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Posts from the ‘Craft’ Category

Sep 13

From the depths of despair to Pulitzer Prize: One writer’s story

If we didn’t know better, we might read excellent literature and assume that it all flows effortlessly from the writer’s pen.

That “flow state” isn’t the norm for most writers. Some struggling writers become so discouraged they wonder if they’re cut out to be writers. This happened to Pulitzer Prize-winner Junot Diaz when he wrote his first novel. He was stalled. He agonized over his pages. Still, he kept at it for five years. Then he became so discouraged and burned out that he considered another career. But he dug out his manuscript and started in again. He finally published his novel a decade after he first began writing it.

Díaz’s novel, The Brief Wondrous Life of Oscar Wao, won the Pulitzer Prize in 2008. It was named #1 Fiction Book of the Year” by Time magazine and spent more than 100 weeks on the New York Times bestseller list, establishing itself – with more than a million copies in print – as a modern classic. Read more

Sep 12

Turning creative accidents into successful works of art

My massage therapist is an artist in every sense of the word—he does fantastic bodywork AND he’s a sculptor and painter. Recently, he told me a story about when he was in art school.

He was working on his first painting and between each layer of paint, he’d dip his brush in the varnish and then paint another layer. When he was done, the piece almost had a 3D effect with all the layers of paint and varnish. It was a beautiful accident.

During class, the instructor praised his work in front of the other students and mentioned the “intentional” effect he created. My massage therapist smiled and nodded, as if he meant to do that. Read more

Sep 11

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What I learned by writing a 91-word memoir

Sometimes limiting yourself forces a sort of creativity. Boundaries open up possibilities. I learned this recently while writing to a specific word count for a contest.

The 91-Word Memoir Writing contest sponsored by the Gotham Writers’ Workshop celebrates longtime Gotham student Norma Crosier (left) who died in July five days before her 91st birthday. The deadline to enter is October 15, 2012. The winner will receive a 10-week workshop and $91 cash.

Writing a 91-word memoir felt like flash fiction mixed with poetry.

Here are some tips: Read more

Sep 3

How to create memories for your characters

In an interview with author and journalist Pete Hamill, he explains how he researches his novels and in the process creates memories for his fictional characters.

If his fiction is set in the past, he reads histories, letters, memoirs and old newspapers.

“Then I let my notes marinate for awhile, usually a few months, until they become memory…the memory of one or more of the characters.”

Many newspapers have placed archives online and for older editions of newspapers that aren’t online, check the archives at your library. You’ll also find letters, artifacts, photos, and historical documents at local and state libraries and historical societies.

Read the full interview with Hamill in the December 2011 issue of The Writer magazine.

Aug 30

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How writers turn journal entries into novels

Writing in a journal is a powerful way to create the bits and pieces that become literature.

Journals serve as workbooks and a place to note descriptions, thoughts, ideas and character sketches.

Graham Greene set two of his novels, “A Burnt out Case” and “The Heart of the Matter” in Africa. The book, In Search of a Character: Two African Journals: Congo Journey and Convoy to West Africa, reveals the raw material — observations about people and the world — that eventually turned into his novels.

Read more

Aug 29

How scene cards can build a bridge in your story

As I’m working on my next manuscript, I have a feeling for the beginning and end of my story but I don’t really know much about that big, sticky, middle section yet. But after reading The Writer’s Guide to Writing Your Screenplay by Cynthia Whitcomb, I’m using a technique she discusses to help me discover more of my story.

Basically, using a stack of 3×5 index cards, you write your working title on one card, Act I, Act II, and Act III on three others, and then write out as many scenes from the beginning and ending that you know you’ll have. Write down the basic information: where, when, and what. Some of these will be “obligatory” scenes, i.e. in a romance story, you have to have a scene where boy meets girls. In a mystery, you have a scene with a dead body. In a thriller, the bad guy is introduced. Read more

Aug 28

A haunting memory and Ray Bradbury inspired this writer’s short story

Where do you get your ideas for short stories? I like to think of them as slices of life. An event or image sparks an idea with an emotional response at its core.

Author Sam Weller says a haunting memory sparked, “The Girl in the Funeral Parlor.”  An image of a woman and her baby in a casket formed the kernel of an idea. At the end of the story, he explains how it came to be, including how he was influenced by author Ray Bradbury. Read more

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