Good beginnings matter, whether you write poetry, memoir, novels, or short stories.
A compelling beginning hooks your reader’s attention, including agents and editors, who may hold the key to publishing. Imagine your readers walking around a bookstore and pulling books off the shelf to read the first page or downloading a sample to read online. Would your book capture their interest?
Check your story’s beginning against these three elements of a good beginning. Good stories should:
Raise a question. Create a sense of curiosity to draw readers into your story. At the heart of every good story is a question that must be answered. A protagonist wants something and the reader must read to the end for the answer.
Hint at what’s to come as your story unfolds. A beginning is an opportunity to set a tone and give clues to what’s in store. One of my favorite books and an example of how the author set a tone is “The Catcher in the Rye” by J.D. Salinger.
Surprise the reader. How often are you surprised by the first paragraphs of a book? This book surprised me in the first line:
“The Winter War” by Philip Teir
“The first mistake that Max and Kateriina made that winter — and they would make many mistakes before their divorce — was to deep-freeze their grandchildren’s hamster.”
Check out these examples and see how they meet the criteria of good beginning.
“The Haunting of Hill House” is a ghost story by Shirley Jackson, who also wrote, “The Lottery.”
“No live organism can continue for long to exist sanely under conditions of absolute reality; even larks and katydids are supposed, by some, to dream. Hill House, not sane, stood by itself against its hills, holding darkness within; it had stood for eighty years and might stand for eighty more. Within, walls continued upright, bricks met neatly, floors were firm, and doors were sensibly shut; silence lay steadily against the wood and stone of Hill House, and whatever walked there, walked alone.” Read more