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Posts from the ‘Writing Exercises’ Category

Nov 25

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Give yourself permission to play on the page

Sometimes, I take the title of “writer” too seriously. I worry and fret about my stories and characters. I stress out that every choice I make is the wrong one. When I get in this mode, I forget the joy of writing. I forget why I write in the first place. Writing, I’ve discovered, is not for the faint of heart. This is why I’m so excited as I read author Alan Watt’s book, The 90-Day Novel: Unlock the story within.

Instead of promoting a stiff set of rules for finishing your first draft in 90 days, Watt encourages writers to spend a good amount of time loosely playing on the page. He has a list of prompts or questions to write about from the protagonist’s and/or antagonist’s point of view. He suggests setting a timer for five minutes per prompt and just writing down what comes, not worrying about whether or not you’re going to use it. Read more

Nov 18

Unstick your writing mind

Do you ever feel like you’ve hit the writing wall and you’re not sure what to do? Relax. Read these posts to reveal a strategy that will put you back on track.

Stuck on what to write about? Consider these big ideas

Do you have a deep desire to write but aren’t sure where to start? Find the answer by asking the right questions. Read more

Nov 8

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Boost your writing ambitions with a personal mantra

What is your personal writing philosophy? If you’re passionate about writing – for whatever reason – you probably have goals and dreams about what you want to accomplish. I’ve found writing energy by adopting a personal mantra that reflects my writing philosophy.

A personal motto for success can help you derail fear, find strength when you’re feeling blocked, and serve as a reminder of what you really care about and what you ultimately want to achieve. It can bring focus to your writing practice.

The reasons why people write vary, but many writers find their craft goes beyond something they just “do” to something that is part of how they experience life. It’s about how stories are always percolating in their subconscious and how they constantly observe the world to search for ideas and inspiration. They’re driven to arrange their priorities and structure their lives to accommodate writing.

If you possess this kind of passion for your writing goals, you might want to adopt a guiding principle for your pursuits. A mantra may be as simple as, “finish what you start.” I was inspired by an MFA mentor who often reminded students to, “trust the process” – a good reminder to relax, have faith, and just write. Read more

Oct 31

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How to tame the beast called plot

In honor of Halloween, I thought I’d write about plot. The word plot used to scare me more than the time I was ten years old and my cousin dragged me to the local haunted house our little town hosted for Halloween.

I screamed my head off (cliches are okay at Halloween when the veil between good and bad prose is thinnest)—monsters lurching out of the dark, re-enactments of beheadings and hangings, cobwebs tangling in my hair, but when a hand reached out and grabbed my ankle in that dark hallway, I let loose a blood-curdling scream that would make the director of “Saw” proud. (Not that I would ever see said movie). I nearly trampled all the people in line in front of me to get out of there. I’ve never been in a haunted house since. To this day, I still shiver when somebody mentions haunted house and Halloween in the same breath.

But I digress…. Notice, I said the word plot used to scare me. That was before I started reading James Scott Bell’s Plot & Structure.As a newbie to writing fiction, I’d get confused about the word plot—what does it mean exactly? It sounds like some exotic species of plant that needs to be cared for in an exact, specific way or all will be lost. Read more

Oct 28

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Exercises in memoir: finding your story

We all have a story to tell. Some of us have several. So how do you discover your real story? In memoir, it’s important to sift through the events of your life to discover what’s important.

Below are a few exercises that helped me find the core of my story:

  1. Set your timer for 15 minutes and write 10 sentences that begin with the words, “I remember….” The sentences don’t have to be related, just write, try not to think too much, just let the words flow. When you’re done, read through your list and see if there’s anything that stands out or feels the most honest. Usually, these lines appear later in the list. Read more

Oct 25

Place readers in your story world by noting significant details

One of the best things about reading a gripping book is the way it pulls you into another world where you become so immersed it’s as if you’re really there. One way to draw readers into your story is by using what writer and teacher John Gardner called “significant details.”

Before he died at age 49, Gardner wrote more than thirty works of fiction and nonfiction, including novels, literary criticism, and a book of poetry. He also wrote three successful children’s books, among them “Dragon, Dragon, and Other Tales,” which was named Outstanding Book for Children by the New York Times. Gardner was also a professor of medieval literature and creative writing.

In his book, The Art of Fiction, Gardner wrote, Read more

Oct 21

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Find creative possibilities in your workplace

In these economic times when everyone knows of someone who has lost a job, we all have work of some sort — even if it’s looking for another job. Some people work as stay-at-home moms and dads, while others work in small businesses, schools, or large corporations.

Whatever your situation, jobs are sources of great writing material. You might find inspiration to write a poem, an essay, a scene for a short story (after all, your characters likely have jobs too), or maybe even a whole novel.

Broadcaster and author Studs Terkel chose to literally write about other people and their jobs. In Working: People Talk About What They Do All Day and How They Feel About What They Do, he interviewed people in all sorts of jobs — from a factory worker to a fashion model. The narratives move between mundane details, emotional truths, and existential questioning. Read more

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