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May 22

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Banish writer’s block with this tip from poet William Stafford

“There is no such thing as writer’s block for writers whose standards are low enough.” –American poet William Stafford

Poet William Stafford wrote every day, rising early in the mornings before the rest of his family. This discipline resulted in about 20,000 completed or attempted poems over his lifetime—of which only 6,000 or so have been published. Occasionally accused of being “too prolific,” Stafford would say, “if you get stuck, lower your standards and keep going.”

I needed this advice this week. Stuck on the same chapter for two weeks now, I realized that something needed to give. It’s not that I don’t know where this chapter is going—I do and I’ve even scratched out an outline of the scene. My problem is that I’ve been too hard on myself. I’ve been tired and stressed lately and beating myself up for not getting further in my story AND I’ve been expecting my prose to be at top-notch level during all this. Rubbish.

Taking Stafford’s advice, I realized that I just need to lighten up and get on with it. Write the crappy chapter. Let my prose suck. I can go back and fix it later when I’m not so stressed and fatigued. After all, this is a first draft. And, as my poetry mentor says, “First drafts are meant to be sucky.” Read more

May 21

Create order out of writing chaos

Writing is a messy business. Maybe you have a certain degree of chaos on your desk, with notebooks, bits and piece of paper, Post its with scrawled notes, and index cards from your hipster PDA. Not to mention the paper cuts.

It’s just part of the process.

When I write nonfiction features I have a system I usually follow that adds order and helps me stay focused. I create an outline but not in the sense of those outlines with the Roman numerals we learned about in grade school.

This is more of a skeleton with the main sections of the story noted: Lede, elements of the story that go in the body with a few notes about what each section will contain, and the conclusion. I visualize the story and tend to write from my notes and the mental image, but these notes serve as a guiding force. Creating the bones of the article gives me momentum and a way to relax into the writing. I can focus on the the words and ideas because I generally know where I’m going. Read more

May 20

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British writers weigh in with tips to defeat writer’s block

Despite our best efforts to stay in the flow of our writing and showcase our brilliance in every word and idea that flashes through our mind and onto our white space, we still have times when the words get stuck.

Currently experiencing one of these frustrating moments myself, I thought I’d explore the idea of writer’s block this week and see what other writers have to say about it.

In this seven-minute video, “Getting Through Writer’s Block,” BBC writers share their tips on getting yourself unstuck, including:

  • Try to write something—improving nothing is impossible, improving rubbish is entirely possible. Read more

May 17

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Winner of the weirdest book title of the year

For all our readers waiting to learn the winner of the Diagram Prize for Oddest Book Title of the Year, the suspense is over.

The 2012 winner is Goblinproofing One’s Chicken Coop: And Other Practical Advice In Our Campaign Against The Fairy Kingdom by Reginald Bakeley. This winning book is your go-to guide to banishing pesky dark fairy creatures who threaten to thwart every last pleasure, be it gardening, country hikes, or even getting a good night’s sleep. It beat out, “God’s Doodle: The Life and Times of the Penis,” and “How to Sharpen Pencils,” among others.

Back in March, I announced the contest in this post, Is your book title odd? Check these out and vote for the weirdest one. (You’ll also find links to two posts about writing book and screenplay titles.)

The prize for oddest book title is named after the Diagram Group, an information and graphics company based in London, and The Bookseller, a British trade magazine for the publishing industry. The contest was started in 1978 at the Frankfurt Book Fair, and the first winner was “Proceedings of the Second International Workshop on Nude Mice.”

For more information about how the prize started and past winners, check out the Wikipedia page, Bookseller/Diagram Prize for Oddest Title of the Year.

May 16

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The yoga of poetry

In her wonderful book, Saved by a Poem: The Transformative Power of Words,poet Kim Rosen writes about the different ways in which we can experience poetry–intellectually, emotionally, and even physiologically.

In a section of her book called “The Yoga of Poetry” she explains that the word yoga means, “to bind, join, attach and yoke, to direct and concentrate one’s attention on, to use and apply. It also means union or communion. It is the true union of our will with the will of God.”

Rosen, also a spoken-word artist, explains that memorizing a poem can be a yoking or union of ourselves with the larger meaning of the poem. She says that if we choose a poem we know will take us beyond our comfort zone, the yoga of joining our consciousness to the consciousness inherent in the words of the poem will stretch us from the inside out.

The words of the poem enter our body as well as our mind. She says, “It affects your lungs, your pulse, and the tones and textures of your voice.” Read more

May 15

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Tell your story out loud to find your way into writing it

Have you ever had a story or scene to write but struggled with finding a way into it?

I have a friend who’s known for the stories she tells. She’s a keen observer of people and life and has a way of making scenes come alive. By observing her oral storytelling technique, I’ve learned how to find my way into writing scenes and stories.

Storytelling has been used since the beginning of time as a way to process life. Before paper or printing presses existed, stories were told verbally. My friend instinctively adopts the techniques of natural storytelling by creating foreshadowing, suspense, strong images, and closure. When she tells a story, I can tell she feeds off her audience, whether it’s one or several, for cues that her story resonates.

If you’re struggling with how to get into a scene or story, you might try telling it to a friend or two.

While some people say you don’t want to “talk your story out” for fear of losing the energy of it, you might find it could actually be a useful tool if you do it with purpose. Read more

May 14

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Three posts on how to write effective loglines

I’ve been working again on my logline for my work-in-progress. In movie land, a logline is a one-sentence hook that tells us what the story is about while piquing our interest. Developing a logline is also a good idea for novelists–you can use it not only to market your work but also to help you stay focused as you write.

Recently, I wrote a post about loglines based on screenwriter Blake Snyder’s advice and his four requirements for every logline.

I also discovered two really great posts on loglines:

“Writing Good Log Lines” by Stanley D. Williams. See what Williams has to say about the importance of the moral premise of your work.

“Writing Effective Loglines” by J. Gideon Sarantinos gives great examples of loglines from newer movies and classics.

Have you written a logline for your current project? If so, share it in the comments below.

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