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How to find writerly inspiration while eating a burrito

The minute I finally learned to read, I was hooked on words. I was like a staggering lost child who had crawled out of the Mohave desert and couldn’t stop gulping water from the first faucet I found. I checked out stacks of books at the library and read anything I could get my hands on, including the back of the Cheerios box as I sat at the breakfast table.

So it’s no surprise that when I went to Chipotle yesterday, I immediately glued my eyes to the copy written on my to-go sack as I chomped down on my burrito.

“Hope that, in future, all is well, everyone eats free, no one must work, all just sit around feeling love for one another.” George Saunders

I couldn’t believe my eyes. “Huh? What’s George Saunders, the short story writer extraordinaire, doing on my burrito sack?”

This is what: Saunders and 10 other writers are part of a Chipotle campaign called Cultivating Thought — Author Series. The campaign was the brainchild of Jonathan Safran Foer, a featured author and curator of the project.  It’s meant to spark conversation and introspection through essays that take about two minutes to read. The idea, Foer said in a video on the website, was not for the campaign to be any sort of marketing tool. He goes on to say that, “….in the scheme of corporate America, this is not a massive investment of any kind. But it might have really beautiful payoffs.”

Other authors include Toni Morrison, who wrote the essay, “Two-Minute Seduction,” comedian Sarah Silverman, Harvard professor Steven Pinker, and Michael Lewis, author of “Moneyball” and “The Blind Side.”

The essays on Chipotle’s bags and cups are meant to, “create a moment of analog pause in a digital world, provoking introspection or inspiration, and maybe a little laughter.”

Besides the essays, the paper bags and cups feature original art. For a bite of inspiration, go to cultivatingthought.com to see the artwork, author bios, Q&As with the writers, and their essays.

If the Cultivating Thought campaign has inspired you, consider writing your own mini essay. For ideas read my blog post, Cultivate conversation with a mini essay.

How do you define the truth of your story?

In the short video below, author and screenwriting mentor Robert McKee answers the question, “How do you define the truth of your story?”

My main struggle as a writer is to express the truth of my stories or poems in a way that will also resonate with my readers.

McKee says that there are many levels of truth in a story. There’s the surface level—the how and why things happen. The facts of the story.

For example, my protagonist in my current work starts out as a veterinarian focused on healing animals with her science and medical abilities only but, as the story progresses, she is drawn deeper into the magic of her hometown and her own special healing abilities. This is the surface story.

But, McKee says, a storyteller is after how and why what happens on the surface happens. We are looking for the deep hows and whys even down to our character’s subconscious level.

In my story, my protagonist resists using her special abilities because bad things have happened to those she loved when she used her powers as a young girl. She carries this trauma forward and it is her truth.

In a good story, says McKee, you express the truth that you believe in. Someone else may see it as a totally different truth from their own experiences but this doesn’t matter. If you express your truths well and beautifully, the reader will resonate with your work. They will come away from your book or movie recognizing they are in the presence of the truth.

 

 

Fun and inspiring titles for your summer reading pleasure

It’s summer here in the U.S.A., so time for many of us to head out for a vacation. Wherever you’re going, it’s a perfect time to take a stack of books or your e-reader to catch up on some reading.

For your reading pleasure, here’s my list of fun and stimulating titles.

I was totally entranced by The Rosie Project, a novel about socially challenged genetics professor, Don, who tries to turn the art of love and his search for it into a science project. An unlikely relationship develops between Don and one of the candidates who responds to his search, Rosie Jarman. The Rosie Project is quirky, funny and different than any other romantic comedy I’ve ever read.

For those of us who live for writing, you’ll be inspired by Jimmy Santiago Baca’s memoir, A Place to Stand. Baca writes about how he learned his craft and found redemption in poetry while serving time in a maximum security prison. At one point, he gets into a fight with another inmate and as he hovers over him about to plunge a blade into his heart, Baca hears in his head the words of Garcia Lorca and Pablo Neruda, two great Spanish poets he’d been reading.

