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Posts tagged ‘characterization’

Reveal your characters through their circle of friends

Experts say we are most like our five closest friends. I think that’s true. Our friends usually have similar interests and values as we do. Looking at someone’s friend circle can tell you a lot about them.

I’ve started using a friendship circle to track my friendships as a way to see where people belong in my life—this helps me keep clear boundaries which is something I always need to work on.

Recently, I wondered what would happen if my main character Caitlin filled this out. Who are her friends, and how do they reflect who she is to my reader? I had her fill out my friendship circle and the results really helped me get a clearer sense of who she is deep down inside.

I’ll share my experiment with you, but first a bit about how to use the friendship circle. Read more

How to use the six basic human needs to make your characters come to life, part 1

The key to writing strong, believable characters is to really know and understand your characters as if they’re living, breathing human beings.

You want to know your character’s background, what makes them tick, what has happened to them to make them who they are today, what they dream about for the future, and more.

You need to know all this even if it’s not in your story. I keep separate journals for each of my main characters so I can write about them and write from their point of view.

One tool that has helped me delve deeper into my characters’ motivations comes from human needs psychology which has defined six basic human needs.

Motivational speaker Tony Robbins has written a great article on these needs, “Tony Robbins: 6 Basic Needs that Make us Tick.” The six needs are: Read more

Draw on personal pain to write believable characters

I started reading a new paranormal novel last month that I had high hopes for based on how quickly and easily the first few chapters hooked me. The plot was refreshing, unique, and action-filled from the beginning. Interesting, quirky characters reeled me in. But it quickly went downhill from there.

I’m the type of reader who usually doesn’t give up on a book. I always have faith that the author will pull out of the temporary bog and finish, if not strong, at least well. I have only given up on two books in my life. My new paranormal novel was the third.

What went wrong? Read more

How and why you should develop intuition in your characters

This morning, I was working out at the gym on an elliptical machine, not thinking of anything, when suddenly an intense sadness welled up inside me. Having lost my husband over two years ago, I thought it was another layer of grief so I allowed it to rise up and release but instead of releasing, the feeling became more intense and raw. Tears welled up as I continued to work out. I couldn’t figure out what had triggered the feelings and why they were so incredibly strong. And then a thought flashed through my mind—whose feelings are these?

From years of working with and helping people, I know that sometimes I’ll intuit other’s thoughts and feelings, but I’m usually pretty good at recognizing when this happens and setting up my boundaries. For me, this means doing a specific visualization.

This morning, the thought persisted that the sadness I was feeling wasn’t mine. I looked at the man working out on the machine next to me. He didn’t look sad. He didn’t look as if he was in pain. He seemed fine. Read more

Dialogue tips: the fastest way to improve any manuscript

In this 30-minute video below, author Joanna Penn interviews author and writing teacher James Scott Bell about his book on dialogue, “How to Write Dazzling Dialogue: The Fastest Way to Improve Any Manuscript.”

Bell gives some great tips to make your dialogue sing and catch the eye of an agent, publisher and reader:

  1. Characters shouldn’t be feeding each other information they already know. Example: Brother to sister: “Look sis, our mom, Linda who is a school teacher is home.”
  2. Don’t hide exposition or backstory in dialogue. Readers are savvy, will pick up on it, and won’t be happy. Bell says if you must convey the information, try turning the exchange into a confrontation. More information tends to be exchanged when people are confrontational.
  3. How do you differentiate dialogue between characters? Bell suggests keeping a voice journal for each main character. For more on this, see my earlier post, “Use a voice journal to capture your character’s original voice.”
  4. When using an action beat instead of the dialogue tag “she said or he said,” make sure the action is integral to the story — otherwise you’ll wear out the reader over the course of a novel.
  5. Read your dialogue out loud. Make it snappy and vital. Make it sing. Also read dialogue out loud from other novels and screenplays.
  6. Think subtext—what are the characters really saying underneath the words they speak?

For many more great tips on using dialogue to quickly improve your manuscript, watch the video here:

For you Nanowrimo peeps, try this exercise to increase your word count: Dive deep and write some dialogue runs between characters down the page without any tags or actions. Just straight dialogue. See if you can get into a rhythm and keep going. You can clean it up and add actions and attributions later.

Use NaNoWriMo month to hone your character’s deep point of view

National Novel Writing Month (NaNoWriMo) begins tomorrow, November 1st, and is the perfect opportunity to hone your character’s deep point of view.

What is deep point of view? Author and writing teacher Rhay Christou says, “In deep point of view the character owns the page and the author becomes nonexistent.”

Deep point of view will hook your reader and keep them entranced with your character and story.

Why is NaNoWriMo perfect for diving into deep point of view? Because we’re focused more on word count and less on structure, it’s a great time to just let go and be in the voice of your character. Forget about “he said/she said” or filter words like “she thought/he felt/she saw.”

Get a feel for your characters by asking them questions and getting to know them. For a list of great questions and other tips for diving into deep point of view, read Rhay’s post here. If her ideas resonate with you, or deep point of view is something you want to work on, consider taking Rhay’s online course in November with me.

In my next post, I’ll share more tips for getting to know your characters and diving into deep point of view.

 

Fiction writing: A lie that tells the truth

“We all know that Art is not truth. Art is a lie that makes us realize truth at least the truth that is given us to understand. The artist must know the manner whereby to convince others of the truthfulness of his lies.” –Pablo Picasso

 

In his Ted Talk, “Why a Good Book is a Secret Door,” children’s author Mac Barnett quotes Picasso and says he loves writing for children because they make the best audience. Children are so willing to enter other worlds.

He says good fiction will leave us with the feeling that the characters are real even though we know that they are not.

As a kid, he loved reading fantasy stories like the “Chronicles of Narnia,” and he was always looking in the real world for doorways to the fictional worlds he’d read about.

He talks about a writing technique called metafiction, which is a story about a story but he says instead of the audience breaking the fourth wall into the story, he prefers to have his books break the wall and enter reality. He wants his fiction to open up into the real world, to create a doorway into our world. Read more