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Posts by Carol Despeaux Fawcett

Apr 10

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Make your characters come alive with a character journal

I’ve been working on my fantasy novel lately and feeling as if I need to get closer to my protagonist. Scenes have been clicking along but I was starting to feel that some of my protagonist’s feelings and reactions to what is happening around her need to come out more.

Expanding on an idea I first heard about from author James Scott Bell, I decided to start a daily journal from the point of view of Caitlin, my protagonist.

My plan is that when I’m done writing a scene or a segment of a scene, I’ll take five minutes and write in her journal about how she feels about what just happened. Read more

Apr 8

How your audience can feed your writing soul

This weekend, my writer’s soul was nourished and fed. I gave a poetry reading at our local artsy coffee house, the Poulsbohemian, with two other poets—author and teacher Bob McAllister and Bill Mawhinney who runs the Northwind Reading Series in Port Townsend.

I was honored to read with these two prolific and treasured poets and they’re part of the reason I had such a great experience this weekend. But there was another reason the night stood out for me as the best reading I’ve ever given—the audience.

When I read, I like to take turns reading from my pages and glancing around the room at the faces in the crowd. My intent is to tune into their energy and take them for a ride with me. My goal is to entertain and move my audience.

Last night, I have to admit I was a bit tired when I arrived. But as soon as I started reading, I could literally feel the audience’s intent—they leaned forward, their eyes were open, they followed my words and wanted more. It felt as if they had all dialed into the same static-free channel at the same time. I’ve given readings before but this was the first time I felt the audience was really hungry. Read more

Apr 4

Three posts to celebrate National Poetry Month

In honor of National Poetry Month, I wanted to share three previous posts on the subject of poetry:

What I learned by reading poetry in front of the Rotary Club is a fun post about my evening out with other poets at a local Rotary Club event. 

In Improve your writing craft with this assignment from author Ray Bradbury Carly shares my all time favorite tip from this amazing man. Hint: this advice is not just for poets.

Three poetry sites to inspire your muse is a post that lists three websites I subscribe to and why.

Enjoy!

Apr 2

Use cause and effect to further your plot

Martha Alderson, otherwise known as The Plot Whisperer, defines plot as, “a series of scenes arranged by cause and effect to create dramatic action filled with tension and conflict to further the characters emotional development and create thematic significance.”

In her book, Blockbuster Plots, Alderson breaks down the above statement an element at a time to explain what each part means.

Cause and effect means that the events that happen in one scene cause the events that happen in the next scene. For the most part, we want our stories to flow from scene to scene and not feel episodic or random. Episodic scenes can make a novel feel disconcerting and choppy.  (Of course, this isn’t a hard and fast rule—I’ve read purposely episodic memoirs or novels where the author intended this. But, the key here is the authors knew what they were doing and used the technique on purpose).

If you want to hear more on cause and effect by Alderson watch this 7-minute video:

Mar 29

Three posts to enhance your story’s emotional landscape

Below are three posts from me and Carly about enhancing the emotional landscape of your characters and stories.

In the post “Find your story’s emotional throughline” Carly writes about a babysitting experience she had where she learned about subtext–finding the real meaning beneath an event.

“Enrich your characters’ and readers’ emotional experience with these cues,” is a post about helping readers connect with your character’s emotions.

“Try these techniques to amplify emotion in your writing,” examines the use of anaphora to enhance your story’s emotional impact.

Mar 27

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One way to free your subconscious writing mind

I had a writing date with a friend today who is a poet and playwright. As we set up our computers and writing space at the local coffee shop, she shared with me that she sometimes plays mahjong on her computer while working out a problem.

I said, “Huh?” I couldn’t imagine have a game open on my computer while trying to write. But she explained that when she has a problem she needs to work out in her mind, the clicking sounds of the mahjong tiles soothe her. I guess they create a kind of white noise.

So I tried it tonight. I download a free majhong game from http://ivorymahjongg.com and played it while thinking about the next scene in my book. What I discovered, besides the fact that mahjong is totally addicting, is that it did free me up to think about my plot. It felt as if I was keeping my conscious mind busy so my subconscious could get to work.

Sometimes, it’s necessary to take a step back from our writing to see where we want to go next. I often take breaks when I need to think about something—I wash the dishes, brush the cats, go for a walk, or even do some gardening.

Now, I’ve found another way to take a short mental break without leaving my chair.

What tricks do you use to access your subconscious writing mind?

Mar 25

How to stand out from the slush pile

One of the things I love about reading other people’s work is what I learn from it.

So, last year, when I was asked to be one of the judges for a prose competition, I said yes. The competition guidelines listed the areas we were to rank on a scored number system—things like characterization, setting, dialogue, point of view, etc.

Of the twenty or so submissions I read, there were a variety of stories—from a gothic, steampunk, coming-of-age story to a memoir about losing one’s memory in the aging process.

A few submissions stood out above the others like the shiny, bright agates my cousin and I would hunt for on the beaches of our childhood. These submissions wove all aspects of good writing and storytelling together into a whole that hooked my interest from the first line and never let go.

The majority of the submissions fell somewhere in the middle of the pile—not to be rude—but what I might call “mediocre land.” They weren’t poorly written but they didn’t grab ahold of me and say, “Read this, now!” In fact, in many cases, I couldn’t wait for the story to be over because I was bored.

So, what did I learn? Read more

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