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Posts tagged ‘writing tips’

Writing tips from the late author Elmore Leonard

Author Elmore Leonard, who died this week at the age of 87, is well known for turning out gritty crime novels—many of which were made into popular movies including Get Shorty.

Leonard frequently shared writing tips and granted interviews, including the one below about his story-writing process, that usually begins with a character-related idea.

In this next short clip, Leonard talks about his writing schedule:

In my next post, I’ll discuss what I learned about writing dialogue by reading Elmore Leonard. What are some of your favorite Leonard books?

Walter Mosley’s tips for how to write a novel in a year or less

Author Walter Mosley’s book “This Year You Write Your Novel” is chock full of great tips for doing just that.

Some writers create rituals for their writing: lighting a candle, working in a certain place, listening to a favorite playlist, writing with a special pen. Mosley says his only ritual is that he writes every morning.

“The only thing that matters is that you write, write, write. It doesn’t have to be good writing. As a matter of fact, almost all first drafts are pretty bad. What matters is that you get down the words on the page or the screen—or into the tape recorder, if you work like that.”

The next morning, he reads over what he wrote the day before—making minor edits but mostly to get back in the flow of his story. Some days will be rough and unbearable and others will feel sublime as if the words are flowing from a spring of inspiration. Mosley says to ignore these feelings, either way. Happy or sad, the story has to come out.

“Stick to your schedule. Try to write a certain amount every day—let’s say somewhere between 600 and 1,200 words. Do not labor over what’s been written. Go over yesterday’s work cursorily to reorient yourself, then move on.”

In this manner, he says, a first draft can be done in three months and what you will have in front of you is the “heart of the book.” From this heart, you will rewrite and polish and edit until you have your finished story.

But the most important part is getting that first draft down. To see what else Mosley has to say about writing your novel in a year, check out his book. He packs more tips and wisdom into one hundred pages, than some tomes I’ve read.

Do you need to be a great grammarian to be a great writer?

I have to admit I am not the perfect grammarian. When I write, I often “wing” such things as commas and semi-colons. Later, when I go back over my work, I often chuckle at the silly and unlikely places I’ve stashed a comma.

Granted, as writers, we need to have a good understanding of our language but I don’t think we need to obsess over it. That’s what editors are for, right?

I love what author Joan Didion has to say about grammar: Read more

Have a writing project to finish this month? Join #ProjectAugust

I attend at least two writing conferences each year—the Pacific Northwest Writer’s Association Conference and the Surrey International Writers’ Conference. Both are fun and offer great courses, events, and opportunities to network, but I mainly attend for the opportunity to fully, one hundred percent immerse myself in the profession of writing. Three entire days where I eat, sleep and dream everything writing.

Being part of a writing community is important to me because it immerses me in what I love and feeds my soul. This month, through author kc dyer’s blog, I have an opportunity to immerse myself in another kind of writing community.

Do you have a writing project or any writing goals you’d like to achieve this month? Need some extra motivation and a community to do it in?  Dyer is offering #ProjectAugust this month—an opportunity to make yourself accountable to finish whatever project you choose. Read more

Write dialogue cues like a bestselling author

At the Pacific Northwest Writer’s Conference this weekend, I took a series of phenomenal classes from writing teacher and psychologist Margie Lawson. I thought I was a fairly decent writer—I have a few awards to prove it—but what I learned this weekend after taking Lawson’s classes is that “I don’t know nothing yet.”

Let’s just say that by the end of the day I literally had one brain cell left.

One of my favorite classes was on dialogue cues. For the most part, I’ve already learned to keep my dialogue tags short. He said. She said. And to avoid attributions like the following:

  • “I don’t like you,” he said, disdainfully
  • “I hate you,” she said, angrily
  • “Don’t move,” he growled
  • “Get away from me,” she hissed Read more

Draw your way into a scene

I’ve been experimenting lately with different ways to enter into writing scenes. One fun way is to use a sketchpad. I purchased a 5.5 inch x 8.5 inch Strathmore Sketchpad and colored pencils for doodling and have found it immensely useful for everything from sketching scenes to settings to drawing objects that might appear in a scene.

Not a drawer? Don’t worry, neither am I.  My “people” consist of stick figures and my depth perception is nonexistent. Fortunately, you don’t need to be Picasso to use sketching as a way to ignite your imagination.

The first thing I drew in my sketchpad was a dagger. One of my characters carries a dagger and I needed to “see” it in detail. As I was drawing the dagger and the sigils on the blade, I had a vision of the sigils glowing when activated so I added this into a scene.  As I continued to draw the dagger, I realized two other things about it that I hadn’t known before—these will also go into my story. Read more

How to choose small details to move your scenes forward

I was reminded the other day that writing short pieces is great practice for writing longer pieces. I had just finished my creative nonfiction submission for the Surrey International Writers’ Conference Writing Contest and was editing it one last time when I realized I hadn’t grounded my reader in the location of the initial scene. Yes, I placed it in a mobile home but where was that home in the world? I could have left it as is and it would have still been fine, but I decided that showing where the home was located would better serve the piece as a whole.

But how to include those details in a manner that served the story while keeping the piece under the 1,500-word limit of the contest? Read more