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Posts from the ‘Writing Life’ Category

Why you should overcome the fear of sharing your art

My stomach burns like I just chugged a dregs-of-the-coffee-pot cup of joe that is now eating a hole through my intestines to the center of the earth. Or maybe there’s a mouse on uppers doing a nervous, jittery tango in there. Or maybe both.

Why do I feel this way? Because I’m about to push the “publish” button on my first book of poetry, The Dragon & The Dragonfly.

I’ve been writing poetry off and on for 35 years, published my work in journals, and won numerous awards, so it’s not like I’m a newbie fresh out of school. But the thought of sharing my very personal poetry was making me doubt my decision to create this book, this permanent record of my words, this revealing of my soul.

I think this is a natural feeling shared by most writers and artists. And something that new artists can be especially concerned about—what if Uncle John or Grandma Ellen reads my words?

So how do you get over this fear of exposing too much of yourself? I don’t think you ever do. Any time we put something new out into the world, there’s a certain vulnerability in that but also a sense of freedom. Read more

The importance of place for writers and our characters

 

In honor of my poetry book, The Dragon & The Dragonfly, coming out next week, I wanted to share a poem from the book.

I wrote this poem last year as I was trying to find my footing after my husband died in 2015. It’s a poem about finding my place in the world again.

Writing and reflecting about place made me think about its meaning for us as writers and storytellers.

Place is an integral part of our daily lives and of the lives of our characters, but how often do we really think about our places and what they say about us?

All This Blue

At the casino hotel, I set up my computer
near the stone fireplace while you arrange
candles on the mantel, tease the barkeep
over club soda and bitters.

At Barnes and Noble, I finger pages
of new fiction while you devour books
on everything from Android apps
to Taoist secrets of love.

At the coffee shop, I scribble poems
about endings, not realizing these words
are the start of a long grief, while you read
quantum physics and chat with local police
in pressed blue uniforms.

Winters, we eat endless bowls of soup
at the Poulsbohemian Coffeehouse.
Summers, we lounge against Fay Bainbridge
driftwood, watch Salsbury Point fishermen.

After you die, I try go back
to our places. But I cannot find you
in the park, the clouds, or the sea.
I cannot find you in fireplace flames
or at the end of a fishing line.

But I do find you in the coffee shop—
in the calm of police uniforms,
in my words that grow strong again,
that find meaning in this place
where even time lies down
in the midst of all this blue. Read more

There’s no crying in writing

Actually that is a lie. There’s plenty of crying in writing. You know those days. You want to bang your head against the wall, throw yourself on the floor, and kick and scream like a toddler having a supermarket meltdown.

We love the moments when everything flows and every sentence feels pristine with jewel-like words and images. Everything is clicking into place. But we have plenty of days when that’s not going to happen.

The sentences on the page aren’t matching up with the vision in your mind. That’s usually a sign of overthinking, trying too hard, or getting too analytical instead of staying in your wild mind. (To learn more about how you can practice writing with a wild mind, read Natalie Goldberg’s book, Wild Mind: Living the Writer’s Life.)

Have a little cry if you want and then try these tips:

Put yourself in your story. Regain your connection with your plot by inhabiting scenes as you write them. Visualize yourself in a scene as you write it. Taste, touch, and smell the action. Now reveal the sensory images as you write the scene.  Read more

How and why you should develop intuition in your characters

This morning, I was working out at the gym on an elliptical machine, not thinking of anything, when suddenly an intense sadness welled up inside me. Having lost my husband over two years ago, I thought it was another layer of grief so I allowed it to rise up and release but instead of releasing, the feeling became more intense and raw. Tears welled up as I continued to work out. I couldn’t figure out what had triggered the feelings and why they were so incredibly strong. And then a thought flashed through my mind—whose feelings are these?

From years of working with and helping people, I know that sometimes I’ll intuit other’s thoughts and feelings, but I’m usually pretty good at recognizing when this happens and setting up my boundaries. For me, this means doing a specific visualization.

This morning, the thought persisted that the sadness I was feeling wasn’t mine. I looked at the man working out on the machine next to me. He didn’t look sad. He didn’t look as if he was in pain. He seemed fine. Read more

What I love about writing poetry

For National Poetry Month, I thought I’d share some thoughts on my most favorite and least favorite parts of writing a new poem:

My favorite part of writing a new poem:

  • The idea that invades my mind like twining ivy and won’t let go until the entire poem has been put to paper
  • Making messy lines and blot outs and squiggles with my colored pen on paper as I play with ideas and words
  • Typing all that mess into a fresh, new document on my computer—that feeling of chaos becoming somehow ordered
  • Rereading the poem, feeling both its wholeness and its incompleteness in my mind and body
  • Editing the poem, fussing with words and line breaks, challenging myself to see what can be more specific or fresher
  • Reading the poem for my writing critique group to see my creation through new eyes, discovering where the poem can be improved

My least favorite part of writing a new poem? Read more

Use the flow state to make your writing and your life better

The word “flow” is overused these days. You hear it everywhere. “Go with the flow.” “Get in the flow.” “Don’t worry. Just let it flow.” (By the way, did you know when you tell someone not to worry, it’s scientifically proven that it makes them worry more?)

But being in “flow” doesn’t mean you just sit around doing nothing, waiting for life to take you wherever you think you want to go. No. That’s not flow. That’s called laziness. (And sometimes laziness is good, too, but I’m talking about flow here.)

I first discovered what the flow state was before I knew there was a name for it. Read more

Four tips for writing a synopsis that sells

Before I wrote my first synopsis, I thought it would be a breeze—after all, I’d done the hard part, right? I had finished and edited an entire book! What could be harder than that? Plenty, I was to learn.

Recently, I helped chair a major literary contest where I read over 100 book synopses. I was impressed with a handful of the synopses, but, for the most part, they were vague or poorly written or trying to be “mysterious” when they needed to be clear and to the point. I realized that I was probably not alone in my dread of the synopsis. Writing a GOOD synopsis is one of the hardest tasks undertaken by a writer.

The main purpose of a synopsis is to provide a summary of an entire novel. It must provide an overview of the plot (including the ending), characters, and theme.

Put yourself in the shoes of a literary agent who is deciding from your synopsis whether or not to read the first pages of your book. Your synopsis has to be even more perfect than your stellar novel. No pressure, right?

No worries. Below are a few tips to help you make your synopsis sing: Read more