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Three posts to keep the words flowing

If you’re one of thousands of writers joining in National Novel Writing Month, you’re likely knee-or-neck deep with ideas and currently in that wonderful zone of writing hot. You’re 8,000 or so words into your story and everything’s flowing until…well…until it’s not.

But not to worry. When you reach that point where your brain has turned to mush, when you’re asking yourself what the heck you’ve gotten yourself into and where did your normal, real life go….that’s when it’s time to take a deep breath and read these posts below for inspiration in getting back on track—or on an entirely new track–but hey, words are words, right?

Three posts to help you find your flow:

Four quick tips to increase your NaNoWriMo word count

A little inspiration for NaNoWriMo

NaNoWriMo or not, boost your word count

Try this mental trick to combat blank page freeze

Fight the blank page!

In previous posts, I’ve suggested ways to pre-plan for National Novel Writing Month, where writers strive to produce a 50,000-word novel in the month of November. While some writers create an outline, nail down character sketches, devise a story question, and outline their novel’s setting, others like to dive in on day 1  and just start typing.

Regardless of where you’re at, the blank page can be a terrible thing.

You may be saying, “How can I not have a blank page? It starts out that way — blank.” True. But just don’t let it stop you.

Don’t let the blank page stay blank for more than a second. Type something. Anything.

  • The date
  • A random sentence
  • A description or a few words of the setting where your novel begins or your first scene takes place.
  • A list of your characters’ names
  • A working title for your novel
  • A logline if you’ve created one.

By the way, this mental trick can be a great way to start any writing project. A letter, an essay, a marketing piece, a work assignment, or a blog post. Write something that you already know will be in the piece, even if it’s just a paragraph or a random idea about the project. If you don’t know the beginning, start in the middle or the end. You’ll come back later and fill in the gaps, because every piece of writing begins as a draft.

Don’t let the blank page deter you from your NaNoWriMo or any other writing goal.

Now type.

Use NaNoWriMo month to hone your character’s deep point of view

National Novel Writing Month (NaNoWriMo) begins tomorrow, November 1st, and is the perfect opportunity to hone your character’s deep point of view.

What is deep point of view? Author and writing teacher Rhay Christou says, “In deep point of view the character owns the page and the author becomes nonexistent.”

Deep point of view will hook your reader and keep them entranced with your character and story.

Why is NaNoWriMo perfect for diving into deep point of view? Because we’re focused more on word count and less on structure, it’s a great time to just let go and be in the voice of your character. Forget about “he said/she said” or filter words like “she thought/he felt/she saw.”

Get a feel for your characters by asking them questions and getting to know them. For a list of great questions and other tips for diving into deep point of view, read Rhay’s post here. If her ideas resonate with you, or deep point of view is something you want to work on, consider taking Rhay’s online course in November with me.

In my next post, I’ll share more tips for getting to know your characters and diving into deep point of view.

 

Planning for NaNoWriMo: Sketch out your novel’s setting

NaNoWriMo is two days away and counting down. If you’re going to use the month of November to write a draft of a novel, now is a good time to sketch out ideas so you’ll be prepared to dive in when the clock strikes midnight.

In the past, I’ve been tripped up when I started to write because I wasn’t grounded in the key elements of my story. A basic framework will propel you towards your NaNoWriMo goal.

In my last post, I wrote about choosing your novel’s story question. Today, consider how you can sketch out the setting of your story — the environment where your story takes place.

Besides geographic location, setting details include information about the time period your story occurs. What time frame does your story take place in — the present? Future? Past? Some novels take place over years and some the space of several weeks.

In your notes about setting, consider the time of year and the weather. Sometimes these details can drive your story in new directions and create complications that add conflict. The weather can also contribute to the mood and tone of a story. Your setting can even become another character in a story and create momentum that drives the action. Read more

Get ready for NaNoWriMo by choosing your novel’s story question

It’s that time of year when everywhere you look you can find pumpkins and things made with pumpkin. Pumpkins for carving, pumpkin lattes, pumpkin pie, pumpkin bread, pumpkin pancakes, and pumpkin ice cream. It’s also the time of year when writers everywhere are gearing up for Nanowrimo. That mad rush to write a novel during the month of November.

If you plan to get into the NaNoWrimo groove, you may find that a plan will set you up for success in making your daily word goal.

