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Jun 24

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Do you write in a lab or a factory?

I’ve always called my writing space, my “writing room.” This room is where I have three bookshelves crammed with books, my table with my computer and office supplies, and my chair and file cabinet. But inspired by this post from Seth Godin, I’ve decided to call my writing room my “writing lab.”

We work either at a lab or a factory, Godin says. People who work in labs are searching for breakthroughs at the risk of making mistakes because making failures helps us learn what works, he says.

Factories are all about churning things out – Twinkies, car parts, widgets – in the most efficient possible way. Read more

Jun 20

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Master class tips for reading and writing poetry, part II

The more I read and write poetry, the more I see how it helps me approach other forms of writing. In my last post, I wrote about tips for reading and writing poetry. Here are several more tips from a master class I attended taught by poet Matthew Shenoda:

  • Make the title a jumping off point. I usually start out with a working title but then change it at the end after the poem is fully formed.
  • Analyze the “story” the poem tells, it’s angle, and how it pulls you in. Read more

Jun 19

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Write scenes a beat at a time

In Sandra Scofield’s The Scene Book: A Primer for the Fiction Writer,the author defines the term “beats” as small units of character action and reaction.

Beats are, “the way we break down events into small steps of action, making it possible to evaluate whether those steps move the action effectively toward the culmination of the scene.”

Scofield recommends jotting down the beats of each scene before we write or before we revise in order to have a clear vision of where the scene is going. If we have a sticky or muddy scene, this exercise can help clarify the scene and make it stronger. Having the beats of a scene clearly thought out also makes it easier to control pacing and review the logic of the scene. Read more

Jun 18

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Master class tips for reading and writing poetry, part I

Do you ever struggle to figure out what a poem means or how to approach writing one?

I’ve always loved poetry so when I studied for my MFA, I attended every poetry workshop that I could, even though it wasn’t my focus in the program.

One of my favorite classes was a master class by poet and teacher Matthew Shenoda.

One of Shenoda’s tips was to read poetry conceptually. He suggested we ask ourselves these questions:

Jun 17

Find writing success in small, daily actions

It is a universal law that you must express your power

or the power will turn against you. What do you choose? 

—Michele Jamal, Shape Shifters:

Shaman Women in Contemporary Society

The above is one of my favorite quotes because it reminds me to express my power or be my “gift” each and every day. We all have gifts—a light that we uniquely bring to the world—but we don’t always display or use our gifts.

Recently, I was reading “The Compound Effect” by Darren Hardy, the publisher of Success magazine, and realized how easy it is to ride along in life and not make the daily little choices we need to make in order to allow our gifts to shine. I spent much of my early adult life just going with the flow and letting others make choices for me. Because I wasn’t proactively living my life, life was living me.

You know what I mean and, if you don’t, here are some examples:

  • Did I really inhale that bag of potato chips without even thinking about it? Read more

Jun 13

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Challenge your writing mind with free online short story and poetry classes

I’m a learning junkie, so I’m always excited to find new resources.

A One Wild Word reader alerted me to Academic Earth, which features a collection of free online courses from top universities, including MIT, Stanford, Berkeley, Harvard, Princeton, and Yale.

While it’s not the same as sitting in the classroom, and you don’t receive college credit, you’ll find class notes, suggested reading, and videos of lectures.

Here are several classes in the humanities category:

Writing and Reading Short Stories

Modern Poetry

The American Novel Since 1945

While you’re at it, check out this 2-minute video about the late Ray Bradbury’s book Fahrenheit 451: A Novel.

Jun 12

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Immerse readers in your stories by using micro details

Have you ever analyzed which qualities of a piece of writing draw you into a story?

One way writers can immerse readers into their stories is by using micro details. Something about these details makes a setting or character so real and authentic that the reader can’t help but sink into the story. Read more

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