“How can you kill and still be a poet?” he asks. Baca is torn between a prison code of survival and the beauty and inspiration of words and in the end chooses poetry — and life. Read more

Character development: God is in the details

In her blog post, “Revealing Character Through Details,” Julie Eshbaugh quotes Mies van der Rohe (1886-1969,) who famously said, “God is in the details.”

A German-born, American architect, van der Rohe did not mean the more details the better. He meant it’s the small, subtle details that can give a building (and per Eshbaugh a book) the power to transcend the common.

In other words, look for telling-details that will relay worlds of information about your character to the reader. My character may have red hair, green cat eyes, freckles and a stand-out bosom but what makes her unique and memorable isn’t her outer description it’s the fact that she used to be a kleptomaniac and her eye is still drawn to bright, shiny objects, even when she’s having a serious conversation with somebody. Her eyes are greedy.

Reader Eshbaugh’s post for some fantastic examples and help in finding your character’s telling details.

You may also enjoy Carly’s related post, “Quirks make your characters feel real to readers.”

What telling details have you given your characters?

How to create memorable dialogue that becomes part of popular culture

A hallmark of a well-written script is a memorable line that could become part of popular culture.

Here are several examples:

“Frankly, my dear, I don’t give a damn.” Gone with the Wind.

“I’m gonna make him an offer he can’t refuse.” The Godfather

“You had me at hello.” Jerry Maguire

“I’ll be back.” Terminator

So how can you create memorable lines in your scripts?

Hal Croasmun, president of ScreenwriterU, explained this and other tips in “21 Steps to a Professional Rewrite,” a screenwriting teleconference on June 8. For more information about ScreenwriterU classes, visit the website.

First, go to the five most emotional moments in your script where most memorable dialogue happens. Read more

Energize your writing life with these three tips from other writers

Sometimes the trick to having a great writing day is just getting started. Here are three tips from other writers that inspired me and may help you too.

Write scenes out of order. Sometimes I know the end of a story before I know the beginning. So I go ahead and write the last scene. Or sometimes I have a key scene in mind that is asking to be written. I write it, and it gives me momentum to find the rest of my story.

This drives one of my writing friends crazy because she absolutely must write her novels starting from the beginning. I say, do what works. You’ll find advantages and disadvantages to every approach. But if you’re stuck about how to approach your next piece of writing, think about writing scenes in the order they come to you. Read about how Roz Morris started doing this in her post, Writing your scenes out of order on her Nail Your Novel blog. Read more

Heat up your writing with these prompts

Sometimes I get into a writing funk. It’s as though I’m frozen in place.

Maybe this has happened to you. You’ve gone through a stressful event, you’re not sleeping well, or you’ve been consumed by work deadlines. Stress and fatigue are known to affect creativity and inhibit the brain from generating creative ideas.

I find that the harder I think when I’m in my slump, the more I blank out. I’ve learned that I need to think differently. I need to activate the part of my brain that comes up with new ideas, instead of the part that is sparked by stress.

One of the things I do to re-energize myself is read good works of literature. I also find that doing a few writing exercises helps me out of my rut.

One of my favorite books for this is The Daily Poet: Day-By-Day Prompts For Your Writing Practice by Kelli Russell Agodon and Martha Silano. If you’re in a slump, try this prompt from The Daily Poet.

Choose a color. Now write a poem only using images of that color. For example, if you chose white, your poem might include clouds, snow, yogurt, angels, paper, ping-pong balls, or plastic bags. The poem may or may not evoke an emotion associated with your chosen color.

Here are two more prompts from another of my favorite writing books, Old Friend from Far Away: The Practice of Writing Memoir by Natalie Goldberg. This book is geared towards writing memoir but the prompts are equally good for writing essays and poems and even coming up with the seed of an idea for a short story or character. Here are two sample prompts from the book:

Knew. What did you know that you didn’t want to know? Go. Ten minutes.

Repair. What have you tried to repair? Write for 10 minutes.