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Two tips to build characters and jumpstart your plot

How well do you know your characters? If you’re stuck or blocked in your writing, it may be a signal that you have more to discover.

Speaking at a workshop sponsored by the Nevada chapter of the Society of Children’s Book Writers and Illustrators, Susan Brown, author of “Hugging the Rock” and several other children’s books, said when she gets blocked, it helps to learn more about her characters. That in turn helps her raise the stakes of her story.

Brown suggested these writing exercises:

Tip 1: Write letters to your characters and then have them write back.

Through letters, Brown has learned interesting nuances about her characters that led to new plot twists. Read more

Four tips to choosing a book title

Choosing the right title is an art. Sometimes, titles come in a brilliant flash of insight. Sometimes, not. I write poetry so I’ve had years of practice with titles. With most poems, I can usually find an intriguing title fairly quickly. Not so with my memoir. I’ve spent hours and hours and hours trying to come up with just the right title. In the process, I’ve discovered a few things to think about when choosing a title. But first, I’ll share some of my title failures and why they failed (no laughing out loud!)

My memoir is the story of how, as a child, I used the intuitive gifts inherited from my Norwegian great-grandmothers to transcend my father’s dark legacy. Below are the titles I’ve used along the way, in order of appearance. (I’m sharing the bad first so you can see how I learned from my mistakes).

The Language of Thorns. Okay, yes, I’m a poet. This shows it by being too literary and dramatic. Read more

Did you write today? Put a star on your calendar

I love it when I find another writer who has a ritual or a way of thinking about writing that I share. It’s one more way of feeling connected to a community. This week, I had one of those moments when I read an interview with writer John Reimringer

In The Aroostook Review, the online literary journal at the University of Maine at Fort Kent, Reimringer speaks about the practice of writing, how he got into it, and his routines and rituals. One especially struck me because it’s a ritual I’ve done in the past with working out and one I now do with my writing practice.

I give myself a star for each day I write.

I like to use a calendar that shows a month and has big enough squares for the stars. Something about seeing those stars pushes me forward. I like to look back and see my writing history at a glance. If you post your calendar in a place where you work, it can even become a conversation starter. I’ve influenced more than one person to start marking their writing progress with stars. (It’s actually a good way to mark any progress toward a goal, not just writing.)

Reimringer and his wife, poet Katrina Vandenberg, do something similar. Read more

What if you write only what is meaningful to you?

I’m a big fan of passion. I believe that whatever we do has to be done with passion. Maybe this is why my house is currently a certified disaster zone or why I’m behind on bookkeeping—because it takes me awhile to work up my passion for these tasks.

When you do something with passion, you do it for yourself and nobody else. You have an inner fire. I can tell when an author has passion—I feel it in their writing, in their words, in their images. They capture me.

I recently read a post on Photofocus.com by photographer Scott Bourne (@scottbourne) where he asked the question of his fellow photographers: “What if you concentrated on making only meaningful photos?” Bourne explores what this concept might mean to his body of work and encourages photographers to find what is meaningful to them as artists—not what they think is meaningful to others.

He writes, “There seems to be a rush to mediocrity in so many of the things that surround us lately that we may be in danger of simply forgetting about excellence.”

As writers, we have to be knowledgeable about the market—what’s selling, what’s not, how genres have shifted or combined to make new opportunities. But we don’t want to write to the market. We don’t want to write about vampires just because that’s the new hot trend (unless that’s truly your passion).

The most successful authors make their own trends. They find what they’re absolutely passionate about, what is most meaningful to them, and write about it. Read more

How writing legend Jane Yolen finds story ideas and more

If you write children’s or young adult literature, and even if you don’t, you can learn plenty from author Jane Yolen.

Yolen has written 300 books and has been called the Hans Christian Andersen of America and the Aesop of the twentieth century. In this video interview from FaerieCon 2010, she answers a few frequently asked questions and explains the meaning of the acronyms BIC and HOP. Read more

Three ways to use word riffs

One of my favorite writer’s tools is to practice word riffs. To me, word riffing is like playing a musical instrument (of course, that’s where the term riffing comes from). I’m learning to play guitar and one of the things I like to do is randomly strum away, making up my own little songs (often sung to my cats and starring their names—they just love that).

First, some tips for word riffing:

  • Make it fun and playful. Don’t make it serious—if the right word doesn’t come this time, know that it will next time.
  • Use a timer and write fast without stopping. This helps keep me focused and to the point. It allows me to go deeper and find more gems. I set my timer for 5 to 7 minutes.
  • Let it all out—first, you have to dump the garbage to make room for the treasures. Think of decluttering your office space. Once you get rid of the clutter, everything seems to flow better, doesn’t it? It’s the same thing with your brain. Write down everything that comes to your mind—the dumb words, the clichés, etc. If you don’t, you’ll just be storing it to come out later.
  • You can use word riffing for a phrase as well as one single word. Though I find focusing on one word at a time easier and more fun! Read more

Do you have a writer’s disaster plan?

As writers, we must let nothing deter us from our mission.

Sometimes that is easier said than done. One major deterrent in this age of gadgets and computers is our dependence on electricity — especially when the power goes out. I’ve endured a power outage during a frigid winter when a wind storm blew trees over and knocked out power lines in my neighborhood. For eight days, I scavenged for hotel rooms and went to the library for wireless Internet access.

So when the recent destruction caused by Hurricane Irene blew out power for thousands, I could sympathize with everyone who suffered from outages and flooding.

Chicago Sun Times columnist Andy Ihnatko (@Ihnatko), who went for a full week without power, wrote an informative column about how he navigated the outage and still managed to write. Read more