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Posts from the ‘Poetry’ Category

Aug 5

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Use word-gathering to become a better writer

Writing a poem or a paragraph is like solving a puzzle. I seek the perfect word not just for its meaning but also for sound and rhythm. In the process, I stumble upon other words that draw my attention and, before I know it, I’m off on an adventure. Words are like gems, sparkly and seductive in their power.

Priscilla Long, in her book, The Writer’s Portable Mentor: A Guide to Art, Craft, and the Writing Life, says she knows writers who have worked hard for years that do “pretty good work” but have never made the transition to great writing. The reason? Often, these writers—though hard workers—approach language passively. They only use words they grew up with or use in everyday language. Long doesn’t mean that we should suddenly spout elongated Latinate words but that we should become word gatherers, seeking out words that call to us with their sound, texture, rhythm, or meaning. Read more

Aug 2

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Embrace your day job for writing inspiration

Many of us dream of spending our days doing nothing but working on our craft. More likely though, we must write around jobs and other obligations.

Whether you’re a stay-at-home parent, a teacher, a nurse, self employed, or working in the corporate world, your day job (or night job) can be a treasure trove of writing gold.

I went to a workshop once about finding writing inspiration from the workplace. I didn’t think I could capture anything interesting from my corporate job. But when I thought about it, I realized that the actual work wasn’t necessarily gripping, but the drama can be found in the people and their politics, personalities, and emotion. I’ve found plenty of dialogue nuggets from overheard conversations. And I’ve noted ideas for character traits from my workplace observations. Read more

Aug 1

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Three ways to feed your muse: muse juice, part 1

Ever feel as if your muse is sitting back, stuffing her face with Bon Bons while watching reruns of “True Blood”? How do you inspire her to get off her ever-widening rear end and get back to work?

Check out www.Ted.com, where you’ll find “riveting talks by remarkable people.” Or, as I affectionately call this website—muse juice.

One of my favorite inspirational talks is by Elizabeth Gilbert, author of Eat, Pray, Love. In trying to answer the question, “Where does creativity come from?” she tells of the time she met American poet Ruth Stone who grew up in rural Virginia.

Sometimes, when Ruth was out working in the fields, she’d feel and hear a poem coming at her from over the landscape—like a “thunderous train of air” barreling down on her. She’d run like hell to the house to get paper and pencil so when the poem barreled through her she’d be ready. Sometimes, she’d almost miss it. During these times, she’d grab a pencil and reach out with her other hand and catch the poem by its tail, pulling it back to her. When this happened, the poem would come out on the page perfectly intact but backwards—the words written from the end of the poem to the beginning.

I love this story because it feels as if it could be true. Read more

Jul 26

9 Comments

Two reasons to keep a poetry or writing journal

Shortly after Joan Larkin published her latest book of poetry, My Body: New and Selected Poems, I took an afternoon writing class from her.  I’d been writing poetry off and on for twenty years and had developed my own style for writing and saving my work. It looked something like this:

  1. I go for a walk, or do the dishes, or some other activity that requires little thinking. As I walk or scrub, I let my mind and eyes wander. Let them flit over ideas and objects until something seizes my imagination. I ask questions: What does this mean? What could this mean? What if?
  2. At some point, the words start coming. If I’m still walking, I speak into my iRecorder but eventually, I sit down and write out my first draft by hand—usually on a piece of lined notebook paper, but not in any particular journal or notebook. Read more

Jul 12

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Ground your readers and they will follow you anywhere

We know the importance of a good beginning. First line, first paragraph, first page is your opportunity as a storyteller to hook your reader, to get them interested enough to want to read more.

Nelson Bentley, wonderful poet and professor at the University of Washington for 40 years, used to say this about poem beginnings, “Give the readers a place to stand, and then you can take them anywhere.” This same advice holds true for all writing.

In journalism, the fives W’s (who, what, where, when, why) and one H (how) is a formula drilled into young journalists for getting the full story. They are instructed to get as many W’s into the lead as possible. But how do we do this in art without turning it into dry, boring facts?  Read more

Jul 8

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Queen of the list: how I transformed compulsive list making into art

I am queen of the list. Hear me roar. I make lists for everything. Maybe it’s my feeble attempt to make some kind of order out of my chaotic mind.

Lists are important—without my work lists, I’d never get anything done: shipping, phone calls, emails, appointments, ordering.

I also make lists for writing projects. Since I’m one of those neurotic artists who needs a variety of stimulation, I list action items under certain categories: Fantasy Novel, Memoir, Poetry, Blog Posts, and Continuing Education. I’ve even made a weekly writing log to check off action items as completed.

There’s something magical about checking off a completed task. I feel satisfied, successful, slightly euphoric. My friends threaten an intervention, but I tell them there are worse addictions. One success begets another and before long, I’m on an upward spiral.

But lists don’t have to be just for organization and keeping your goals on track.

List making can be an art form. Read more

Jul 6

3 Comments

Six guidelines for turning rejection into success

Rejection hurts. No matter who it’s coming from, or what part of your life it’s directed at, it hurts. As writers, we have to risk rejection if we want to see our work in print. 

What’s the best way to handle rejection? Can we turn it into something positive?

When I began submitting my poetry to literary magazines, my mentor told me I’d need to develop a thick skin and to look at those rejection slips as stepping stones: with each rejection I received, I was one step closer to getting published. Though I accumulated a bonfire-size pile of rejections, I kept writing and kept submitting. When I received my first acceptance letter, I jumped up and down in a little victory dance. All that work paid off. My second acceptance letter came the following week. Read more

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