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Posts from the ‘Poetry’ Category

One of the best things about writing: The element of surprise

One of the best things about writing is the way it surprises me, the way I sometimes look back on something I’ve written and think, “Did I write that?” This element of surprise reminds me that so much happens beyond our conscious state.

Here are several posts you might have missed that will inspire you to let go and find the story that lives in your subconscious.

In How to write in your sleep, I share some tips about using the power of sleep to find new revelations in your writing.

Read Trust in randomness and mine your subconscious with this writing exercise to see how you can use your subconscious and observational instincts to write a new poem or piece of flash fiction.

Become a prolific writer by harnessing creative flow offers tips to put yourself in a trance so you can immerse yourself in your writing world.

What is your favorite way to find creative flow?

Artists as activists: How will you wield your power?

Writers often write to shed light on a difficult subject, find justice, and make a difference. Some writers say it’s our duty to seek truth, speak out, and stand up for those who can’t. It’s the reason why writers are among the first to be persecuted during times of political unrest.

Poet Martin Espada, who worked as a tenant lawyer and is now a professor at Amherst College, in Amherst, Mass., says he feels it’s his duty as a poet to make the invisible visible. He calls himself a poet spy, taking notes on what will later become poems.

Espada writes about controversial issues and fights for human rights through his poetry. He writes about immigration reform, dictators, prisoners on Death Row, poverty, and 9/11 victims.

In an interview with Bill Moyers, Espada said, “There’s something about poetry that saves me. There’s something about poetry that energizes me, that brings me to another plane. That fires all the hormones, I don’t know what. Something intangible, and yet tangible at the same time. There is something to poetry and activism which has the same energizing effect.”

What will you do to wield your talent as an artist, a citizen of the world, and as a communicator, whether you’re a writer, painter, photographer, or someone who has a vision for something better?

Espada has won numerous awards, including the American Book Award, the PEN/Revson Fellowship, and the Paterson Poetry Prize. His most recent book is The Trouble Ball. For more information about Espada and his writing, visit his website.

Energize your writing by entering a contest

Writing is its own reward, but it’s good to submit to contests to see how your work rates. It can give energy and focus to your writing, and if your submission wins, you might catch the eye of an editor or agent.

See the list below for several upcoming contests. For a more detailed list, visit Poets & Writers online.

Flash Fiction
Gemini Magazine
Deadline: August 31, 2013
Entry Fee: $4 ($3 for each additional entry)
Gemini Magazine, Flash Fiction Contest, David Bright, Editor. P.O. Box 1485, Onset, MA 02558. (339) 309-9757, editor@gemini-magazine.com.

Gemini Magazine awards a prize of $1,000 and publication annually for a short short story. Submit a story of up to 1,000 words. Call, e-mail, or visit the website for complete instructions. Read more

Rented typewriter at a library leads to success for Ray Bradbury

It’s no wonder the late Ray Bradbury was a big supporter of libraries and urged writers to read classics for writing inspiration.

Bradbury mixed a regular writing practice with reading classics to fuel his prolific career.

He wrote the classic Fahrenheit 451for a total cost of $9.80. Bradbury’s office was the library, and in 1951, he rented a typewriter for 10 cents per half hour at UCLA’s Powell Library. When the timer went off, Bradbury would read and draw inspiration from classics, including Herman Melville, William Shakespeare, and Edgar Allan Poe. Bradbury, who would have turned 93 tomorrow, wrote his classic Fahrenheit 451 over nine days in an estimated 49 hours.

“Libraries raised me. I don’t believe in colleges and universities. I believe in libraries because most students don’t have any money. When I graduated from high school, it was during the Depression and we had no money. I couldn’t go to college, so I went to the library three days a week for 10 years.” Read more

Try these writing (and reading) exercises to hone your skills

Musicians riff and play scales to practice. Athletes have training routines. Why shouldn’t writers do writing exercises? Sometimes, a writing exercise turns into a poem or short story or becomes the seed of a novel or essay.

Writing exercises offer a way to experiment without the pressure of “getting it right.” They can prompt ideas for your work in progress and warm you up to write for an extended period. If you’re facing a blank page, a writing exercise might be the way in to something new.

Daily writing exercises help establish a routine. The hardest thing about working on a goal can be getting started, whether it’s exercising or writing. Just getting to the gym, putting your running clothes on and stepping out the door, or sitting down in front of your computer or notebook is the first step. Once you’re there, the rest isn’t so hard. And once you’re done with the “workout,” doesn’t it feel great?

Try this exercise: Find a random object in your house. It could be a souvenir you brought home from a vacation, a piece of art, a gift someone gave you, or a memento from your childhood. Write for 10 minutes about the object. Write about what it means to you, how you acquired it, why you keep it. Tell this object’s story.

Read more

Revise your poem with this writing checklist

So many facets of writing craft go into making a poem or story flow and resonate with readers. The complexity of fitting all the pieces together into a meaningful whole is exactly what I love about the challenge of writing and revising.

I’m creating a list (a work in progress) to remind me of what I want to think about when I write and revise my poetry. Maybe these points will help you in your writing or if you’re called on to critique a friend’s poetry.

  1. Does the title help advance the poem’s story?
  2. Is the first line compelling?
  3. Does the first line reveal what I want the reader to know? Does it ground them in the meaning of the poem, hint at what’s to come? Read more

Warm up for writing with poem sketching

I’ve known artists who begin a painting by making a sketch. I see this as a form of experimentation or a rough draft to get a sense of what could be. As a writer, I practice my own form of sketching by playing with words on a page to see what images and ideas rise to the surface.

I first began this form of poetic sketching after reading the book “Poemcrazy” by Susan Wooldridge. I’d type random words in rows on a page, cut them up, and place them in a jar. Taking a handful of words, I’d see which words resonated and how they could be arranged to create a whole. This form of poem making reminds me of how I view writing poetry as a puzzle to solve, figuring out the best way to fit words together to form a pleasing whole. Read more