Some writers have an idea of what they’ll write about when Nov. 1 rolls around. Others dive in and just go for it. Sometimes not knowing where you’re going can make you freeze. While the writing starts Nov. 1, it’s fine to think through your basic plot, subplot, and cast of characters now.

If you’re starting from scratch and feeling stuck, begin with this step: Figure out your novel’s story question.

In his eight basics of creative writing, Kurt Vonnegut said that, “every character should want something, even if it is only a glass of water.”

A satisfying and successful story has at its core a question that must be answered by the end of the book. In its most simple terms, it could be a question such as, will Rose find her true love? Will Conrad the detective capture the scurrilous killer lurking in his town? Will Jamie find her birth mother, and will she find peace?

Your character was living life until something happened that changed everything. A state of equilibrium was disrupted. What will happen next?

Start with your protagonist and decide what he or she wants. Then inject conflict by making it very hard for that character to get it. Other characters will join your novel to help or hurt your character’s chances of getting what he or she wants. At the end, your characters will have changed and you will have created that change with all your many NaNoWriMo words.

Grab a pumpkin spice latte and stay tuned for more NaNoWriMo tips in future blog posts.

How to stay creative in an age of distraction

I love owning my own home-based business. I sleep until I’m done (mostly) and schedule my day any way I want. Can I take a day off to go shopping in my favorite little artist-colony town? You bet. Can I spend the middle of my day visiting with a friend? No problem.

What I find most difficult, believe it or not, is scheduling time to write. In my business, I get e-mails and phone calls on a daily basis that I need to respond to. Often, when I’m writing, I may hear the phone ring or see an e-mail has landed, and I’ll be tempted to answer it because it will “just take a minute.” Or, I may think it’s better to answer it now then have to return the call or email later.

This is a pitfall that I’m learning to avoid. It’s my big danger zone. Another danger zone is the whole social media distraction. You know: Facebook, Twitter, LinkedIn, etc. One second spent to check Facebook and twenty minutes later…you know the drill.

In Adam Popescu’s post “How Neil Gaiman Stays Creative in an Age of Constant Distraction,” Gaiman reveals that he sometimes uses social media like Twitter for a short break from writing. Read more

Poetic inspiration for your writing

We’ve all faced the need to clean out our closets and finetune our possessions, whether we’re making a move, downsizing our living space, or just reorganizing.

We have to make hard decisions about what to keep and what to toss or give away. And sometimes the decisions aren’t hard. We wonder why we still have that stack of papers or miscellaneous junk that we never should have saved to begin with.

Exercise: Think about a time when you sorted through your stuff and had to decide what to get rid of and what to save. Think about how you felt. What were the emotions? What tugged at you and why? What was hard? What was easy? Now, write a poem, story, essay, or scene about it.

For inspiration and one poet’s take on getting rid of stuff, read the poem below from the American Life in Poetry project. Visit the American Life in Poetry website to sign up to receive a free weekly poem in your e-mail inbox.

American Life in Poetry: Column 497

BY TED KOOSER, U.S. POET LAUREATE

I’d guess everybody reading this has felt the guilt of getting rid of belongings that meant more to somebody else than they did to you. Here’s a poem by Jennifer Maier, who lives in Seattle. Don’t call her up. All her stuff is gone.

Rummage Sale

Forgive me, Aunt Phyllis, for rejecting the cut
glass dishes—the odd set you gathered piece
by piece from thirteen boxes of Lux laundry soap.

Pardon me, eggbeater, for preferring the whisk;
and you, small ship in a bottle, for the diminutive
size of your ocean. Please don’t tell my mother,

hideous lamp, that the light you provided
was never enough. Domestic deities, do not be angry
that my counters are not white with flour;

no one is sorrier than I, iron skillet, for the heavy
longing for lightness directing my mortal hand.
And my apologies, to you, above all,

forsaken dresses, that sway from a rod between
ladders behind me, clicking your plastic tongues
at the girl you once made beautiful,

and the woman, with a hard heart and
softening body, who stands in the driveway
making change.

————————

American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. Poem copyright ©2013 by Jennifer Maier from her most recent book of poems, Now, Now, University of Pittsburgh Press, 2013. Poem reprinted by permission of Jennifer Maier and the publisher. Introduction copyright © 2014 by The Poetry Foundation. The introduction’s author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006. We do not accept unsolicited manuscripts.