I’ve heard the phrase “show don’t tell” at least a million times in my writing career. And, mostly, that’s good advice—though there are times when “telling” is more economical and gets the job done.
But in most scenes, and especially when I want to draw my reader into deep point of view, I try to show as much as possible. I draw on the senses instead of my character’s intellect.
In other words, I want my readers to experience the event with my character instead of my character filtering the experience for them.
Below are a few “before” and “after” sentences from my current manuscript: Read more