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Posts from the ‘Writing Life’ Category

What are your writing quirks?

As an editor, I’ve found that all writers — including me — have patterns of writing that I have to fix during editing. Over time, you learn some of your own quirks. But when you work on the same piece of writing day in day out, you get too close to your sentences to spot everything.

That’s when other writers who come to your work with a fresh perspective are invaluable.

I met with my writer’s group yesterday and feedback revealed overused and unnecessary words, repeated phrases or sentences left over from when I moved sections around, and passive writing that I missed when I read my manuscript for the umpteenth time.

At a certain point, it’s impossible to effectively edit our own work. Our brains glaze over.

If you start figuring out these patterns (with a little help from your friends), you’ll become a better writer. You’ll be more effective at self-editing because you’ll have a new level of awareness. Read more

One way to free your subconscious writing mind

I had a writing date with a friend today who is a poet and playwright. As we set up our computers and writing space at the local coffee shop, she shared with me that she sometimes plays mahjong on her computer while working out a problem.

I said, “Huh?” I couldn’t imagine have a game open on my computer while trying to write. But she explained that when she has a problem she needs to work out in her mind, the clicking sounds of the mahjong tiles soothe her. I guess they create a kind of white noise.

So I tried it tonight. I download a free majhong game from http://ivorymahjongg.com and played it while thinking about the next scene in my book. What I discovered, besides the fact that mahjong is totally addicting, is that it did free me up to think about my plot. It felt as if I was keeping my conscious mind busy so my subconscious could get to work.

Sometimes, it’s necessary to take a step back from our writing to see where we want to go next. I often take breaks when I need to think about something—I wash the dishes, brush the cats, go for a walk, or even do some gardening.

Now, I’ve found another way to take a short mental break without leaving my chair.

What tricks do you use to access your subconscious writing mind?

Do you need to leap out of your creative comfort zone?

One night I got an unexpected call from a former co-worker. We hadn’t talked in months and he caught me at a time when I was struggling with pushing my writing projects forward. I was stuck.

Something he said gave me a jolt of creative energy, although he probably had no idea it was exactly what I needed to hear at that moment. It went something like this:

“Sometimes you get a feeling in your stomach that makes you feel a little nervous, and that’s to let you know that you’re close to the edge of something that’s exciting and challenging and you need to push yourself out of your comfort zone.”

Even when we’re doing the things in life that we know we’re meant to do, it can be scary because the stakes are high. The best way to combat fear and resistance it immerse ourselves in our creative pursuit so that it becomes the focus instead of the fear.

Have you ever been scared of taking a leap but knew you just had to do it?

What’s the worst thing you can do to your character and why?

One thing about writing that’s hard for me is being mean to my characters, well at least most of them. I suspect that certain scenes we write are our way of acting out and doing things fictionally that we can’t do in real life. But stories need conflict and so we have to do horrible things to characters at times so they can grow and change and we can advance the story. (Although I draw the line at hurting the dog.)

So what are some guidelines for doing this? Writer K.M. Weiland says the point is to not only up the stakes and create conflict, but to generate character growth and advance the character’s personal arc.

For more details, watch her 2:26-minute video.

For more inspiration from Weiland, follow her @KMWeiland and visit her website.

How author Jo Knowles uses storyboarding to imagine her stories

Even though I suspect I have a drawing deficiency, I’m intrigued by drawing and by how writers can use it to outline and build out stories. Drawing can bring ideas and insight to the surface.

So I was especially excited to read an interview that Debbie Ridpath Ohi conducted with award-winning writer Jo Knowles. Knowles has a master’s degree in children’s literature and has taught writing for children in the MFA program at Simmons College.

In this interview posted on Inkygirl.com, Knowles talks about her writing process and how she uses storyboarding to advance her writing. She says creating a storyboard helps her, “get organized, and figure out themes, plot and rhythm of the book.” Read more

An on-the-job lesson in the art of observing

Last week, I was sitting in my cube at work when I heard the squeak and clatter of a cart being wheeled down the aisle near my desk. Since it was on the other side of the wall, I couldn’t see it, but I could hear the man who was pushing the cart sing as he rolled along.

He stopped on the other side of the cube wall near the water machine. I heard the thunk of a big jug of water as he replaced an empty one with the new, then the gurgle of water as it settled in. During all this, the man sang the Michael Jackson song, “The Way You Make Me Feel.” (He had a great voice too.)

As this was happening, I heard the sound of two men talking as they walked towards us down the hall discussing lunch and if the weather might be nice and if they should go out for lunch. The man pushing the cart stopped singing long enough to tell them, “It’s a lovely day.” He resumed singing, and I heard the ding of the elevator bell as he wheeled and bumped his cart into the elevator.

As I reflected on what I’d just heard, I realized that I had a picture in my mind of the scene on the other side of the wall, even though I didn’t see any of the “characters.” It also occurred to me that I probably picked up more sensory details that were auditory due to not being able to see, but only hear, the action around me.

I imagine if I’d been able to watch the action take place, I might have relied more on what I saw than heard, and I might have missed some of the auditory details. Read more

Is your book title odd? Check these out and vote for the weirdest one

Selecting the right title for your book is important. It draws readers in, helps set the tone for your story, and hints at what’s to come. It can also get the attention of booksellers, agents, and editors.

But what if your title is just plain weird?

Well, for one thing, you might win an award. You can learn more in this Huffington Post article about the Diagram Prize for Oddest Book Title of the Year.

I like weirdness. Who wouldn’t be intrigued by “How Tea Cosies Changed the World,” (I love a nice tea cosy but never realized they’d changed anything more than the temperature of my tea!). And then there’s “God’s Doodle: The Life and Times of the Penis.” (Does it get any better than that for a title?)

Read about the other odd titles and then vote for your favorite.

While you’re at it, maybe you’ll find inspiration for creating your own title.

For more ideas about book titles, read these One Wild Word posts:

Four tips to choosing a book title
Pick a winning title for your novel, memoir or screenplay