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May 4

Want to be more prolific and creative? Learn how from these three posts

As someone who is fascinated by the subject of creativity, I’m always looking for other perspectives. Here are a few articles I read this week on the subject.

Have you ever felt like you didn’t fit in or that you’re, “a little weird?” Then you may be interested in this article, Being sensitive, moody and strange may be signs you’re a creative by Susan Biali, M.D. You’ll also see how important it is to follow your creative inclinations.

If you’d like to increase your creative production, check out Seven steps to take now to increase your creative output by Amy Neumann and Eliza Wing.

And in case you missed my post on Monday, you’ll find another idea for enhancing your creativity with the “What if?” exercise.

May 3

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Write to your white hot center

In my writing group last night, somebody talked about how as writers we often write around what we really want to say.

Think of your idea, story, or poem as a bright yellow sunflower or maybe a snow-white lily. Around this flower flits a multi-colored butterfly. He dances, darts, and flutters around the flower until he finally hones in and lands.

Writing can be like that. Sometimes, it takes me a while to warm up to what I want to say and that’s okay. Writing is a process of discovery. The key is in the editing after the initial dance of pen and paper. In a poem, I may cut the first stanza or even first half of the poem. In my memoir, the current chapter one is not the chapter one I first wrote. Read more

May 2

Using background sounds to create realistic settings

A couple years ago, a friend told me that when her 90-year-old mother got hearing aids, she found out she would have an adjustment period as she began to notice things that over time she had stopped hearing.

Once she began to wear the hearing aids, she heard the hum of refrigerators, sounds of cars going by outside, and other background sounds we all take for granted. This reminded me of staying in houses where I’d lie in bed in the quiet of the night and hear the creaking of the house, the wheezing of the furnace, and the clanging of radiators.

I’ve thought about how I should show this sensory part of the world in my scenes and settings. It’s a way to add realism, and I imagine it makes it easier for readers to immerse themselves in the story world I’m trying to create. Read more

May 1

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What I learned by reading poetry in front of the Rotary club

Yesterday was the last day of National Poetry Month. We had a fun month here in the Pacific Northwest. It seems as if each year, more and more local community organizations get involved in promoting the arts.

Last night, I joined eight other poets for a reading at a local Rotary Club where we were featured in their program. I almost didn’t go to the reading because reading your work in front of other poets who you know is one thing, but reading your work in front of a group of strangers with probably no poetry background is quite another.

But, forcing myself to go fearward, I attended the event and I’m glad I did. We ate great food, had fun, and shared our poetry with others in the community who weren’t familiar with poetry. And, I think we dispelled a few myths about poets along the way: only one poet wore a beret, only one poet wore all black, and nobody dangled a cigarette from their lips while reading (though one poet did read her poem “19 Cigarettes” about when she tried to quit smoking). Read more

Apr 30

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Practice the 5-minute “what if?” exercise to enhance your creativity

We’re all born creative thinkers, but sometimes it’s easy to think we aren’t when we’re stuck on a plot or trying to figure out a piece of dialogue for one of our characters.

Part of losing our sense of creativity comes with growing up. When we were kids, we didn’t worry so much about everything having to be logical or correct.

As Michael Michalko says in his book, Thinkertoys: A Handbook of Creative-Thinking Techniques, our minds are marvelous pattern recognition machines. We’re taught to see what we think we “should” see. This helps us be more efficient in many ways. But it’s also why we can read through a page of copy multiple times and miss typos. Our brain compensates and “helps” us see the patterns of what we expect to see. Read more

Apr 27

Famous writers’ rules of writing

Writers are apprentices. We are constantly trying to polish our craft. I know some writers who’ve written for years, are best-selling authors, and still strive to learn and grow as much as they can.

You can’t teach writing like you can brain surgery–there are just too many variables but you can head the advice of those best-selling authors. Everybody has their own method but here are a few tips from the pros:

George Orwell’s Five Rules for Effective Writing

Robert Heinlein’s Rules of Writing

Elmore Leonard’s Ten Rules of Writing Plus Some – this post includes Leonard’s rules plus other authors, including Margaret Atwood, Jonathan Franzen, and Neil Gaiman.

Exercise: Create your own “rules” list and hold yourself accountable to them for 30 days. I’ll post my list soon.

Apr 26

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I’m carrying a poem in my pocket today

Today, to celebrate National Poem in Your Pocket Day, I’m carrying the poem, “Self Portrait” by David Whyte.

It’s easy to participate. Find a favorite poem and carry it with you to share with co-workers, family, and friends.

You can also share your poem selection on Twitter by using the hashtag #pocketpoem.

Poem in Your Pocket Day is celebrated each year during National Poetry Month established by the Academy of American Poets. Part of its mission is to introduce more Americans to the pleasures of reading poetry.

Poems from pockets will be unfolded at events in parks, libraries, schools, workplaces, and bookstores in all 50 states throughout the United States today.

Visit www.poets.org to choose your own pocket poem.

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