Skip to content

Posts from the ‘Craft’ Category

Nov 25

2 Comments

Give yourself permission to play on the page

Sometimes, I take the title of “writer” too seriously. I worry and fret about my stories and characters. I stress out that every choice I make is the wrong one. When I get in this mode, I forget the joy of writing. I forget why I write in the first place. Writing, I’ve discovered, is not for the faint of heart. This is why I’m so excited as I read author Alan Watt’s book, The 90-Day Novel: Unlock the story within.

Instead of promoting a stiff set of rules for finishing your first draft in 90 days, Watt encourages writers to spend a good amount of time loosely playing on the page. He has a list of prompts or questions to write about from the protagonist’s and/or antagonist’s point of view. He suggests setting a timer for five minutes per prompt and just writing down what comes, not worrying about whether or not you’re going to use it. Read more

Nov 22

2 Comments

Three common pitfalls that prevent a compelling beginning

One of the pleasures of reading a new book is sinking into the world of the story. But almost nothing annoys me more than being ripped out of my dream state by having to back up and re-read the beginning of a story to figure out what is going on.

I experienced this recently and in my quest to be a better writer, I decided to analyze a few stories to figure out what was pulling me out of the story world. Here’s what I discovered:

The author introduces too many characters at once. Readers have a hard time keeping the characters straight and knowing their roles in the story because they haven’t had a chance to get to know them yet. Read more

Nov 21

2 Comments

Using the sixth sense to enrich your story

In my last post, I discussed how to use the five senses to make your story world more believable—even if you’re writing about real-live gods and the dead coming back to life like author Neil Gaiman in American Gods. But what about the sixth sense of intuition? How can you use what is unseen, what is beyond the five physical senses to enrich to your story?

Contrary to what you might think, your character doesn’t have to be a psychic or a mind reader. You can activate your readers’ sixth sense by using foreshadowing or details that set the mood of a scene. Again, it comes down to using telling details based on the other five senses. Take a look at this passage from “American Gods.” What does it evoke in you as a reader? Read more

Nov 14

4 Comments

Anton Chekhov’s six writing principles

From the beginning of his writing career, Anton Chekhov was recognized for his originality. Writer Leo Tolstoy called Chekhov, “an incomparable artist…an artist of life.”

Chekhov wrote about ordinary events and the relationships of people in small towns and villages. He employed a variety of techniques, including pacing and word choices that paint imagery, create his characters and reveal their changing moods. His style, in stories such as, “The Lady with the Little Dog,” and “The Huntsman,” built a new literary form that was described as impressionistic by other writers of his time.

In letters Chekhov sent to his writing contemporaries, as well as his family, Chekhov often discussed his work and ideas about story craft. His advice is as relevant now as it was in the 1800s. In a May 10, 1886, letter to his brother Alexander, also a writer, Chekhov noted six principles of a good story.

  1. Absence of lengthy verbiage of a political-social-economic nature Read more

Nov 10

4 Comments

Classic writing advice from Anton Chekhov

As much as writing is a solitary pursuit, most writers improve their craft by brainstorming ideas and learning the perspectives of other authors, editors, and mentors.

One of my favorite writers, Anton Chekhov, frequently corresponded with other writers to offer guidance and inspiration.

Here are a few pieces of encouragement and advice Chekhov wrote in letters to Russian writer Maxim Gorky in the late 1800s.

“You ask what is my opinion of your stories. My opinion? The talent is unmistakable and it is a real, great talent. For instance, in the story “In the Steppe,” it is expressed with extraordinary vigour, and I actually felt a pang of envy that it was not I who had written it. You are an artist, a clever man, you feel superbly, you are plastic—that is, when you describe a thing, you see it and you touch it with your hands. That is real art.

There is my opinion for you, and I am very glad I can express it to you. I am, I repeat, very glad, and if we could meet and talk for an hour or two you would be convinced of my high appreciation of you and of the hopes I am building on your gifts. Read more

Nov 1

1 Comment

Hook readers with these first-page techniques

Before you can reel readers into your story world, you have to hook them with your first page. I find inspiration from reading other writers and seeing how they created a compelling beginning.

Here are a few concepts to consider as you craft your beginning with examples from three authors.

Narrative and character attitude. Imagine you walk into a room and you’re engaging with people and observing the feeling of the place. Are the people angry, happy, tired, or sarcastic? Like rooms full of people, stories have a narrative and a character attitude or feeling. Readers will sense the attitude of your story in the first few pages and will notice at some level the characters’ and narrator’s emotional spin or attitude about their world. Check your first page to see what attitude your words project. Read more

Oct 31

2 Comments

How to tame the beast called plot

In honor of Halloween, I thought I’d write about plot. The word plot used to scare me more than the time I was ten years old and my cousin dragged me to the local haunted house our little town hosted for Halloween.

I screamed my head off (cliches are okay at Halloween when the veil between good and bad prose is thinnest)—monsters lurching out of the dark, re-enactments of beheadings and hangings, cobwebs tangling in my hair, but when a hand reached out and grabbed my ankle in that dark hallway, I let loose a blood-curdling scream that would make the director of “Saw” proud. (Not that I would ever see said movie). I nearly trampled all the people in line in front of me to get out of there. I’ve never been in a haunted house since. To this day, I still shiver when somebody mentions haunted house and Halloween in the same breath.

But I digress…. Notice, I said the word plot used to scare me. That was before I started reading James Scott Bell’s Plot & Structure.As a newbie to writing fiction, I’d get confused about the word plot—what does it mean exactly? It sounds like some exotic species of plant that needs to be cared for in an exact, specific way or all will be lost. Read more

« Older Entries
Newer Entries »