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Posts from the ‘Craft’ Category

Use rhetorical devices to evoke readers’ emotion

My mom loved puzzles. She spent most of my childhood in our little mom amd pop grocery store, and in between ringing up customers, stocking shelves, and keeping me occupied, she loved to work on puzzles. Crosswords. Cryptograms. Hangman. Word search. Maybe this is where my love of words came from.

I never enjoyed puzzles like Mom did, but it dawned on me a few years ago that writing poetry is my form of puzzle work. I enjoy hunting for just the right word. Sometimes I wonder if the joy I feel when a poem finally comes together is what Mom felt when she successfully completed a crossword.

Another part of puzzling together a poem is the fun I have in playing with rhetorical devices. What are rhetorical devices?  Read more

Draw on personal pain to write believable characters

I started reading a new paranormal novel last month that I had high hopes for based on how quickly and easily the first few chapters hooked me. The plot was refreshing, unique, and action-filled from the beginning. Interesting, quirky characters reeled me in. But it quickly went downhill from there.

I’m the type of reader who usually doesn’t give up on a book. I always have faith that the author will pull out of the temporary bog and finish, if not strong, at least well. I have only given up on two books in my life. My new paranormal novel was the third.

What went wrong? Read more

Using theme-specific language to relay strong emotions in poetry

Recently, I was notified that my poem “Butterfly House” was awarded Honorable Mention in the 86th Annual Writer’s Digest Annual Writing Competition. The poem is in my newly released book of poetry, “The Dragon & The Dragonfly” and was one of those poems that came quickly.

I’d decided to celebrate my late husband’s birthday by going to the Butterfly Museum at the Pacific Science Center in Seattle. I’d never heard of the museum until the week before when a friend mentioned it. I decided it would be the perfect adventure for the day to honor his transition into his “new” life and to honor my struggle to find my own new life. I say struggle because I wasn’t there yet, but I knew this is what I wanted—to find my way forward.

It was a truly magical experience. At one point, I just stood with my arms outstretched and waited for a butterfly to land on me. Several came and went, but one—a big orange and black monarch—stayed for a while on my hair. Just call me butterfly whisperer. Read more

The importance of place for writers and our characters

 

In honor of my poetry book, The Dragon & The Dragonfly, coming out next week, I wanted to share a poem from the book.

I wrote this poem last year as I was trying to find my footing after my husband died in 2015. It’s a poem about finding my place in the world again.

Writing and reflecting about place made me think about its meaning for us as writers and storytellers.

Place is an integral part of our daily lives and of the lives of our characters, but how often do we really think about our places and what they say about us?

All This Blue

At the casino hotel, I set up my computer
near the stone fireplace while you arrange
candles on the mantel, tease the barkeep
over club soda and bitters.

At Barnes and Noble, I finger pages
of new fiction while you devour books
on everything from Android apps
to Taoist secrets of love.

At the coffee shop, I scribble poems
about endings, not realizing these words
are the start of a long grief, while you read
quantum physics and chat with local police
in pressed blue uniforms.

Winters, we eat endless bowls of soup
at the Poulsbohemian Coffeehouse.
Summers, we lounge against Fay Bainbridge
driftwood, watch Salsbury Point fishermen.

After you die, I try go back
to our places. But I cannot find you
in the park, the clouds, or the sea.
I cannot find you in fireplace flames
or at the end of a fishing line.

But I do find you in the coffee shop—
in the calm of police uniforms,
in my words that grow strong again,
that find meaning in this place
where even time lies down
in the midst of all this blue. Read more

Ask questions to find your story’s theme

Writers often hear the advice, “write what you know,” but my philosophy is, “write what you WANT to know.” A good way to begin discovering your story’s theme is to ask questions because we come to understand who we are and our place in the world by asking questions.

In the 12-minute video below, the creators of the animated movie “Inside Out” share how the theme of their story emerged for them over time as they went on a quest of discovery.

Read more

There’s no crying in writing

Actually that is a lie. There’s plenty of crying in writing. You know those days. You want to bang your head against the wall, throw yourself on the floor, and kick and scream like a toddler having a supermarket meltdown.

We love the moments when everything flows and every sentence feels pristine with jewel-like words and images. Everything is clicking into place. But we have plenty of days when that’s not going to happen.

The sentences on the page aren’t matching up with the vision in your mind. That’s usually a sign of overthinking, trying too hard, or getting too analytical instead of staying in your wild mind. (To learn more about how you can practice writing with a wild mind, read Natalie Goldberg’s book, Wild Mind: Living the Writer’s Life.)

Have a little cry if you want and then try these tips:

Put yourself in your story. Regain your connection with your plot by inhabiting scenes as you write them. Visualize yourself in a scene as you write it. Taste, touch, and smell the action. Now reveal the sensory images as you write the scene.  Read more

How and why you should develop intuition in your characters

This morning, I was working out at the gym on an elliptical machine, not thinking of anything, when suddenly an intense sadness welled up inside me. Having lost my husband over two years ago, I thought it was another layer of grief so I allowed it to rise up and release but instead of releasing, the feeling became more intense and raw. Tears welled up as I continued to work out. I couldn’t figure out what had triggered the feelings and why they were so incredibly strong. And then a thought flashed through my mind—whose feelings are these?

From years of working with and helping people, I know that sometimes I’ll intuit other’s thoughts and feelings, but I’m usually pretty good at recognizing when this happens and setting up my boundaries. For me, this means doing a specific visualization.

This morning, the thought persisted that the sadness I was feeling wasn’t mine. I looked at the man working out on the machine next to me. He didn’t look sad. He didn’t look as if he was in pain. He seemed fine. Read more