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Posts from the ‘Craft’ Category

Jun 7

In memory: Tips for writers from Ray Bradbury

Today, we honor the memory of Ray Bradbury, famed writer of science fiction, fantasy, and mystery stories and novels, who made such a difference as a writer and a person. He died June 5 at age 91.

While Bradbury was generally labeled a science fiction writer, he resisted it saying:

“First of all, I don’t write science fiction. I’ve only done one science fiction book and that’s Fahrenheit 451: A Novel, based on reality. It was named so to represent the temperature at which paper ignites. Science fiction is a depiction of the real. Fantasy is a depiction of the unreal. So The Martian Chronicles is not science fiction, it’s fantasy. It couldn’t happen, you see? That’s the reason it’s going to be around a long time — because it’s a Greek myth, and myths have staying power.” Read more

Jun 6

The Editing Games, part 2

In my previous post introducing The Editing Games, I blogged about how I turned my most recent editing experience into a series of games to keep myself motivated.

Below are two more games I play to keep myself amused and on track. I hope you find them useful:

Game # 3: The Verb Game

After I’m done editing for story and characterization–when I think I’ve got the words in the right order on the page–I play the verb game. I take a chapter at a time (doing this while on the treadmill or elliptical machine is a great way to multi-task) and highlight each and every verb. Then I look at each highlighted word to see if there’s a better, stronger or more precise verb that I could use.

This game will do two things: 1) help make your story stronger and 2) train your brain for the future. If you really do this, you’ll be surprised at how your brain will begin to come up with stronger verbs the first time around.

Game # 4: The Repetition Game

I have a running outline of my chapters to keep track of certain things like plot, themes, character traits, and symbols or objects. If I’m repeating something for a reason–say a character trait like one character’s nervous goat laugh or an object like another character’s jet black toupee–I list this in my outline and make sure that I repeat this trait or object several times during the course of the story. I may even change the trait or object slightly to show growth of the character or a change of mood.

These repetitions can become threads to keep your story cohesive or lend resonance to your manuscript. Just remember: too many repetitions make the reader feel like they’re being harangued and too few repetitions will leave the reader in the dark. In my 300-page manuscript I typically repeat my threads a minimum of three times and usually more like five to six times as long as it doesn’t feel overdone.

What editing techniques or tricks do you use to keep yourself on target?

Jun 5

4 Comments

Talent vs hard work: 5 tips for a deliberate writing practice

Do you ever question if you have the innate talent to write a publishable manuscript? Many people believe that successful writers, painters, or athletes are born with the talent that led to their achievements.

It’s easy to believe that people who are super successful must have an extra measure of innate talent. But people aren’t born with specific natural gifts, according to British researchers Michael J. Howe, Jane W. Davidson and John A. Sluboda.

Success happens by putting in hard work over time. But not just any hard work. It requires putting in time in a particular way. Read more

Jun 4

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The Editing Games, part 1

Editing. Does it ever end? Maybe if we have an apocalypse—where we writers would be too busy scrambling to save our skins or ambling down The Road trying to hide from lawless survivors. Or, would we take time out from the metaphorical red pen if compelled to compete with Katniss in The Hunger Games?

Nah. Being writers who want to get our work published, we’d probably just turn the arena into a battlefield of dangling modifiers, unnecessary adverbs, overwrought adjectives, and just plain old unnecessary words aka “fat.” Yes, in editing mode, we writers are fat trimmers. Read more

May 29

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The key to building complex, realistic characters

Ever have one of those “aha” moments in your personal life that just rock your writing world? I love it when this happens.

Recently, while on vacation with my hubby, we were surfing channels late one night and ran across an old rerun of The Odd Couple with Tony Randall and Jack Klugman. The Odd Couple, in case you’re too young to remember, was a sit-com about two men Oscar, the slob, and Felix, the neat freak, and how they live together and drive each other crazy. We watched the episode and laughed more at how corny the show was than the jokes (but the jokes were pretty funny too).

Read more

May 28

Seven elements of an extreme character

How extreme are your characters?

Some of the most interesting and memorable characters in literature have contradictory and irreconcilable traits. Extreme characters are a mix of traits that make them so unique that they aren’t like anyone we know.

But it doesn’t mean we don’t identify with some of their characteristics. These characters stick in your reader’s mind.

Tips:
Think of your character’s traits and consider which one you want to emphasize. Mental traits often work better than physical and can power emotional depth in your story. Surprise your reader by turning stereotypes inside out.

Here’s a profile of an extreme character: Read more

May 22

Where do stories come from? Find out here

Are you curious about where stories come from? How a writer comes up with a particular idea? I find it energizing to learn the story behind the story.

Some stories come to their authors in a rush, seemingly out of nowhere. Others say, a chance encounter, or an observation of something odd sparked their story. Then as they wrote, the meaning revealed itself and the language and the emotion rose to the surface and drove the story home. Read more

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