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Posts by Carol Despeaux Fawcett

Inspire your inner artist

Writing is a solitary, sometimes lonely process—we tuck ourselves away physically and mentally in the name of our art. Because we’re used to spending time alone with white space and words, writers tend to be a bit introverted.

As an artist, I think it’s important to also seek community—not only with other writers but with different types of artists. Going outside our comfort zone can inspire us in new ways. Recently, I was so inspired.

I traveled to Seattle to see poet, author, graphic novelist, and lovely [British version (inside joke)] singer Neil Gaiman and singer, songwriter, piano and ukulele slayer Amanda Palmer (who just happen to be married to each other) in an astounding multidimensional performance. Gaiman read his poems and short stories. Palmer sang and played her own music.

Not only were the duo incredibly entertaining but watching them perform was like watching art being born in front of me. Something visceral and human and transcendent took place on stage. It was the kind of performance that leaves you trembling with aftershocks that you know you’ll be processing for months or, even, years.

At some basic level the experience transformed me as an artist. I feel more connected to my center and to my art. And maybe that’s what great art is meant to do, no matter what the medium—connect us to that which we’ve been missing and to that which we didn’t know we were missing.

To learn more about Amanda Palmer and hear samples of her songs click here.

For access to Neil Gaiman’s wonderful world of skullduggery click here.

What has inspired you recently?

How to give and receive writing critiques and feedback

Giving and receiving writing critiques is an art. I’ve experienced great, good, and awful critiques from writing mentors over the years. I’ve belonged to writing critique groups off and on for over twenty years, graduated from an MFA program, been blessed to have a blogging partner, and attended writing conferences where I’ve had the opportunity to receive feedback from bestselling authors and agents.

Probably the best feedback I received (and by best I mean most useful for my growth as a writer) came from a mentor in my MFA program. Also a successful author, she had a real-life grasp of what it takes to get published and was a consummate artisan as well. What made her critiques so effective were not only the content but the style in which they were delivered. She was blunt and unmercifully honest, but never mean. She always found something positive in my writing—even if it was only a little thing, she would point it out so I would do more of these good things in the future.   Read more

Create a Questing Journal for story and world-building

For my National Novel Writing Month project (Nanowrimo), I’m working on my next book—a paranormal thriller with a female protagonist who is a healer. Along the way, she learns new things about her paranormal world. As I create this world, I have many unanswered questions. As my heroine is on a quest, so am I.

As creator of this world, I have to use everything available to me to make my world and story unique. Often what comes out first on the page is top-of-the-head clichés or unoriginal, boring material. When I write fast, as in Nanowrimo, I also want to go deep. One way I do that is in my dreams. Read more

Eight Quick Tips for National Novel Writing Month

This is the third November I’ve signed up for National Novel Writing Month but the first year I’ve actually tried to reach the goal of writing a new novel (of at least 50,000 words) in a month.

It was a last minute decision based on two things: the right timing (I’m actually ready to start my next manuscript and quit dawdling over my previous one) and the right inspiration. I returned from the Surrey International Writer’s Conference pumped and ready to rock and roll (or is that sit and spin a story?).

So, you have an idea. You may or may not have an outline you’re working from. I have a partial outline—some on the computer and some in my head. I know my main characters pretty well although I haven’t met most of my minor characters yet. I know my overall theme. I know the direction I want to go. The rest? I have no clue. I’m a combination panster (as in flying by the seat of) and plotter.

My eight tips to make your November easier: Read more

How to tame the beast called plot

In honor of Halloween, I thought I’d write about plot. The word plot used to scare me more than the time I was ten years old and my cousin dragged me to the local haunted house our little town hosted for Halloween.

I screamed my head off (cliches are okay at Halloween when the veil between good and bad prose is thinnest)—monsters lurching out of the dark, re-enactments of beheadings and hangings, cobwebs tangling in my hair, but when a hand reached out and grabbed my ankle in that dark hallway, I let loose a blood-curdling scream that would make the director of “Saw” proud. (Not that I would ever see said movie). I nearly trampled all the people in line in front of me to get out of there. I’ve never been in a haunted house since. To this day, I still shiver when somebody mentions haunted house and Halloween in the same breath.

But I digress…. Notice, I said the word plot used to scare me. That was before I started reading James Scott Bell’s Plot & Structure.As a newbie to writing fiction, I’d get confused about the word plot—what does it mean exactly? It sounds like some exotic species of plant that needs to be cared for in an exact, specific way or all will be lost. Read more

Exercises in memoir: finding your story

We all have a story to tell. Some of us have several. So how do you discover your real story? In memoir, it’s important to sift through the events of your life to discover what’s important.

Below are a few exercises that helped me find the core of my story:

  1. Set your timer for 15 minutes and write 10 sentences that begin with the words, “I remember….” The sentences don’t have to be related, just write, try not to think too much, just let the words flow. When you’re done, read through your list and see if there’s anything that stands out or feels the most honest. Usually, these lines appear later in the list. Read more

Three tips to writing multi-dimensional villains

At the Surrey International Writers’ Conference this year, I attended a workshop by author Wendy Roberts on how to create a great villain. Judging by her popular Ghost Dusters series, I’d say what she does works. Below are some of Wendy’s tips, mixed in with several of my own.

Books, of course, can have more than one villain (bad guy) but should really have only one main antagonist (the baddest bad guy).

1.     Know your antagonist.  Most of us spend more time developing our protagonist then our antagonist. But we should know our villain as well as, or even better than, our hero. We have to know our antagonist inside and out. To help with this, I ask myself questions. What makes them tick? What in their childhood or past set them on their path? What drives them? Greed? Revenge? Drugs? What do they want out of life? What makes them feel good? What makes them feel bad? Dig deep and find your villain’s motives. But don’t stop there. Read more