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Posts from the ‘Craft’ Category

Give your characters a humanizing trait to make them relatable

Best-selling author Patricia Cornwell was recently featured on Sunday Morning where she talked about her heroine, Dr. Kay Scarpetta, in her main book series. In the interview, Cornwell says she gives her readers a “huge does of forensic science and medicine” but, at the same time, the story is really about her protagonist Scarpetta, what she’s going through, and where she needs to get to.

One way Cornwell makes Scarpetta human and more relatable is to give her a simple, down-to-earth trait. Read more

Tips for creating a reading list for your work-in-progress

In my posts last week I wrote about why original research is important to your stories and how to make dry research fun. When I have a writing project that requires research, such as my current work-in-progress, I create a list on my computer to keep myself organized.

Some quick tips for creating a research reading list:

Write it down. Sounds obvious but there have been times when I’ve said to myself, “Oh, I have to read that book,” then promptly forgotten about it. Write the name of the book down on a pad of paper or even on your hand, if you have to, until you can add it to the list on your computer. Read more

Tips for creating the climax scene in your novel

In her book The Plot Whisperer,author Martha Alderson writes about creating the climax scene in a novel. This is the scene that holds the greatest intensity and highest drama in the story. This is where all the forces of the story come together and where the protagonist must directly confront the antagonist. Just when it looks as if all is lost, the protagonist will discover or rediscover something within her that allows her to prevail.

The climatic scene directly answers the question at the outset of the novel—will the protagonist reach her goal and be victorious?

Alderson says, “A writer who has not experienced a transformation in her own life often cannot see, feel, touch, smell and hear the scene depicting such a moment for the protagonist.” Read more

Discover your art as you go along

Write something truly awful to find the good stuff. That’s what poet Brendan Constantine promotes in his post “Idle Hands are the Poet’s Playground: Brendan Constantine on Taking a Chance.”

“Furthermore, it will always be true that our poorest work lies ahead of us. We’re going to write something truly awful in the future. We have to. Why do we have to? It’s often the only way to uncover the good writing. Like going through a kitchen drawer, sometimes we have to take out things we don’t need in order to get at the things we do.” Read more

Why original research is important to your stories

In my last post, “How to make dry research fun,” I wrote about the research I’m doing for my current work-in-progress. I’m writing a story that contains fallen angels, demons, and even the greatest fallen angel of all time.

Part of my research involves reading current novels that contain this subject matter so I can see what’s out there and what’s been done (so I don’t repeat it). But this is not all or even the majority of my research. Most of my reading is of historical texts and references. I’m going back in time to find the “real” history of my characters and themes.

So why not just read what’s hot now? If I were writing a vampire novel, I’d want to read, among others, Stoker’s Dracula, Rice’s Interview with the Vampire, and Meyer’s Twilight (to see what all the fuss is about).

But if I only read these books, I’d be basing my knowledge on other author’s perceptions, themes, and ideas.  Read more

Author Ian McEwan speaks about one technique for finding novel ideas

Ian McEwan, who wrote Atonement and Amsterdam, which won the 1998 Booker Prize, describes in this 3-minute video how he develops ideas and finds inspiration for his writing, including a technique he uses to “force ideas.”

McEwan’s most recent book Sweet Tooth: A Novelis a love story, a spy novel, and a book about literature itself.

How to make dry research fun

I’m reading The History of the Devil and the Idea of Evil: From the Earliest Times to the Present Dayby Paul Carus as research for my current work-in-progress. It’s not a book I’d normally read. In fact, it took me ages to make it past the first twenty pages—every time I picked up the book, I’d fall asleep. Great for catching up on some Zs but not so great if you’re actually trying to learn something. I don’t blame the author. I was never good at history. I had the same reaction in school—all those dates and past events would make me grow blurry-eyed and sleepy. My head was always in the future.

Yesterday, I made a breakthrough. I told myself I could not move off our front-yard swing (oh, darn!) until I’d read 100 pages. And, I told my obsessive-compulsive self that I didn’t have to read every single word.

It worked! I did read every word (OCD-self wins again) but, in the process of my game, I made another game of it: try to find an angle in all that history that interested me. About 80 pages in, I found it. I discovered what interested me most is not what the bible or other religious texts say about the devil himself but how religion through time has treated the concept of good and evil. Read more