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Posts by Carol Despeaux Fawcett

Jan 30

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How to put together a poetry manuscript, part 2

Unlike visual artists or sculptors, poets don’t often talk about the way individual pieces fit into the whole of their work.  Maybe the reason some poets hesitate to talk about this process is because, like writing a poem, they are following the instincts of their inner voice. Maybe their process is too close to them to place into words.

Fortunately, in Ordering the Storm: How to Put Together a Book of Poems (Imagination, No. 11), edited by Susan Grimm, there now exists a collection of essays by poets who’ve done just that–put together their own books of poetry and survived.

All of the essays were invaluable in helping me order my own storm. I liked Liz Rosenberg’s advice, “I try to start a book with what I think of as a beautiful poem, and to end with a powerful philosophical poem. I think we do begin with beauty and end with wisdom….” I also liked Jeff Gundy’s idea of ending a collection of poetry with a poem that offers some “intimation of hope, some glimpse of shelter and safety in this dangerous world.” He includes the poem that ends his most recent book of poems, Deerflies, as an example. Read more

Jan 26

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How to put together a poetry manuscript, part 1

I’m putting together my first poetry manuscript: gathering and editing poems, organizing and reorganizing them into some kind of order. Since I’ve never done this before, I wanted a little help.

I found an excellent article by Jeffrey Levine, an award-winning poet, and Founder, Publisher and Editor-in-Chief of Tupelo Press. In Thirteen Ways of Looking at the Poetry Manuscript: Some Ideas on Creation and Order, Levine gives an overview of the entire process from what font to use to how to find an effective title to tips on ordering the poems.

For me, ordering the poems was the biggest challenge. What seems as if it should be so simple, is not.

Levine advises: “Spread all of your poems out on the floor, a floor that does not need to be disturbed, and look at them. Read them. Live with them. See what relationships seem to be developing between the poems. Which poem wants to talk to that poem?” Read more

Jan 24

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Ask this simple question to get a new perspective on your writing

Last week, I had two lessons about the benefits of looking at things in a different way.

First, we had a tremendous (for us) snow storm here in the Pacific Northwest. Normally, we get a dusting of snow once or twice a year which is usually gone within a day. Last week, we had six inches and it lasted three days. Since we’re surrounded by hills, we were snowed in. The first day was fun but by the third day, the snow was interfering with our business. Since Fed Ex couldn’t get to our home, we walked our boxes to the drop-off location about a mile away.  No big deal. We like to walk in the snow.

As we headed toward the road we normally take to Fed Ex, my husband said, “What if we went up this side street? The hill isn’t as steep and it may be shorter.” So we tried a different route and along the way we met a new neighbor out shoveling his sidewalk. Read more

Jan 20

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How to introduce conflict or change in your very first sentence

Nancy Kress, author of Elements of Fiction Writing – Beginnings, Middles & Ends,says writers have about three paragraphs in a short story and three pages in a novel to catch the reader’s (or agent’s or editor’s) attention. She explains how we can make our openings interesting and original through character, conflict, specifics, and credibility.

In our very first sentences, we can hint at some future conflict or change in our story.

Kress says that we don’t have to have a body hurtling from a window—there are many subtler ways to introduce conflict. Randomly choosing a few of my favorite books from my bookshelf, I’ve copied their first sentences below:

“Running with the Demon,” by Terry Brooks.

“Hssst! Nest!” His voice cut through the cottony layers of her sleep with the sharpness of a cat’s claw.

I like the specifics here and the contrast of “cottony layers of sleep” with “sharpness of a cat’s claw.” We have the feeling that something interesting is going to happen. Read more

Jan 18

Reading list for memoir writers

While writing and researching my memoir, I read over fifty memoirs in order to learn from other authors and to get a feel for where my book might fit in.

Agent Donald Maass suggests that authors read the top ten current books in their genre in order to get a feel for what’s already been done and what draws readers in.

If you’re writing a memoir, I recommend researching not only top-selling memoirs but also those with themes similar to the one you want to write.

Below are just a few of the books I read and recommend. I’m not including a summary of each book but a few sentences on why I liked the book or what I learned from it.

Memoirs:

“Paula,” by Isabel Allende.  Allende’s beautiful and passionate memoir about the death of her daughter showed me the importance of writing to a positive reconciliation. Read more

Jan 16

Writing inspiration: Interviews with poets

Have you ever wanted to ask a poet about their process? Where they get their ideas? Where they write? What they do besides write poetry?

At Poetry.org you can watch short interviews with different poets who answer these questions and others. What I like about the interviews is that you can click on each question separately and get a one- to two- minute clip. Great for our busy lives.

I discovered something new while watching Brian Moses answer the question, “What part does music play in your poetry?” He shows off two musical instruments—one I’ve never heard of called the spring drum that sounds wonderfully mysterious, reminding me of wind and rain howling through a forest. I think it will make a nice addition to the growing collection of inspirational props in my writing room—for those days when I need a little nudge of inspiration.

For more in-depth interviews with poets, check out Grace Cavalieri’s website. She has interviewed over 2,000 poets, including some of the world’s best.

Jan 12

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How to take your finished manuscript to the next level

When I was writing my memoir, it seemed as if the editing process would last a lifetime. When I finally felt as if my manuscript was ready to send out to the world, I took the advice of agent Don Maass and applied one final editing technique. The results were pretty remarkable. I highly recommend this process for all writers whether you’re a beginner or a published professional.

Here’s how it works: When you think you’re done with your manuscript, take a handful of pages (20 to 30) and throw them up in the air. Repeat until the entire manuscript is scattered across your floor. Then randomly gather the pages into one big pile.

Now, go through your manuscript page by page (still out of order). As you read each page, find a way to do these two things per page: Read more

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