In a post I read a few years ago by Marg McAlister, “Verisimilitude: Description that Puts the Reader in the Scene,” I copied and saved one of the excerpts she used because I thought it was a good example of how sensory description can work well in a scene.
I was reminded of this last night as I lay in bed reading an urban fantasy novel (to remain nameless except to say it is a popular series by a well-known author in the genre) and my pet-peeve radar was activated.
But let me ask first–why do we read? I read for many reasons: to learn about the world, to learn about the craft of writing, to activate my imagination, to take a break from work. But the main reason I read fiction is to enter other worlds, to lose myself in another place and time, to feel what the characters feel, to experience something different.
So, my biggest pet peeve when reading is when an author pulls me from that world.
And pulling me from that world with an info dump of inactive setting or character description is the worst offender. Pure, unadulterated, torturous Hell. Or, what I imagine Hell might be like for a writer or avid reader. Read more