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Posts tagged ‘writing tips’

May 15

A writer’s worst enemy: The Fraud Police

Have you ever felt like a fraud? You’re writing away or starting a new painting or composing a song and you’re suddenly stopped by those terrible voices in your head that say you’re a fake, a poser, a no-good mime of life.

I pretty much have this feeling every day. It doesn’t matter if I’m writing or working my business, it’s always there at some point—whether it’s a whisper or a tsunami of sound. That little nudge of self-doubt. Can I really do this? Will “they” find me out? Whatever made me believe I could write a novel? Or be an artist?

Imagine all the time, opportunities, and joy lost to the fear of “being found out.” I’ve known people who have become crippled by this fear. Unable to move on. Unable to pursue their dreams. Unable to get out of their dire circumstances. Unable to live.

Amanda Palmer’s 2011 commencement speech at The New England Institute of Art’s Class addresses this issue. Amanda calls these voices in our head the Fraud Police.

She says the Fraud Police are an imaginary terrifying force of grownups that don’t exist. But they come to your house at three o’clock in the morning and pound on your door and shout “Fraud police!! We’ve been watching you, and we have evidence that you have no idea what you are doing….You do not actually deserve your job and we are taking everything away and we are telling everybody.”

We’ve all felt, at one time or another, that we’re “fakers,” that we don’t really know what we’re doing. It doesn’t matter who you are—an artist, a teacher, a police officer—everyone has a fear of the Fraud Police finding them out.

Amanda says that there are no rule books for artists. Scientists and doctors and astronauts actually have an easier time because they have a specific path to follow with certain rules. They have a destination.

So, how do we combat the imaginary Fraud Police? One way, says Amanda, is to continue doing what you do. Every day. Take opportunities to learn and grow and help others in your field. Volunteer. Do your work. Create your art. Step outside your comfort zone.

She says, and I believe, that making art is just as important as building a bridge or curing cancer. After a long, stressful day of work or saving lives, what do you think these professionals need to save them? Yes, art.

Keep making your art. It is important. It saves lives.

When my Fraud Police stop by now, I say, “Hello! Thanks for stopping by. Yes, I’m a fraud but so are you! At least I’m trying to figure it out. You’re just annoying.  I’m busy now but check back later. Bye-bye!” What usually happens, is they go off and bother somebody else and forget to come back later, at least that day.

Watch Amanda’s short video here:

 

May 13

Productivity tips for your writing projects and more

“When I write, I feel like an armless, legless man with a crayon in his mouth.” – Kurt Vonnegut

I’ve been going in a hundred different directions lately: work, play, travel, chairing a literary contest, spring gardening, and a multitude of other projects. The other day, a friend called me “superwoman.” I used to like it when people noticed how hard I worked. Now, I hate it. I hate it just for that reason–because it reminds me of how hard I work.

I realize, after a lifetime of perpetuating this pattern, that I “get busy” and take on too many projects when I am trying to AVOID something that I really should be doing. Funny, isn’t it? The thing I should be doing, right now, is writing my book. Why am I doing everything else, then? Because I’ve reached a juncture of sorts, a crisis point, and I can’t see my way through it.

Fortunately, for me, I came across Tim Ferriss’s post today, “Productivity Tips for the Neurotic and Crazy (Like Me)” (and like me). He writes about the dangerous myths of “creative” people and lists several dysfunctional actions of his own (in comparison, they make my “busy-ness” seem boring and lame).

Tim says, “Most ‘superheroes’ are nothing of the sort. They’re weird, neurotic creatures who do big things DESPITE lots of self-defeating habits and self-talk.”  He goes on to say:

“If you consistently feel the counterproductive need for volume and doing lots of stuff, put these on a Post-it note:

  • Being busy is a form of laziness-lazy thinking and indiscriminate action.
  • Being busy is most often used as a guise for avoiding the few critically important but uncomfortable actions.”

To get myself back on track and out of my crazy-making-busy behavior, I’m taking Tim’s advice and writing down the three to five things that make me most anxious or uncomfortable. Then I ask myself “If this were the only thing I accomplished today, would I be satisfied with my day?”

If I can answer YES to this question and one more question he lists in his post, then I should block out 2 to 3 hours one day to work on ONLY this project. Let all the little, less-important stuff come later.

The most uncomfortable thing in my writing life right now is, “What is going to happen next in my story?” If I were able to break through this block, it would be a life-changer for me—not only because I may actually finish my work-in-progress but it would give me the confidence that I can be successful, that I can push through my blocks. I’d be expanding my comfort zone and creating “future fuel” for success. Sounds productive, doesn’t it?

Do you have one or two things in your life that feel uncomfortable? Are you avoiding or procrastinating something important?

For more insight on how to increase your productivity, read all of Mr. Ferriss’s article. Then check out his book, “The 4-Hour Work Week.”

For more tips, read my post Stretch your writing comfort zone.

Apr 17

6 Comments

How to get readers to care about your characters

In the short video below by screenwriter and director, John Truby, he says one of the biggest mistakes writers make is how they create their characters.

Truby says most writers create characters by making them as detailed as possible. We’ve all heard this advice, right? Make your characters detailed, use all five senses, etc.

But Truby says having detailed characters does NOT make your audience care about your characters.

What makes them care is discovering two things:

1) what is the character’s fundamental weakness — their fundamental flaw?

