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Posts by Carol Despeaux Fawcett

Writing tips from the late author Elmore Leonard

Author Elmore Leonard, who died this week at the age of 87, is well known for turning out gritty crime novels—many of which were made into popular movies including Get Shorty.

Leonard frequently shared writing tips and granted interviews, including the one below about his story-writing process, that usually begins with a character-related idea.

In this next short clip, Leonard talks about his writing schedule:

In my next post, I’ll discuss what I learned about writing dialogue by reading Elmore Leonard. What are some of your favorite Leonard books?

Walter Mosley’s tips for how to write a novel in a year or less

Author Walter Mosley’s book “This Year You Write Your Novel” is chock full of great tips for doing just that.

Some writers create rituals for their writing: lighting a candle, working in a certain place, listening to a favorite playlist, writing with a special pen. Mosley says his only ritual is that he writes every morning.

“The only thing that matters is that you write, write, write. It doesn’t have to be good writing. As a matter of fact, almost all first drafts are pretty bad. What matters is that you get down the words on the page or the screen—or into the tape recorder, if you work like that.”

The next morning, he reads over what he wrote the day before—making minor edits but mostly to get back in the flow of his story. Some days will be rough and unbearable and others will feel sublime as if the words are flowing from a spring of inspiration. Mosley says to ignore these feelings, either way. Happy or sad, the story has to come out.

“Stick to your schedule. Try to write a certain amount every day—let’s say somewhere between 600 and 1,200 words. Do not labor over what’s been written. Go over yesterday’s work cursorily to reorient yourself, then move on.”

In this manner, he says, a first draft can be done in three months and what you will have in front of you is the “heart of the book.” From this heart, you will rewrite and polish and edit until you have your finished story.

But the most important part is getting that first draft down. To see what else Mosley has to say about writing your novel in a year, check out his book. He packs more tips and wisdom into one hundred pages, than some tomes I’ve read.

Do you need to be a great grammarian to be a great writer?

I have to admit I am not the perfect grammarian. When I write, I often “wing” such things as commas and semi-colons. Later, when I go back over my work, I often chuckle at the silly and unlikely places I’ve stashed a comma.

Granted, as writers, we need to have a good understanding of our language but I don’t think we need to obsess over it. That’s what editors are for, right?

I love what author Joan Didion has to say about grammar: Read more

How to ground readers in a scene using killer details

The more I write scenes, the more aware of my surroundings I become. In “The Scene Book: A Primer for the Fiction Writer,” Sandra Scofield says that, “the incidental movements and activities of characters help to define them, and the things they surround themselves with and use are part of who they are….What they do in response to events can be external signs of what they are feeling.”

We don’t want to interrupt the flow of a scene or dialogue by filling the scene with unnecessary detail but we do want enough detail to have our characters feel grounded in space and time and, if possible, we want to use details that can show who the characters are. Read more

How to create your own “dialogue cue” practice

In an earlier post, I wrote about some of the great tips I learned from writing guru Margie Lawson at the recent Pacific Northwest Writer’s Conference.

Lawson coined the term “dialogue cues” to describe the psychological/emotional subtext around dialogue. (For a great discussion of subtext with examples, read The Art of Subtext: Beyond Plot by Charles Baxter).

I’ve been experimenting with creating dialogue cues since Lawson’s class and made up my own “dialogue cue” practice as I did with metaphor practice.  Here’s what I do:

1.  Using one word or a short phrase make a list of attributes of your character—try using what Lawson calls “power words,” words that have an emotional or psychological impact on your reader.

The list for the antagonist in my current work might look like this: Sexy, Sensual, Ancient, Devious, Infectious, Hypnotic, Charming. Read more

Have a writing project to finish this month? Join #ProjectAugust

I attend at least two writing conferences each year—the Pacific Northwest Writer’s Association Conference and the Surrey International Writers’ Conference. Both are fun and offer great courses, events, and opportunities to network, but I mainly attend for the opportunity to fully, one hundred percent immerse myself in the profession of writing. Three entire days where I eat, sleep and dream everything writing.

Being part of a writing community is important to me because it immerses me in what I love and feeds my soul. This month, through author kc dyer’s blog, I have an opportunity to immerse myself in another kind of writing community.

Do you have a writing project or any writing goals you’d like to achieve this month? Need some extra motivation and a community to do it in?  Dyer is offering #ProjectAugust this month—an opportunity to make yourself accountable to finish whatever project you choose. Read more

How Stephen King and his wife created a new generation of novelists: imagination exercises

Earlier this week, the New York Times ran an article by Susan Dominus about novelist Stephen King and his family. In “Stephen King’s Family Business,” I learned that two of King’s three children have gone into the “family” business of writing novels and one son is married to another novelist. Wow. Can you imagine a family of novelists?

One thing that struck me was when King explained that as he and his novelist wife, Tabitha, put their children to bed at night, they didn’t read stories to their children, instead they asked their children to tell them stories. What a great idea and what a wonderful way to encourage young people’s imaginations.

Even as an adult, I try to think of ways to stimulate my imagination such as:

* I practice oral storytelling whenever I can, paying attention to my audience to see if I’ve hooked them. Read more