Dialogue tips: the fastest way to improve any manuscript
by Carol Despeaux Fawcett on November 21, 2014
In this 30-minute video below, author Joanna Penn interviews author and writing teacher James Scott Bell about his book on dialogue, “How to Write Dazzling Dialogue: The Fastest Way to Improve Any Manuscript.”
Bell gives some great tips to make your dialogue sing and catch the eye of an agent, publisher and reader:
- Characters shouldn’t be feeding each other information they already know. Example: Brother to sister: “Look sis, our mom, Linda who is a school teacher is home.”
- Don’t hide exposition or backstory in dialogue. Readers are savvy, will pick up on it, and won’t be happy. Bell says if you must convey the information, try turning the exchange into a confrontation. More information tends to be exchanged when people are confrontational.
- How do you differentiate dialogue between characters? Bell suggests keeping a voice journal for each main character. For more on this, see my earlier post, “Use a voice journal to capture your character’s original voice.”
- When using an action beat instead of the dialogue tag “she said or he said,” make sure the action is integral to the story — otherwise you’ll wear out the reader over the course of a novel.
- Read your dialogue out loud. Make it snappy and vital. Make it sing. Also read dialogue out loud from other novels and screenplays.
- Think subtext—what are the characters really saying underneath the words they speak?
For many more great tips on using dialogue to quickly improve your manuscript, watch the video here:
For you Nanowrimo peeps, try this exercise to increase your word count: Dive deep and write some dialogue runs between characters down the page without any tags or actions. Just straight dialogue. See if you can get into a rhythm and keep going. You can clean it up and add actions and attributions later.
From: Craft, Writing Exercises
6 Comments Post a comment
Reblogged this on Memoir Notes.
Thank you for this very informative post. Good stuff.
Thanks, LaTanya for reblogging!
Great stuff. Weak dialogue is one of the main issues that I see come up with inexperienced writers. I always say this: A) Read your dialogue out loud (as said above.) B) All dialogue should be an expression of conflict. Arguments, disagreements, discourse…these things are interesting, revealing, and they drive the story.
Good stuff. I usually give the following advice: A) Read your dialogue out loud (as stated above.) B) Almost all dialogue should be an expression of conflict. Arguments, disagreements, discourse…these things are entertaining, revealing, and can drive the story.
Great advice. Thanks!