rises, when we’re in love our body releases certain chemicals. As a writer, it might seem natural to describe our characters’ emotions by writing about how their body feels.

The problem is that these descriptions can quickly become overused and clichéd. Beginning writers, especially, make these mistakes, but I’ve also seen far too much published work that reaches for the quick cliché.

Unfortunately, I’m no exception. I wrote poetry for years before I began writing stories. A natural at imagery and metaphor, I had no idea how to do so many other things—like write about the body. I’ll share some of my early examples as long as you don’t “roll your eyes:” Read more

Jun 27

Find writing rhythm by going into revision mode

As a journalist, I discovered a good way to revise copy is this two-step method. First I print out the pages (sorry trees) and read them to myself. Then I read them out loud.

Sure, I make edits when I read copy on my computer monitor, but when I print my pages, it’s as if I’m telling my brain to go into revision mode. I “see” things in a new way. And when I read my work aloud, I hear how the writing sounds — it helps me test the consistency of the narrative voice and hear how the sentences flow.

Our brains are exceedingly proficient at compensating for how something should read, making it easy for us to gloss over a typo or wrong word. This explains why you can ask five people to read your manuscript and still find that an error or three slipped through.

Read your printed copy out loud and to yourself for these benefits: Read more

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