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Posts from the ‘Craft’ Category

Oct 28

Listen to your characters and use these six dialogue tips to advance your story

Writing dialogue is more than just putting words in your characters’ mouths. Try listening to your characters and find out what they have to say to tell the story. By using this practice of listening, you may find unexpected meaning and your story may go in surprising but satisfying directions.

Here are six tips for writing dialogue:

Show instead of tell. Craft dialogue that shows feelings instead of specifically stating how the characters feel. Whenever you start to use the word “felt,” stop and see how you can show that emotion through dialogue instead of telling the reader how your character felt. This showing technique will put the reader squarely in the action.

Advance the story’s meaning with descriptions of character movement and body language. Show how characters gesture, sit, stand or move around as they talk and how their body language mirrors inner emotions.

Don’t let your characters directly answer each others’ questions. A more indirect approach hints at the story below the surface and adds depth.

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Oct 23

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Get set for NaNoWriMo with these tips

November is almost here and that means National Novel Writing Month kicks off. If you haven’t heard of it, NaNoWriMo is a month-long writing project in which writers write a 50,000-word draft of a novel in 30 days.

Novels can be any genre or language. Planning and extensive notes are allowed but pre-written material can’t go into the body of the novel for it to count. To complete the project in 30 days, you’ll need to write an average of 1,667 words a day.

A deadline is one of the best incentives to get writing and NaNoWriMo can help writers get into that non-analytical state of mind and write a draft from start to finish, a key step to ultimately finishing a novel.

While most novels are longer than 50,000 words, meeting the goal and “winning,” can mean writing a 50,000-word novel or the first 50,000 words of a novel to be finished later. According to Wikipedia, notable novels of roughly 50,000 words include The Ultimate Hitchhiker’s Guide to the Galaxy, Brave New World, and The Great Gatsby.

Here are a few tips for writing massive numbers of words in 30 days. Read more

Oct 21

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Name your muse to increase creativity

“Art does not come from the mind. Art comes from the place where you dream.” – Robert Olen Butler in From Where You Dream: The Process of Writing Fiction.

The other morning, I had a dream about writing. I was definitely in my happy place when I woke because the dream starred one of my favorite authors–Neil Gaiman–who was giving me writing advice.

In the dream, my hubby and I were having a picnic on a grassy knoll in England. (I’ve never been to England so I’m not even sure what it looks like or if there really are grassy knolls). Mr. Gaiman was walking by and stopped to entertain us with the details of his next writing project.

I told him I was a writer but that I was having problems finishing my current novel. He said, “You’re getting caught up in all that other stuff that doesn’t mean anything.” Wagging his finger at me, like my mother used to do when I was young and naughty, he continued, “Just tell a story. Forget about everything else for now.”

I woke up smiling. I mean, who wouldn’t with Mr. Gaiman wagging his finger at you?  Read more

Oct 17

A premise sentence can keep your writing on track

Ever heard the saying, “Ideas are a dime a dozen?” While it’s true that ideas can be found everywhere we look, it’s not true that every idea is worthy of a story or can sustain an entire novel. That’s why I like to write in a variety of mediums: poetry, short story, novels, even songs. Most of my ideas can find a home in one of these genres.

But how do you know if your idea can sustain a novel?  One way to do this is by writing a logline or a premise statement. Whatever you want to call it, this is a one- to two-sentence summary of your story that includes the protagonist or hero (including a type of person and an adjective that describes him), his goal, the antagonist, the main conflict, and action (plot).

In “Outlining Your Novel: Map Your Way to Success,” K.M. Weiland calls her one-liner the premise sentence. Here’s her premise sentence for her novel Dreamlander: Read more

Oct 16

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How to reveal character personality through speech

Your characters’ speech reveals volumes about their education, personality, and where they grew up. A character who was reared in the deep South will speak with a different accent and use different slang than one who grew up in the Midwest. When it comes to creating distinct characters in the readers’ minds, using slang — without overdoing it — can help form a character’s personality.

My friends and family have lived in a variety of places, so I’ve picked up on slang from the West and southern United States, as well as British slang from my friends who hail from the United Kingdom. My Midwestern friends say hot dish while my family in the Western U.S. call it casserole. Depending on where you’re from, you might say “pop” where others say, “soda” or “soda pop.” Some of my friends say sofa and others couch.

Here are several examples. Interestingly, I’ve noticed that slang can migrate as people move from one part of the country to another.

Here’s what my southern friends say:

Fit to be tied — frustrated, angry, agitated

Fixin’ – about or getting ready. “I’m fixin’ to go to school.”

Hunkey Dorey — everything is fine.

Hankerin’ for – a desire/craving for where my British friends might say they “fancied” something.

My British friends have been known to use these expressions: Read more

Oct 15

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What should you write? How about writing your favorite novel?

When starting a new novel or story, it’s a good idea to know what genre you’re writing in. That’s pretty obvious. What may not be so obvious are all the nuances within your genre. What kind of story, exactly, are you telling?

One way to discover this is to ask yourself: What are some of your favorite novels or movies and why do you like them? What makes them stand out above the others?

Below I listed a few of my favorites and why I like them. My “why” may be different than yours.

Books:

Lovely Bones by Alice Sebold.

Why: original pov (from dead girl), lovely prose, deeply creepy antagonist, unique setting: heaven.

Secret Life of Bees by Sue Monk Kidd Read more

Oct 9

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Learn how outlining techniques can help you find your story (and have fun)

I just finished reading one of the most helpful books on writing I’ve ever read—and that’s saying a lot considering how many titles decorate my shelves.

But I hesitate to tell you the title. You might faint. You might freak out. You might jump back from your computer screen or iPhone or whatever device you’re reading this on and chuck it out the nearest window.

One word, in particular, in this book’s title is generally known to make writers quake in their pink bunny slippers as if they are witnessing a wolf spider crawl up the bathtub drain. Read more

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