As writers, we know that learning our craft is a lifelong endeavor. Even well-known published authors still study their craft. These craft masters want to become the best they can be.
After I earned my Master of Fine Arts in Creative Writing, I continued my craft studies with various teachers and felt as if I got an entire second degree. I love writing. I love learning about writing. I love practicing my storytelling techniques.
If you’re a writer, I know you feel the same way, and I have a gift for you.
Some of my writing mentors and friends and I are teaching in-depth writing craft webinars this year. You’re invited to a FREE webinar on Thursday, April 1 for a sneak peek of what we have to offer. Be our guest for quick craft tips, writing exercises, and Q&As from writing pros. Topics include emotional storytelling, outlining, scene structure, poetry techniques for prose, and much more.
To sign up for the FREE Craft Collection night, please click here and scroll down to the April 1 event.
On May 13, I’m teaching a webinar on adding poetry to your prose. Other webinar topics in the series include Writing Your Novel from the Middle by James Scott Bell, Backstory is Fore-story by Donald Maass, Emotional Storytelling by Lorin Oberweger, Dialogue as Action by David Corbett, Character Matters by Sheree Greer, Crafting Your Novel by Emma Dryden and many more!
I hope to see you on April 1.
P.S. If you miss the free event, you can check out the webinar series here.
As mentioned in part one of this post, writing prompts can help get us into the flow of our writing. Poetry prompts are easy. Pretty much anything can be a poetry prompt. But what if you’re working on a longer project like an essay, short story, or novel? Learning to develop your own prompts for a specific project can be a powerful tool in your writing practice.
The more we practice developing prompts and writing from them, the better writers and storytellers we will become.
Think about the word practice for a minute. Practice is defined as to do something habitually and also as to pursue a profession such as law. But, really, anything can be a practice.
I’m currently doing a 30-day yoga challenge courtesy of “Yoga with Adrienne” on YouTube. I don’t have a naturally flexible body, so I have to modify many of the poses. This is one of the things I love about yoga—it’s flexibility to fit any body type. It’s called a “yoga practice” for a reason. I love saying the words “yoga practice” because they remind me that I don’t have to be perfect. In order to get better at anything, we have to practice it. Read more
I love to write and I especially love to write poetry, but I also go through long periods where I don’t write. I get busy with work and life. Or roadblocks appear that zap my time and energy and leave me with little creative mojo. 2018 was one of those years. It was a rough year. One thing after another ate up my physical and emotional energy and left me with no extra creative juice.
I didn’t write a single poem from February until the end of November. I was beginning to wonder if I even remembered how to write a poem. I started a few times, but the poems felt forced and contrived.
Then I happened upon a book my friend and writing partner gave me several years ago. “The Crafty Poet: A Portable Workshop,” by Diane Lockward is an incredible book with poetry prompts, essays, and articles on the craft of poetry and much more. What I love about the book is that it gives you a poem, dissects the poem, and gives you a writing prompt. After the writing prompt, you get two more sample poems based on the prompt. Since then, Diane has published “The Crafty Poet II: A Portable Workshop.” Read more
It’s difficult to write about deep painful emotions, even in our characters, unless we’ve experienced them. And, even then, it’s not an easy task.
Strong emotions can be overwhelming. Sometimes we numb ourselves or run away in order to avoid our feelings. I used to do that until I realized on some level that the emotions would fester inside me until I actually did the work of processing my feelings and healing myself. The advantage of doing this when you’re a writer is that you can use what you learn about your emotions to deepen your characters. I wrote about this earlier in “Draw on personal pain to write believable characters.”
But I want to delve deeper into this subject today because I’m working on a scene in my novel where I’m trying to understand the complicated grief my antagonist has about his sister’s death and how it motivates him to do bad things.
Grief is one of the most complicated emotions because it can have shades of guilt, shame, anger, and other feelings mixed in. Read more
Developing our curiosity can serve to make us not only more interesting people but also better writers and more creative artists.
Being curious has helped me dig deeper in my writing, develop an authentic voice, and create more well-rounded characters. It has also improved my relationships and, overall, made me a happier person.
When I was younger, if someone started talking about a subject I wasn’t interested in (history, westerns, reptiles), I’d listen but my attention would wander after a while. Over the years, I learned to look at these exchanges from a different perspective.
I started asking myself, “What can I learn from this person about this subject that I didn’t know before?” Then I’d listen and ask questions. Suddenly, everything became much more interesting, including me! These types of interactions can also be mining grounds for future story ideas and character traits.
Artists need to be curious about their world, but with the stress and busyness of our daily lives, how do we maintain our child-like sense of wonder and curiosity?
Here are a few exercises that have helped me:
Have an open mind.
Practice looking at things, people, and situations with a clear, open mind. When you find yourself judging someone, let go of the judgment. Instead, ask questions. Read more
My mom loved puzzles. She spent most of my childhood in our little mom amd pop grocery store, and in between ringing up customers, stocking shelves, and keeping me occupied, she loved to work on puzzles. Crosswords. Cryptograms. Hangman. Word search. Maybe this is where my love of words came from.
I never enjoyed puzzles like Mom did, but it dawned on me a few years ago that writing poetry is my form of puzzle work. I enjoy hunting for just the right word. Sometimes I wonder if the joy I feel when a poem finally comes together is what Mom felt when she successfully completed a crossword.
Another part of puzzling together a poem is the fun I have in playing with rhetorical devices. What are rhetorical devices? Read more