Skip to content

Posts from the ‘Craft’ Category

How to choose small details to move your scenes forward

I was reminded the other day that writing short pieces is great practice for writing longer pieces. I had just finished my creative nonfiction submission for the Surrey International Writers’ Conference Writing Contest and was editing it one last time when I realized I hadn’t grounded my reader in the location of the initial scene. Yes, I placed it in a mobile home but where was that home in the world? I could have left it as is and it would have still been fine, but I decided that showing where the home was located would better serve the piece as a whole.

But how to include those details in a manner that served the story while keeping the piece under the 1,500-word limit of the contest? Read more

Use images in a scene to ground your readers

Using images in a scene can be a good way to center an event or ground the reader in the here and now of the story. Writing images is all about going beyond the cliché and using sensory details.

One of my favorite ways to create an image is to take a simple sentence or idea and expand on it, calling in our different senses.

In my work-in-progress I want to convey at the beginning of a flashback scene that it was a hot August day. I could just state, “It was a hot August day.” This is simple and direct but, because I want to expand on the mood of the scene, I rewrote this simple sentence and fleshed it out—using some sense impressions and an image.

Rewritten example: Read more

What obsessions will end up in your writing?

As writers, we carry within us memories that end up in our writing. These memories that “mark” us could be a scene or the basis for a novel. When I’m looking for something to write about, I’m often compelled to go to a memory or story that has stayed with me.

Author Siri Hustvedt says that, as a child growing up in Minnesota, a suicide of a boy in a barn down the road from her house marked her. The event later showed up in her poem, “Weather Markings.” Read more

Try Scapple for mind mapping your writing ideas

In an earlier post, I wrote about the power of clustering to generate new ideas. Normally, I use paper and pen because there’s something about writing my ideas out longhand that gets my synapses flaring. But recently I discovered Scapple, an online tool that helps you get ideas down on the page and then make connections between them.

Scapple is for Mac and sold by Literature & Latte, the people who created Scrivener. You can use Scapple as a mind mapping tool or not. The program doesn’t force you to make specific connections. It doesn’t expect you to start out with one central idea off of which everything else is branched. There’s no built-in hierarchy–every note is equal, so you can connect them however you like. Read more

How to preserve your memories in a travel journal

One of the best things about traveling is the anticipation before the trip. Another is reliving the memories later.

If travel is on your agenda this summer (or winter depending on where you live), it’s a perfect opportunity to write a travel diary. You’ll capture memories of your holiday and likely return with material you can turn into stories, poems, or maybe even a travel story you can sell.

Pack these travel writing tips for your next trip:

1. Observe and write with all your senses. Note the scents as well as sights. Record what you hear. Once when I was traveling through a village in southern Greece, I saw an older couple walking up the road with a flock of sheep. When I remember that trip, I hear the ringing of the bells that were attached to their collars. If I hadn’t gotten out of the car to photograph the couple, I wouldn’t have heard the sound. Read more

The power of clustering to generate writing ideas

Recently, I’ve been toying with an idea for a creative nonfiction piece that I want to enter in an upcoming writing contest, but I’m having a difficult time getting all the threads down. After reading about different plot tools in author Holly Lisle’s “Create a Plot Clinic,” I decided to try her idea of clustering to expand on my idea. 

Lisle says, “To cluster, you write a word, a phrase, or a question, draw a circle around it, draw an arrow, write the first word, phrase or question that comes to your mind in relation to the first circle, and keep writing and drawing until you’ve formed a web.” This technique is also called mind mapping, and I’ve used it before but then sort of forgot about it.

So I pulled out my yellow pad and pen (colored pencils and drawing paper are fun, too) and wrote my original idea in the center of my paper and circled it. From there, I drew lines and other circles and wrote down the first words that came to me. Within a half hour, I had my entire piece outlined in the mind map.

Here’s a picture of what it looked like when I was done (don’t be frightened off from my handwriting–it comes from my paralegal days):  Read more

Master class tips for reading and writing poetry, part II

The more I read and write poetry, the more I see how it helps me approach other forms of writing. In my last post, I wrote about tips for reading and writing poetry. Here are several more tips from a master class I attended taught by poet Matthew Shenoda:

  • Make the title a jumping off point. I usually start out with a working title but then change it at the end after the poem is fully formed.
  • Analyze the “story” the poem tells, it’s angle, and how it pulls you in. Read more