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Posts from the ‘Writing Life’ Category

How Stephen King and his wife created a new generation of novelists: imagination exercises

Earlier this week, the New York Times ran an article by Susan Dominus about novelist Stephen King and his family. In “Stephen King’s Family Business,” I learned that two of King’s three children have gone into the “family” business of writing novels and one son is married to another novelist. Wow. Can you imagine a family of novelists?

One thing that struck me was when King explained that as he and his novelist wife, Tabitha, put their children to bed at night, they didn’t read stories to their children, instead they asked their children to tell them stories. What a great idea and what a wonderful way to encourage young people’s imaginations.

Even as an adult, I try to think of ways to stimulate my imagination such as:

* I practice oral storytelling whenever I can, paying attention to my audience to see if I’ve hooked them. Read more

How a great “voice” can make an opening line

In Joe Fassler’s recent interview with Stephen King in “The Atlantic” we learn what the bestselling author thinks a first line in a novel should accomplish. Besides establishing time and space, and hooking the reader with compelling action, an opening line should, most importantly, establish voice.

We’ve heard the term “voice” before but what is it exactly? King describes it as follows:

“A novel’s voice is something like a singer’s — think of singers like Mick Jagger and Bob Dylan, who have no musical training but are instantly recognizable. When people pick up a Rolling Stones record, it’s because they want access to that distinctive quality. They know that voice, they love that voice, and something in them connects profoundly with it. Well, it’s the same way with books. Anyone who’s read a lot of John Sanford, for example, knows that wry, sarcastic amusing voice that’s his and his alone. Or Elmore Leonard — my god, his writing is like a fingerprint. You’d recognize him anywhere. An appealing voice achieves an intimate connection — a bond much stronger than the kind forged, intellectually, through crafted writing.” Read more

Five tools and tactics to increase writing productivity

Everyone I know seems to suffer from lack of focus these days due to information overload, apps, and gadgets that compete for attention. That’s especially bad news for our brains and our ability to get work done, writing and otherwise.

Here are a few of my favorite tools and tactics to stay focused. If you want to amplify your productivity, consider if these would work for you.

Shut down anything that pings. Anything that interrupts is bad for productivity, so if you want to focus on a project, turn off any notification or alert functions on your phone and computer for e-mail, Twitter, and Facebook.

Close excess windows. Set times for research and times for writing that are separate from time spent on Facebook, YouTube, and Twitter. I’m most focused on my writing when I close everything but my Word file.

Create urgency. Stay on track by using a timer. You might like the Pomodoro technique, in which you use a timer to break down periods of work into 25-minute segments called “pomodori” (from the Italian word pomodoro for “tomato”), separated by short breaks. To learn more, check out the Pomodoro website and free PDF. Read more

Recent entries in my commonplace book

I collect words and sentences like some people collect salt and pepper shakers, stamps, or paintings. I love words and sentences for their sounds and ideas. My commonplace books are home to poems, quotes, and snippets of text that inspire me. If you’re interested in learning more about commonplace books, read, A twist on the writer’s journal: The commonplace book.

For a glimpse at recent entries from my commonplace book, check out the excerpts below. Then feel free to share something from your commonplace book.

“Art should comfort the disturbed and disturb the comfortable.” – Cesar Cruz Read more

Four questions to help you mine your life for story ideas

Most of my writing is personal. No matter what genre I’m writing in—poetry, creative nonfiction, or fiction—much of what I write about comes from my personal experience. In her post, “What obsessions will end up in your writing?” my blog partner, Carly, asks us to consider what events in our lives have “marked us.” Looking to these events and memories can be a treasure trove of story ideas.

What memories or stories haunt you?

I still remember reading a news article over ten years ago about an older couple that went out for a drive and got lost for three days because they both had Alzheimer’s and couldn’t remember where they lived. This short article in the paper has stayed with me all these years. Obviously, it will become a short story someday.

What poems or spoken-word performances inspire you? Read more

A tale of a vigilante copy editor

How many times have you seen a sign (or anything for that matter) with punctuation or grammar errors and itched to fix it?

In Brooklyn, NY, someone at the sculpture park at the Pratt Institute did just that. Check out the story and 4-minute video at the New York Times.

How to preserve your memories in a travel journal

One of the best things about traveling is the anticipation before the trip. Another is reliving the memories later.

If travel is on your agenda this summer (or winter depending on where you live), it’s a perfect opportunity to write a travel diary. You’ll capture memories of your holiday and likely return with material you can turn into stories, poems, or maybe even a travel story you can sell.

Pack these travel writing tips for your next trip:

1. Observe and write with all your senses. Note the scents as well as sights. Record what you hear. Once when I was traveling through a village in southern Greece, I saw an older couple walking up the road with a flock of sheep. When I remember that trip, I hear the ringing of the bells that were attached to their collars. If I hadn’t gotten out of the car to photograph the couple, I wouldn’t have heard the sound. Read more