In a previous post I wrote about a little technique I learned from author and writing instructor, Rhay Christou, who teaches for the online Lawson Writer’s Academy.
“Develop your characters through dance” highlights a short video by actor Kevin Cox demonstrating how to unlock your body and mind in order to delve deeper into your characters.
Another tip I learned from Rhay is called, “Don’t Dance. ACT!” In this exercise, you pick a moment in your scene where your character is having (or is supposed to have) an emotional response to something. Choose one emotional beat. Now get up, stand in the middle of the room, and close your eyes. Picture yourself in your character’s setting. Become the character. What do you feel? Hear? Taste? Open your eyes. What do you see? Does your setting affect how you feel?
How are you holding your body? Tense? Relaxed? What is your body doing? Facial expressions? How do you feel? Angry? Sad? Frustrated? How does it show up in your body? Are you having a visceral reaction? A thought?
Now grab your journal and write as much as you can without stopping. If more feelings come up, write them down. Keep writing. Can you add anything to your scene to make it stronger?
In my chapter one, my protagonist, a veterinarian, struggles to save the life of a dog. Her boss forces her to use her mysterious powers that she has tried to run from ever since her mother died (she blames her powers for her mother’s death). When I close my eyes and become my character, I ask, “How does it make me feel that my boss has forced me to use my powers?”
Here’s what I wrote: “I’m angry. Pissed off. Want to hit something. My body feels tense, rigid, so tense my breathing is labored and tight. My chest feels like it’s in a vise, pressed together like a moth between glass. How dare she! She has no right to call on my powers. Total invasion. And what’s worse is she doesn’t realize the consequences. She doesn’t know that somebody could get injured or die. I never should have trusted her. Should have kept my mouth shut. Granddad was right—don’t trust anybody with my secret. Let this teach me…never again.”
Do I have any of these feeling in the chapter? Noooooo. After she saves the dog, my protagonist and her boss have a nice little chat about their dating life. Right. Revision time.
Ever notice how sometimes when you write, your brain kind of does a little hop-skip-and-a-jump ahead of itself? Mine does. Sometimes, I miss whole reaction beats. My character skips from one thing to the next without really processing what’s happening.
These exercises help me slow down and pay attention to how my character feels. They get me out of writer-brain and into the heart of my character.
I highly recommend any of the Lawson Writer’s Academy online courses. You’ll learn tons and meet some really cool writers. Check out their September classes here: www.margielawson.com or see the list below:
Master The Synopsis!
No. More. Whining.
MASTER THE SYNOPSIS! Starts Monday.
Instructor: RITA Finalist Jennifer Archer.
Sept 1-26; Fee: $50
Submissions That Sell
Make your query SELL your MS.
Instructor: RITA Winner Laura Drake.
Sept 1-26; Fee: $40
From Blah to Beats: Giving Your Chapters a Pulse
In 14 short lessons, learn how to make your chapter a lean and mean beating heart.
Instructor: Rhay Christou, MFA
Sept 1-30, Fee: $50
From Homeroom to Last Bell:Hero’s Journey in YA Fiction
YA Writers: Fab class.
Instructors: Jennifer McAndrews, Linda Gerber
Sept. 1 – 26; Fee: $50
Story Structure Safari
Instructor feedback, priceless. You’ll find your Story GPS.
Instructor: Lisa Miller
Sept. 1 – 30; Fee: $50
Getting Serious About Writing a Series
Lectures, plus tips from 18 fab authors.
Instructor: Lisa Wells
Sept. 1 – 26; Fee: $40
Virtues, Vices, and Plots
Need a New Approach to Plotting?
Sept. 1 – 26: Fee: $50
Instructor: Sarah Hamer, MFA