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How photography & art can inspire your writing

As a freshman in college, I wrote one of my first poems in response to a painting that hung on the wall of an art gallery where I worked. It was an abstract painting of a woman’s body and I wrote my poem in an abstract style—mimicking the curves and nuances of the painting. I even titled the poem “Abstract Painting #6” after the name of the painting. I remember this because it was the first poem I ever published. Firsts tend to make an impression on me.

As a writer, I’ve trained myself to be observant of my surroundings. But I don’t always succeed—there are days when I’m so involved with my “other worlds” that I literally don’t notice what’s happening around me. Once, when I worked at a law firm, I went for an entire day before noticing that my colleagues had rearranged my office. (Something they thought was hysterically funny for some reason).

When I enter a new environment now, I try to notice my surroundings—I look for what’s unusual or unique. I look for those “firsts.” If I find something intriguing, I store it away for later use in a poem or story. Read more

Pick a winning title for your novel, memoir or screenplay

How often are you attracted to a book by its title? Your title is a chance to capture a reader’s attention (not to mention an agent’s or editor’s).

Consider this guide as you settle on a title for your novel, memoir, or short story.

Double meanings can work. But look out for clichés, and make sure the meaning is what you intend and not too obscure or clever. The title of the movie, “The King’s Speech,” could mean the publicly important speech that King George delivers at the end or his speech — his way of speaking. It works.

Think about the tone and voice of your book. A powerful title will match the style of writing readers find on the pages of your book. Read more

Getting inside your character’s mind

Recently, I read Jacki Lyden’s memoir again, Daughter of the Queen of Sheba: A Memoir. I don’t normally read memoirs more than once. But I wanted to re-experience her word riffs and stream of consciousness writing to see if I could find a way to use these tools to go deeper into the minds of my own characters.

Lyden tells the story of growing up and living with a mentally ill mother. Her parents divorced when she was young and, after her mother marries a doctor who turns out to be controlling and abusive, she begins to speak to God and believe that she is the Queen of Sheba.

The author writes the lines below in response to a letter from her mother, who says that she was really never mentally ill, and that her behavior was the result of the prescription drugs her doctor-husband gave her. Lyden writes:

“Never crazy. It never happened to you. Ant Trap Zap! It never happened to me. We’ll throw out those old pages and get some new ones at the K Mart. There is a life I’d like you to try, size six. We can always take it back if it doesn’t fit. You will be a housewife heroine, pushed into adversity by a demanding doctor-husband and prescription drugs, and I will be free forever from the taint of your insanity. Prescription drugs, I tell my friends confidently. Misdiagnosis. Miss Diagnosis. Clodhopper attendants, Nurse Ratched on the case. Dolores naked and chained in a pit. Lions and tigers and bears.” Read more

A twist on the writer’s journal: The commonplace book

I’ve never needed a reason to buy a new notebook, but I have one today.

I’ve decided to start a new commonplace book.

My writing addictions list wouldn’t be complete without adding “journals.” I have separate notebooks for book projects, story ideas, my tiny notebook — in case I’m out without a larger notebook — and think of something I must record immediately.

Years ago, I heard a writer speak at a writer’s conference about his commonplace book, and I began keeping my own. Commonplace books emerged in the 15th century. People would note interesting ideas about books they’d read so they could use them for conversation starters. I no longer remember the name of the speaker, but I remember what he said (because I noted it in my commonplace book): Read more

Writing to a positive resolution

“Listen, Paula. I am going to tell you a story, so that when you wake up you will not feel so lost.”

Thus begins Isabel Allende’s heartrending story of the death of her daughter, Paula, who suffered a seizure and fell into an irreversible coma when she was 26 years old.

Hoping that someday her daughter will be able to read her words, Allende began writing as Paula lay in a Madrid hospital. The author deftly weaves the story of her family history, her upbringing, and the history of her country, Chile, with the story of her daughter’s illness. Though Paula: A Memoir is a tragic story of the loss of her child, Allende turns it into a beautiful tribute full of lyrical, mystical, and sometimes humorous writing. Though we suffer with her over her child’s fate, and feel her pain, she eventually leads us to a place of transcendence.

Instead of ending her book with an artificial, tacked-on “happy ending” or a moralistic treatise on “what she learned” from her journey, Allende begins long before the end of the book to show us her turns. Read more

Newspaper+marker=poetry: Poet or not, try this

I’m addicted to making and reading newspaper blackout poems. I learned about them when I stumbled across the book Newspaper Blackoutby Austin Kleon.

Kleon discovered newspaper blackout when he was stuck on his writing. He picked up some newspapers lying beside his desk and started marking out words. In his book, Kleon shows examples of newspaper blackout poetry and explains the “20-year history of folks finding poetry in the newspaper,” then goes on to explain how to do it yourself.

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Three ways to feed your muse: hunting down inspiration, Part 2

You can’t wait for inspiration, you have to go after it with a club.  Jack London

Inspiration comes from many places. Sometimes, it’s a visual image—fog settling over the bay, a blue jay teetering on a phone wire, a dead leaf swirling on the wind. Sometimes, inspiration comes in the form of sound—a phrase overheard, the sound of water rushing over rocks, silence when the power goes out.  But too often, inspiration doesn’t just come out of the blue—I have to go hunting for it.

One of my favorite ways to find inspiration is to read the work of others—poetry, fiction, nonfiction. As a writer, we train ourselves while reading to have different levels of awareness running at the same time. Kind of like having multiple computer programs running at once.

On one level, we’re fully immersed in the story or poem, but on another level we’re noticing language, syntax, the arrangement of words, metaphors, rhythm. We notice how the author or poet uses concretes and abstractions, how she presents her characters or builds suspense.

As you read, notice if the piece grabs you. And, if it does, where does that happen? Be on the lookout for what inspires your muse.

Sometimes, an idea or inspiration will come in the form of one word. One wild word that sparks your muse into action. Read more