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Posts by Carol Despeaux Fawcett

Jul 30

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Write dialogue cues like a bestselling author

At the Pacific Northwest Writer’s Conference this weekend, I took a series of phenomenal classes from writing teacher and psychologist Margie Lawson. I thought I was a fairly decent writer—I have a few awards to prove it—but what I learned this weekend after taking Lawson’s classes is that “I don’t know nothing yet.”

Let’s just say that by the end of the day I literally had one brain cell left.

One of my favorite classes was on dialogue cues. For the most part, I’ve already learned to keep my dialogue tags short. He said. She said. And to avoid attributions like the following:

  • “I don’t like you,” he said, disdainfully
  • “I hate you,” she said, angrily
  • “Don’t move,” he growled
  • “Get away from me,” she hissed Read more

Jul 24

How a great “voice” can make an opening line

In Joe Fassler’s recent interview with Stephen King in “The Atlantic” we learn what the bestselling author thinks a first line in a novel should accomplish. Besides establishing time and space, and hooking the reader with compelling action, an opening line should, most importantly, establish voice.

We’ve heard the term “voice” before but what is it exactly? King describes it as follows:

“A novel’s voice is something like a singer’s — think of singers like Mick Jagger and Bob Dylan, who have no musical training but are instantly recognizable. When people pick up a Rolling Stones record, it’s because they want access to that distinctive quality. They know that voice, they love that voice, and something in them connects profoundly with it. Well, it’s the same way with books. Anyone who’s read a lot of John Sanford, for example, knows that wry, sarcastic amusing voice that’s his and his alone. Or Elmore Leonard — my god, his writing is like a fingerprint. You’d recognize him anywhere. An appealing voice achieves an intimate connection — a bond much stronger than the kind forged, intellectually, through crafted writing.” Read more

Jul 22

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Draw your way into a scene

I’ve been experimenting lately with different ways to enter into writing scenes. One fun way is to use a sketchpad. I purchased a 5.5 inch x 8.5 inch Strathmore Sketchpad and colored pencils for doodling and have found it immensely useful for everything from sketching scenes to settings to drawing objects that might appear in a scene.

Not a drawer? Don’t worry, neither am I.  My “people” consist of stick figures and my depth perception is nonexistent. Fortunately, you don’t need to be Picasso to use sketching as a way to ignite your imagination.

The first thing I drew in my sketchpad was a dagger. One of my characters carries a dagger and I needed to “see” it in detail. As I was drawing the dagger and the sigils on the blade, I had a vision of the sigils glowing when activated so I added this into a scene.  As I continued to draw the dagger, I realized two other things about it that I hadn’t known before—these will also go into my story. Read more

Jul 17

Three posts to make your scenes stand out

Writing a good scene is all about paying attention to the details. Sometimes, I like to think of my scenes as mini-stories and, in order to help me remember everything that needs to go into the scene, I scan through some of our earlier posts on scene writing.

Below are three posts full of tips for making your scenes stand out.

“Four ways to revise scenes” gives a checklist of things to look for when revising.

“The shape of a scene: endings” shows how to use tension at the end of scenes to keep readers reading.

“How to use symbols in your writing” explains how I use symbols.

Jul 15

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How to choose small details to move your scenes forward

I was reminded the other day that writing short pieces is great practice for writing longer pieces. I had just finished my creative nonfiction submission for the Surrey International Writers’ Conference Writing Contest and was editing it one last time when I realized I hadn’t grounded my reader in the location of the initial scene. Yes, I placed it in a mobile home but where was that home in the world? I could have left it as is and it would have still been fine, but I decided that showing where the home was located would better serve the piece as a whole.

But how to include those details in a manner that served the story while keeping the piece under the 1,500-word limit of the contest? Read more

Jul 11

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Use images in a scene to ground your readers

Using images in a scene can be a good way to center an event or ground the reader in the here and now of the story. Writing images is all about going beyond the cliché and using sensory details.

One of my favorite ways to create an image is to take a simple sentence or idea and expand on it, calling in our different senses.

In my work-in-progress I want to convey at the beginning of a flashback scene that it was a hot August day. I could just state, “It was a hot August day.” This is simple and direct but, because I want to expand on the mood of the scene, I rewrote this simple sentence and fleshed it out—using some sense impressions and an image.

Rewritten example: Read more

Jul 9

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Four questions to help you mine your life for story ideas

Most of my writing is personal. No matter what genre I’m writing in—poetry, creative nonfiction, or fiction—much of what I write about comes from my personal experience. In her post, “What obsessions will end up in your writing?” my blog partner, Carly, asks us to consider what events in our lives have “marked us.” Looking to these events and memories can be a treasure trove of story ideas.

What memories or stories haunt you?

I still remember reading a news article over ten years ago about an older couple that went out for a drive and got lost for three days because they both had Alzheimer’s and couldn’t remember where they lived. This short article in the paper has stayed with me all these years. Obviously, it will become a short story someday.

What poems or spoken-word performances inspire you? Read more

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