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Posts from the ‘Craft’ Category

Story tips: notice the unusual around you

In my post, “Six Elements of Great Short Stories,” I wrote about the six things literary agent April Eberhardt said we should think about in our stories: setting, character, point of view, conflict, plot, and theme.

She suggested carrying some index cards with these elements listed and using them when we see something in our daily life that sparks our interest.

She used the example of the day she was driving in the city and saw a car full of nuns next to her. What drew her interest was the unexpected–they were driving a new Lexus and laughing hysterically. She began to wonder about their story.

So, if I take her advice and list the elements of this situation on my index card, it could look something like this:  Read more

Best books of all time?

No matter what genre we write or like to read, there are certain books that, as writers, we can learn so much from.

I remember the first time I read Carson McCullers’s novel “The Heart is a Lonely Hunter.” What struck me most was the way she used setting in her story – how it became a living, breathing presence.

What are the best books to read and learn from? Opinions vary but below are lists from two successful authors and one grand list from the Guardian. Browse their lists and then create your own.

From suspense and thriller writer Lee Childs: Top 40 Books of All Time

From Pulitzer-winning author Michael Chabon: Top Ten List

And from the Guardian: The 100 Greatest Novels of All Time

Do you have any favorites to add?

One writer’s secret weapon

In my quest to improve my writing craft, I’m always saving great writing articles and pieces of advice. Like photographs we take and throw in shoeboxes until that day we’ll put them in an album, these articles and snippets of writing advice float around in boxes and folders. No more.

I’m going to follow author Chris Orcutt’s advice. Orcutt saves articles and handwritten notes from books he’s read and posts them in blank composition notebooks. They serve as a customized writer’s resource. He calls them his secret writing weapon. Read more

How to create fiction that moves readers

Literary agent and writing teacher Donald Maass says the most successful novels of the early 21st Century are beautifully written while telling powerful stories. He predicts less focus on genre and more focus on fiction that moves people.

What moves people? What connects readers to the heart of our characters? Emotions.

At the Pacific Northwest Writer’s Conference last month, Maass spoke about how to achieve an emotional landscape in our novels.

He says to ask yourself what new emotions you’ve experienced this year.  Then ask: is there a place in your manuscript where a character can feel this emotion? Read more

How to write in your sleep

A few days ago, I had a flash of insight about a story I wanted to write. I quickly wrote out a draft and after making some changes, I looked at it and decided I was missing some of the deeper meaning.

I’m going to rely on my subconscious self to delve into the deeper meaning. I have a strategy to do this. If you’re also looking for ways to build out a piece of your writing, you may want to try it.

Here’s how:
1. Print a poem, short story, or a few pages of a manuscript you’re working on and read it right before you go to sleep. If you have any outstanding questions about its direction, write them in the margins of your page and think about them as you drift off to sleep. As you sleep, your story will be simmering in your subconscious. Read more

Six elements of great short stories

In literary agent April Eberhardt‘s short story workshop at the recent Pacific Northwest Writer’s Contest, she gave us a list of six elements to look for in stories.

Eberhardt suggests that we write our story first and then overlay these six elements on it to help polish our work.

Six elements of short stories:

Setting.  Set the stage close to the beginning of the story. In my earlier post, I quote poet Nelson Bentley, “Give the readers a place to stand, and then you can take them anywhere.” Read more

Agents and editors speak: What you should know about submitting your work, part 2

If you’re looking for an agent or editor, you’ll want to show your work in the best possible way. In my last post, I offered four tips for approaching agents and editors. Here are four more.

Note your unique skills and expertise. If have an expertise in an area that pertains to your book, say so. It might give you an edge because you’ll have a connection or built-in audience who will be interested in your book. Read more