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Posts from the ‘Writing Life’ Category

Submit your best work to contests

I have a confession to make. Sometimes, I’m lazy. Not lazy in a lay around all day way, but lazy in that sometimes, with my writing, I take the “easy” path without really thinking about what might be the “better” path.

Case in point: After winning first place in the memoir category at the Pacific Northwest Writer’s Conference I had an epiphany—I realized that sometimes when I submit my work to a contest I pick a piece that I feel is finished but I don’t always pick a piece that I think can win.

I mean, I hope the piece could win but I don’t really look at it with a critical eye and ask, “Can this piece actually win—really win—this contest?”

It seems sort of obvious—that I’d want to submit a winning piece (keeping in mind that all contests are very subjective). But sometimes I pick what feels complete, even though it might not be 100% ready to be sent out into the world. When I enter a piece in a contest, I want to take it to the highest level. So, instead of one more rewrite, maybe that means five more rewrites.

My goal for the rest of this year is to only send out work I’ve examined with a critical eye and determined that it’s truly ready to be sent out into the world. Maybe it still won’t be chosen, but I’ll know that I’ve given it every advantage I could.

Wedding toast for my son and his bride

I love to write, to put words together and give meaning and order to my life. I’ve written poems, legal briefs, affidavits, articles, tributes for loved ones who’ve passed, among many other items.

As writers, we relish opportunities to create with our words. In my previous post, I wrote about the difficulty I was having writing a wedding toast for my son and his bride and how I eventually found my way. Below is the toast I read this weekend at their wedding. (Yes, that’s them in the photo!) Read more

Practice will get you published

Practice, practice practice. That’s what it takes to be a published writer, says author Anjali Banerjee.

“It’s good to go to the end,” she says. “If you don’t write a manuscript from beginning to end, you might get stuck on the first chapter, rewriting the beginning ad nauseum. Or you might ditch the manuscript altogether and start another one for whatever reason — fear of failure, fear of success, or a difficult problem with the storyline.”

Banerjee has made it to the end of nine published books (and two unpublished ones). Enchanting Lily, her most recent novel, is about a young widow who’s content to hide out in her vintage clothing shop on a Pacific Northwest island until a cat runs in and turns her life upside down. For a deleted scene told from the cat’s point of view, read Banerjee’s guest post at Melissa’s Mochas, Mysteries, and More.

Banerjee offers insight and tips for writers: Read more

Let go and the words will come

A few weeks ago, my soon-to-be daughter-in-law asked me to give a toast at her and my son’s wedding this Saturday because in her words, “you’re a writer and good with words.” I thought sure. No problem. I’d be honored.

Then as the days went on and no ideas came except maybe reading a love poem (which would be nice but not very original), I began to panic. How do I gather up the events of our life together—mother and son—in two minutes? How do I convey the meaning of the journey my son and his bride are embarking on? Read more

Great storytelling is more than a sensational event

To craft a truly great story requires craftsmanship and skill. Unfortunately, many storytellers rely on sensational events or scenes to grab a reader or listener’s interest.

Kevin Hartnett, a staff writer for The Millions, wrote about storytelling in a post, “A Night at The Moth: The Worst Thing that Ever Happened to Me,” that made me think about the anatomy of stories and about first person or dramatic events, in particular.

It can be a temptation to rely on “The worst thing that ever happened to me” stories and think your audience will find them gripping, Hartnett said. But intensely personal or sensational stories have a way of “crowding out the audience,” sucking the life out of them. Read more

How artists can benefit from meditation

Earlier this week, Carly wrote a blog post featuring a talk David Lynch gave about the effects of meditation on creativity.

Meditation is a wonderful tool that has added immeasurable benefits to my life, including:

  • Increased awareness of myself and my motivations;
  • An expanding of consciousness—I see things more clearly than I used to;
  • Increase in creativity; Read more

Writing: Get it wrong so you can get it right

Instead of fearing imperfection in your work, embrace it. Sometimes we have to get it wrong so we can get it right. I prefer to call it experimentation.

The discipline of any creative pursuit — writing, painting, photography — requires constant trial and error. In fact “errors” are precursors to original ideas. They reveal new directions, the unexpected, a twist.

Even athletes know this. Marathon runner Ryan Hall could have been speaking about writing when he was quoted in a New York Times article about his quest for an Olympic gold medal: Read more