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Posts tagged ‘character development’

Mar 21

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Developing character emotions to create resonance

In my last post “Writing exercises to help you go deeper” I wrote about developing a writing exercise to help me delve into my story and focus on what my protagonist learned from her experiences and also how she grew from this knowledge or information.

It was pretty easy to come up with what she learned. For example, one of the things she had learned from her life experiences so far was that those who love her, eventually leave her. This is what she comes into the story with and, because she’s afraid of getting hurt, she guards her heart.

Over the course of the story, she learns to trust again. She learns that “leaving” is an illusion and that love is never-ending. Read more

Feb 22

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Two ways to create characters your audience will care about

Quick. Think of several of your favorite characters in books or movies. What makes them stand out to you? Character traits are one thing but focus on those and you just have superficial characters, says screenwriting teacher John Truby.

What grabs viewers and readers most about your character?

1. The fundamental weakness of the character

2. The character’s goal in the story.

If you can create a goal for your hero which forces him or her to deal with their deep weakness, you have the makings of a great story, says Truby.

Learn more in this 3-minute clip.

Jan 16

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Enrich your characters’ and readers’ emotional experience with these cues

Readers pick up a book to have an emotional experience. They want to connect with characters on an emotional level that will eventually, by the end of the story, enrich their own lives. (Tweet this). 

Readers don’t want to be told how a character feels. They want to experience the emotion themselves. Dialogue is one way to convey or show character emotion, but much of a character’s emotion is nonverbal.

In The Emotion Thesaurus: A Writer’s Guide To Character Expression, by Angela Ackerman and Becca Puglisi, the authors break down nonverbal communication into three elements: physical signals (body language and actions), internal sensations (visceral reactions) and mental responses (thoughts).

In their book, the authors list over seventy emotions, such as anger, depression, doubt, excitement, happiness, loneliness, relief, and sadness, and offer suggestions on how these emotions can be shown through the three elements above. Read more

Nov 20

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Put on your writer’s cloak: Santa Claus is coming to town

Holidays enchant us with snowmen, gingerbread people, and candy canes. They can also be full of drama: Uncle Ralph and Aunt Sally in a snit at the dining room table or overtired children throwing tantrums in the middle of the mall. And don’t even get me started about the company Christmas party when Roger in Accounting had too much to drink and….well you get the idea.

Anyway, all these scenes are subjects for writers. Opportunities to observe the human condition to see what it can offer our storytelling. Read more

Nov 15

Use a voice journal to capture your character’s original voice

Have you ever written a passage of dialogue between two characters who sounded just alike?  I have. After awhile, I couldn’t tell which character was speaking. With a novel full of characters, it can be difficult to make each and every one stand out with a distinctive voice.

One way to find a character’s distinctive voice is keep a Voice Journal. Author James Scott Bell says he’ll do this if he finds one of his characters is starting to sound too dull or pedestrian. Read more

Sep 3

How to create memories for your characters

In an interview with author and journalist Pete Hamill, he explains how he researches his novels and in the process creates memories for his fictional characters.

If his fiction is set in the past, he reads histories, letters, memoirs and old newspapers.

“Then I let my notes marinate for awhile, usually a few months, until they become memory…the memory of one or more of the characters.”

Many newspapers have placed archives online and for older editions of newspapers that aren’t online, check the archives at your library. You’ll also find letters, artifacts, photos, and historical documents at local and state libraries and historical societies.

Read the full interview with Hamill in the December 2011 issue of The Writer magazine.

Jun 20

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Use character emotions to show vs. tell

The golden rule in writing, “Show, don’t tell,” is something I try to follow most of the time. The only time I use “telling” is for transitions, to speed up time, get from one place to another, or weave in necessary information. But when writing in scene, I try to evoke character feelings through “showing.”

Loud, neon emotions written flat on the page don’t convey anything except a writer’s immaturity and lack of craft. Read more

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