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Posts from the ‘Craft’ Category

Aug 5

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Use word-gathering to become a better writer

Writing a poem or a paragraph is like solving a puzzle. I seek the perfect word not just for its meaning but also for sound and rhythm. In the process, I stumble upon other words that draw my attention and, before I know it, I’m off on an adventure. Words are like gems, sparkly and seductive in their power.

Priscilla Long, in her book, The Writer’s Portable Mentor: A Guide to Art, Craft, and the Writing Life, says she knows writers who have worked hard for years that do “pretty good work” but have never made the transition to great writing. The reason? Often, these writers—though hard workers—approach language passively. They only use words they grew up with or use in everyday language. Long doesn’t mean that we should suddenly spout elongated Latinate words but that we should become word gatherers, seeking out words that call to us with their sound, texture, rhythm, or meaning. Read more

Jul 29

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Use foreshadowing like John Steinbeck to deepen your writing

I like to think that excellent literature has an after effect. The meaning sinks in and the story resonates even after you finish reading it.

One of the ways to create this effect in your writing is by foreshadowing — through the use of hints — the theme of the story or action that will occur later.

I experienced this “after effect” after reading “Of Mice and Men” a novel by John Steinbeck about two migrant workers — George and his developmentally disabled friend Lennie. The two friends, who dream of owning their own farm someday, take jobs at a ranch where a tragic accident destroys their hopes.

Early in the story, another worker named Candy is pressured to end the life of his sick, old dog. Another character, Carlson convinces Candy to let Carlson put the dog down.

Carlson demonstrates how he would do it:

“The way I’d shoot him, he wouldn’t feel nothing. I’d put the gun right there.” He pointed with his toe. “Right back of the head. He wouldn’t even quiver.”

Later Candy tells George:

“I ought to of shot that dog myself, George. I shouldn’t ought to of let no stranger shoot my dog.” Read more

Jul 27

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How editing others makes me a better writer

You know all that time you spend reading other people’s work? It can make you a better writer.

Everything from proof reading to content editing improves my skill. A couple years ago, I spent an intense weekend editing a manuscript for a friend who was on a tight deadline. When I went back to my day job on Monday, my brain felt as if it had undergone a huge shift, as if it had gone to boot camp and come back with new strength and stamina. I attacked my work with extra clarity and insight.

When we read and critique someone else’s work, we can see it in a different way because we aren’t close to it. This kind of editing reminds me of what I should do with my own writing and makes me appreciate even more the attention others give my work. It’s like reading literature to become a better writer but with a slightly different, more active twist as I mark up the pages with notes to the writer.

These are some elements I spot, and accordingly, can apply as I revise my own manuscript. Maybe you can use these as part of your revision checklist:

Repetitious content. With all the shuffling that goes on during revisions, it’s easy to repeat scenes or similar information in more than one place. This is one of those areas that’s easy for me to spot in other writers’ work, but difficult for them to see. Read more

Jul 26

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Two reasons to keep a poetry or writing journal

Shortly after Joan Larkin published her latest book of poetry, My Body: New and Selected Poems, I took an afternoon writing class from her.  I’d been writing poetry off and on for twenty years and had developed my own style for writing and saving my work. It looked something like this:

  1. I go for a walk, or do the dishes, or some other activity that requires little thinking. As I walk or scrub, I let my mind and eyes wander. Let them flit over ideas and objects until something seizes my imagination. I ask questions: What does this mean? What could this mean? What if?
  2. At some point, the words start coming. If I’m still walking, I speak into my iRecorder but eventually, I sit down and write out my first draft by hand—usually on a piece of lined notebook paper, but not in any particular journal or notebook. Read more

Jul 22

Should we write in different genres or stick to one?

The new international biennial Seek showcases the work of 100 visual artists selected by curators Calinda Salazar and Fletcher Ramsey. The artists come from all walks of life. They paint, sculpt, draw, direct short movies, and more. The unique thing about the exhibit? It’s all make-believe–even the “curators” aren’t real. Artist Shea Hembrey created the fictional artists and their artwork over a span of two years.

Above is a video of the talk Hembrey gave at Ted.com where he shows a sample of his exhibition.

How does this relate to writing? For his exhibition, Hembrey created works of art in a variety of genres. As writers, we know that the more we write, the more we learn—we learn about writing, about craft, about ourselves. But should be write in different genres or stick to one? Read more

Jul 20

Writer as wood carver: exercises in re-visioning, Part 2 of 2

In a writing class taught by Nicola Morris, I learned how to be a sculptor of words. As described in part 1 of this post, she had us take a page of completed work and after each sentence, insert two new sentences.

Now that I’d added 66% more words to my masterpiece, it was time to whittle away the unnecessary fat. The first exercise Nikki gave us is called “unpacking.” It’s a good exercise that teaches us to take our time as writers and fully develop a piece. The next trick was to take these unpacked, expanded pages and whittle them down again—leaving only what’s essential. I think of it like packing and unpacking a suitcase—there’s a whole bunch of stuff in there and each item has its own place…I wouldn’t put my bra in the medicine cabinet with my toothbrush would I?

In order to decide what to keep, I ask myself three questions: 1) What is important to me in this piece?  2) What do I want to say?  3) Which sentences are essential to what I want to say? Read more

Jul 19

Write the story only you can write

What is your work in progress? If you’re thinking about what to write next, consider this: Write the story only you can write.

1. Did something happen to you when you were a child that stuck with you your whole life? A distinct memory that is decades old but feels like it happened yesterday? Mine this memory and figure out why you’ve held onto it all these years. Maybe it’s a question you wrestle with. Ask what meaning it holds.

2. Make a list of turning points in your life when something changed your direction, you lived differently, or looked at life in a new way. Turning points could include starting a new career, getting married or divorced, losing someone you love, or making a geographic move. Times of great change fuel inspiration. Read more

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