2) what is the character’s story goal?

Truby says the best stories will show the character going after their goal, which will then make them deal with their greatest internal weakness.

To hear what else Truby has to say about creating great characters, watch his video below and check out some of his other videos:

Apr 15

3 Comments

Be your own writing judge: Six tips to help you win contests and attract agents

One of the hardest things to do as a writer is see your own work objectively.

The past few weeks, I’ve been reading entries in a writing contest. It’s always a great learning experience to analyze other writers’ work, which is one reason I always recommend writers join critique groups.

It’s interesting to see how many issues are common among the manuscripts I read. See if these ideas and tips can help you judge your own work more objectively.

1. Create mystery. Every story should have questions that will spark readers to turn the page so they can find the answers. What does the protagonist desperately want? Make the stakes big so readers absolutely must keep reading to find out how on earth the protagonist will succeed. And while you’re at it, deprive readers of the answer as long as possible.

2. Create active protagonists. I frequently see protagonists who are living in their heads too much or being the victims of the action instead of the ones acting.

3. Don’t put too much backstory up front. You’ve probably heard this advice before, but it still remains one of the most common manuscript problems. Don’t risk rejection. Readers and agents want to see action and trouble from the beginning. They really will keep reading to find out more and will be happy if you weave the backstory in as you go.

4. Pace your story. Alternate dramatic scenes with calmer narrative to give the readers breathing space.

5. Create characters that readers can identify with. Not every character has to be a hit with readers but you don’t want readers to finish your book — or worse — stop part way through and say, “Actually, I don’t like any of these characters!”

6. Don’t overdo description. Description is an art. It’s an opportunity to be creative and use sensory images that put the reader in the grip of the story. But make sure you weave it in so that it doesn’t bog down your story.

Apr 4

3 Comments

Writing nonverbal cues to enrich your characters’ lives

I just finished a fantastic online class with Margie Lawson called, “Writing Body Language and Dialogue Cues Like a Psychologist.” I highly recommend any of Margie’s classes–they’re like taking a Ph.D level course in how to empower your character’s emotions with tons of hands-on practice.

One of the tools she shared at the end of class is The Center for Nonverbal Studies. It’s a fabulous site that includes a nonverbal dictionary, a page on the nonverbal brain, and even an in-depth explanation of the “adam’s apple jump,” which, according to the site, is “an unconscious sign of emotional anxiety, embarrassment, or stress. At a business meeting, e.g., a listener’s Adam’s apple may inadvertently jump should he or she dislike or strongly disagree with a speaker’s suggestion, perspective, or point of view.”

The nonverbal dictionary lists gestures, signs, and body language cues. I’m reading through the lists and making notes of anything that catches my interest or that I can see one of my character’s doing. For example, under “Jaw-Droop” I found this usage explanation:

The jaw-droop is a reliable sign of surprise, puzzlement, or uncertainty. The expression is often seen in adults and children who a. have lost their way (e.g., in airports), or b. are entering or walking through unfamiliar, crowded, or potentially threatening places (e.g., darkened restaurants, taverns, and bars).

You’ll even find a bit of history in the nonverbal dictionary. Under Lawn Display: “Lawns mark territory and betoken status. Each year, Americans buy an estimated 500,000 plastic pink flamingo ornaments to mark their yard space–and to provide tangible evidence that, “This land is mine.” Read more

Mar 31

Understanding the art of lying to create believable characters

Recently, I was writing a scene where my protagonist is trying to decide if the man she is talking to is lying to her or not. This made we wonder: can you tell when someone is lying to you? And how? Is it a telling gesture or look that gives them away? Or, is your character more complicated than that? And do you know them enough to even know if they are lying?

Lee Lofland is a veteran police investigator with years of experience who has sat across from some of the best liars in the world. Lofland has been a sheriff’s deputy, patrol officer,  and detective and has worked in prisons, as an undercover officer and in narcotics, among other areas of law enforcement.

He has also written a book for writers, “Police Procedure and Investigation: A Guide for Writers (Howdunit),” that is a treasure trove of information on how the police work. Authors from Jeffery Deaver to J.A. Jance to Hallie Ephron give Lofland’s guide a thumbs up. Read more

Mar 26

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Choose six wise guides to help you write your novel

In “Chapter After Chapter: Discover the Dedication & Focus You Need to Write the Book of Your Dreams,” author Heather Sellers recommends limiting the books you read while you’re writing your novel.

In an earlier chapter, she recommends making a top 100 list of books like the one you want to write and to read these books before you start writing.

But while writing your book, she says to limit your reading to six books: three books like the one you want to write (the books that inspire you the most) and three craft books. When she wrote her memoir, “You Don’t Look Like Anyone I Know: A True Story of Family, Face Blindness, and Forgiveness,” she had the following craft books on her desk: Robert McKee’s “Story,” John Gardner’s “On Becoming a Novelist,” and Eric Maisel’s “Fearless Creating.”

Sellers stacks her six books on her desk and before she starts writing she might flip through them for inspiration or, if she gets stuck during her writing, she turns to them for a boost. She calls them her “Six Wise Guides” and says the reason she sticks with six is for focus. These six books, she says, will teach her everything she needs to know to write her own book.

In my next post, I’ll share my six guides and why I chose them. What six books would you choose and why?

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