onewildword

Mar 25

How to stand out from the slush pile

One of the things I love about reading other people’s work is what I learn from it.

So, last year, when I was asked to be one of the judges for a prose competition, I said yes. The competition guidelines listed the areas we were to rank on a scored number system—things like characterization, setting, dialogue, point of view, etc.

Of the twenty or so submissions I read, there were a variety of stories—from a gothic, steampunk, coming-of-age story to a memoir about losing one’s memory in the aging process.

A few submissions stood out above the others like the shiny, bright agates my cousin and I would hunt for on the beaches of our childhood. These submissions wove all aspects of good writing and storytelling together into a whole that hooked my interest from the first line and never let go.

The majority of the submissions fell somewhere in the middle of the pile—not to be rude—but what I might call “mediocre land.” They weren’t poorly written but they didn’t grab ahold of me and say, “Read this, now!” In fact, in many cases, I couldn’t wait for the story to be over because I was bored.

So, what did I learn? Read more

Mar 22

What’s the worst thing you can do to your character and why?

One thing about writing that’s hard for me is being mean to my characters, well at least most of them. I suspect that certain scenes we write are our way of acting out and doing things fictionally that we can’t do in real life. But stories need conflict and so we have to do horrible things to characters at times so they can grow and change and we can advance the story. (Although I draw the line at hurting the dog.)

So what are some guidelines for doing this? Writer K.M. Weiland says the point is to not only up the stakes and create conflict, but to generate character growth and advance the character’s personal arc.

For more details, watch her 2:26-minute video.

For more inspiration from Weiland, follow her @KMWeiland and visit her website.

Mar 21

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Developing character emotions to create resonance

In my last post “Writing exercises to help you go deeper” I wrote about developing a writing exercise to help me delve into my story and focus on what my protagonist learned from her experiences and also how she grew from this knowledge or information.

It was pretty easy to come up with what she learned. For example, one of the things she had learned from her life experiences so far was that those who love her, eventually leave her. This is what she comes into the story with and, because she’s afraid of getting hurt, she guards her heart.

Over the course of the story, she learns to trust again. She learns that “leaving” is an illusion and that love is never-ending. Read more

Mar 20

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How author Jo Knowles uses storyboarding to imagine her stories

Even though I suspect I have a drawing deficiency, I’m intrigued by drawing and by how writers can use it to outline and build out stories. Drawing can bring ideas and insight to the surface.

So I was especially excited to read an interview that Debbie Ridpath Ohi conducted with award-winning writer Jo Knowles. Knowles has a master’s degree in children’s literature and has taught writing for children in the MFA program at Simmons College.

In this interview posted on Inkygirl.com, Knowles talks about her writing process and how she uses storyboarding to advance her writing. She says creating a storyboard helps her, “get organized, and figure out themes, plot and rhythm of the book.” Read more

Mar 19

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Writing exercises to help you go deeper

The other day, I was thinking about the types of memoirs I enjoy reading and what it is about them that sets them apart. Mostly, they were memoirs, such as Autobiography of a Face by Lucy Grealy, that weren’t just, “this happened to me,” type of stories.

The strongest memoirs are stories that show us how the person’s circumstances changed them. They answer the question, “What did I learn from my experience and how did I grow from this experience?”

I designed a couple of writing prompts based on my thoughts about memoir and decided they would be good prompts to ask of the protagonist in my fantasy novel as well. I uncovered some interesting material for my story. Read more

Mar 18

An on-the-job lesson in the art of observing

Last week, I was sitting in my cube at work when I heard the squeak and clatter of a cart being wheeled down the aisle near my desk. Since it was on the other side of the wall, I couldn’t see it, but I could hear the man who was pushing the cart sing as he rolled along.

He stopped on the other side of the cube wall near the water machine. I heard the thunk of a big jug of water as he replaced an empty one with the new, then the gurgle of water as it settled in. During all this, the man sang the Michael Jackson song, “The Way You Make Me Feel.” (He had a great voice too.)

As this was happening, I heard the sound of two men talking as they walked towards us down the hall discussing lunch and if the weather might be nice and if they should go out for lunch. The man pushing the cart stopped singing long enough to tell them, “It’s a lovely day.” He resumed singing, and I heard the ding of the elevator bell as he wheeled and bumped his cart into the elevator.

As I reflected on what I’d just heard, I realized that I had a picture in my mind of the scene on the other side of the wall, even though I didn’t see any of the “characters.” It also occurred to me that I probably picked up more sensory details that were auditory due to not being able to see, but only hear, the action around me.

I imagine if I’d been able to watch the action take place, I might have relied more on what I saw than heard, and I might have missed some of the auditory details. Read more

Mar 15

“Live at fever pitch,” and other advice by bestselling authors

Author Ray Bradbury, incredibly prolific throughout his life, penned several novels and over 600 short stories. He also gave many entertaining interviews sharing his writing advice to up-and-coming writers.

I especially love his advice to “live at fever pitch.”

Below is a post with a 1970’s interview with Bradbury on his thoughts about the role of literature and art in society:

“Ray Bradbury: Literature is the Safety Valve of Civilization”

And, in case you haven’t see them already, check out the following links with Kurt Vonnegut and John Steinbeck:

The Shape of A Story: Writing Tips from Kurt Vonnegut

John Steinbeck’s Six Tips for the Aspiring Writer and His Nobel Prize Speech

I hope you enjoy them as much as I did!