Skip to content

Posts tagged ‘editing tips’

The art of the critique: how to receive writing feedback without losing your mind (part 2)

In Part 1 of this series, we talked about the delicate art of giving feedback. We discussed how to frame critiques so the writer stays open and curious rather than shutting down.

But what happens when the tables are turned? What happens when you are the one sitting in the hot seat?

Taking feedback is incredibly difficult. Our words and our stories are, in a way, our children. They are our creations, and we love them fiercely. Because of that emotional attachment, our immediate reaction to criticism is often to protect our work.

But if we want to grow, we have to learn how to step back, remain objective, and avoid getting tangled up in our own emotions.

Here are some essential tips for receiving feedback with grace and making the best use of it.

1. Maintain emotional distance (and remember to breathe)

When you hear a piece of feedback you don’t like, your body might react before your brain does. You might feel a sudden flush of heat, a tightening in your chest, or a wall of resistance coming up.

Read more

Make your writing stronger by removing filter words

When editing my work, I inevitably discover more of my bad habits.  When I do, I add them to my editing list so I can be sure to catch them later. Some of these bad habits are listed in my post, “Edit out literary throat clearing to make your work stronger.”

My current work-in-progress is told from the first person point of view. In reviewing recent chapters, I discovered  I was using too many “filter” words: I saw, felt, heard, thought, noticed, and especially, I “glanced.” Cheez Whiz. I must have had this last verb six times in one chapter!

But it’s not just first person narrative where this is a writing sin. How many times have you read, “She touched, he heard, she saw, he felt…?” Read more